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art and part相关的网络例句

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与 art and part 相关的网络例句 [注:此内容来源于网络,仅供参考]

Music is that the mankind are the most ancient old, most have widespreadly with one of the art forms of atmosphere; Are the important form that the mankind pass particular realization of the stereo set structure and essential to have of feelings performance and exchanges; Is that what mankind live is organic to constitute part, it also that time art, sense of hearing art, the comprehensive performance of orotund art.

音乐是人类最古老,最具普遍和感染力的艺术形式之一;是人类通过特定的音响结构实现和感情表现与交流的必不可少的重要形式;是人类生活的有机组成部分,它也是时间艺术,听觉艺术,声音艺术的综合表现。

After such a long time, Duchamp's conception of "Short Reality" still seems to be reliable as being the logical base of modern art. Nevertheless, the retinal part which he denied, after interruption and mending, is balanced with a good proportional part of the modern art production scales.

很久以后看来,杜尚"短暂的真实"观念作为当代艺术的逻辑基础继续牢靠,但他反对的视网膜艺术经过中断和修改,以过半的比例平衡着当代视觉艺术的生产规模。

Nowadays, what human being long for in their hearts are those great arts, which can play greater supportive roles in people's lives, which can reflect the confidence and the great psychological behavior and the relatively bright value part of human being. The art in the 20th century simply expressed the schizophrenia, mania, uneasiness and vacuity as well as insignificant depiction of personalization. This kind of art has serious deficiencies and limitations. Should the 20th century be proud of schizophrenia and self-torture? Should the 20th century use a narrow language to cope with art achievements of the past thousand years?

在这个时代,人类内心渴望的,就是这些伟大的艺术,她能够在人们的生活之中起到更大的支撑作用,艺术依然能够反映人类所应有的那种自信、伟大的心灵生活以及人的所有比较光明的价值部分。20世纪的艺术单一地表达人的精神分裂、迷狂、不安和无聊,以及琐碎的个人化的描写,是有很大不足和局限性的。20世纪是不是应该为自己的梦呓、精神分裂、自虐等价值骄傲,以及用狭隘的个人语汇来面对几千年的艺术成果呢?

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分:一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因;简要介绍了中国传统民居室内陈设艺术的发展过程;着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析,总结出其设计理念集中体现在五个方面,即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚;另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨,并提出了自己的见解,即每个时代对传统文化的继承都应该呈现出自己的特色,当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓,又要充分考虑当代审美观念、原则和方法的融入。21世纪,室内设计大力提倡人文关怀,具体到室内陈设艺术设计上,应该向生态化、个性化、舒适化和文化层面发展;吸收传统文化元素装饰当代居室空间,要有效地把握空间意境,使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&,进而追求&形神兼备&的艺术效果。

Volume 1 introduces the history of accordion , Volume 2 is about the preliminary spread of accordion in China . I dug into great amount of concerning historical data of four aspects, they are the early accordion textbooks, the accordion activities happened in Shanghai, Haerbin and Yanan, which veritably resurges the development of accordion art in China before 1949. Volume 3 reveals the development of Chinese accordion art from after 1949, I focused on five aspects, namely the production, education, performance, theoretical study and communication between China and foreign counties, in time order. This part comprehensively shows the plenty fruits of accordion art in around 50 years after the foundation of China. Volume 4 mainly concerns the development of Chinese accordion music composing. It reviews the history in four periods. Meanwhile, this part also analyses in detail the nationalization pursuit and the utilization of performance skills in composing.

第一章是对&手风琴历史源流&的介绍;第二章是&中国最初的手风琴艺术传播&,本人挖掘出大量的相关史料,从&早期的中国手风琴教科书、上海、哈尔滨和延安的手风琴活动&四个方面进行了研究,真实地再现了1949年以前的中国手风琴艺术发展;第三章是&新中国成立以来的手风琴艺术发展&,分别从&乐器制造、手风琴教育、表演、理论研究与中外交流&五个方面按时间顺序进行了论述,全面反映了手风琴艺术在新中国成立后50余年所取得的丰硕成果;第四章是&中国手风琴音乐创作的发展&,论文将手风琴音乐创作分为四个时期进行了历史的回顾,并对创作中的民族化追求以及手风琴演奏技巧在创作中的运用作了具体分析。

China's modern ceramic art has experienced about 20 years of artistic language experiment since 1980s. It has experienced a process from focusing on art form to media language; from weakening ideology to pick it up again, then to stylizing ideology. The process has made modern ceramic art be an important part of Chinese contemporary art, contain instant feelings and broaden cultural horizon. It promoted ceramic art through comparing with pure western art style in the modern art system.

中国现代陶艺自20世纪80年代至今约20年的语言实验过程,经历了由形式问题到媒介语言实验至文化关注,由淡化意识形态到重回意识形态到将意识形态风格化的演变,使现代陶艺成为中国当代艺术的重要组成部分,容纳当下的体验和拓展文化视野的功能,在当代艺术体系中通过与纯粹西化艺术形式的对应,使陶艺文化精神得以弘扬。

The website is established " contemporary art "" art history is written down now " Chinese art memorabilia """ archaic art " wait for a column, the artist that records Chinese art group to have representative, technicality, authority and exploration mind produces condition and work plan collection; Archaic art part is involved first the Qin Dynasty fluctuates to Yuan Mingqing the brushwork during 3000, grotto, grave is artistic, the communication that provides rich, full and accurate for broad artist and lover learns interactive platform.

网站设立&当代美术&&当代美术史记《中国美术大事记》&&古代美术&等栏目,记录中国美术界具有代表性、学术性、权威性和探索精神的艺术家创作状态和作品图录;古代美术部分涉及先秦至元明清上下3000年期间的绘画、石窟、墓葬艺术,为广大艺术家及爱好者提供丰富、翔实的交流学习互动平台。

If I were to say, on the contrary, that the best picture was th at which most closely imitated nature, I should assume that art could only pleas e by imitating nature; and I should cast out of the pale of criticism those part s of works of art which are not imitative, that is to say, intrinsic beauties of color and form, and those works of art wholly, which, like the Arabesques of Ra ffaelle in the Loggias, are not imitative at all.

相反,如果我说最好的画就是模仿自然模仿得最逼真的画,我是在假定艺术只有模仿自然才能给人愉悦,我批评时就会抛开那些不是模仿的艺术作品,即具有自身色彩美和形式美的作品,以及像拉斐尔在梵蒂冈宫给绘制的壁画那样毫无模仿的一切艺术作品。

In the opinion of Arthur Danto, the innovation of modernism artThe article regards abstraction of modernism art as the first part: the emergence of impressionism, post-impressionism, the development of modernism—it is a course of gradual abstraction; Art after Duchamp is as the second part: Duchamp and Dadaism, Surrealism, the device and Neo-Dadaism, Pope"s art, from Minimist art to idea art, New-figuration—it is a diversion of abstract art, has realized its oneself Along with Greenburgh"s impetus, and already obtained what it wanted at the beginning ------ so it has ended.

依阿瑟·丹托之见,现代主义艺术的创新随着格林伯格的推动已经实现了它自身,已经取得了它在出发伊始就想要取得的东西——所以它终结了。那么在这个&艺术已经终结&后的&后历史&、&后美学&或&后现代主义&时期,艺术需要以新的方式重新解读。

Over 15,000 Chinese performers took part in the ceremony; flourishes included 2008 percussionists pounding on ancient drums, dancers twisting around a traditional scroll to pay tribute to Chinese art, and a giant globe that rose up from the center of the stadium.

参加开幕式的演员超过了15000名。盛大的开幕式包括由2008名演员演奏的鼓乐;在代表中国传统艺术的卷轴进行的舞蹈;一个从舞台中央升起的地球。

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