查询词典 aria

The arias Beijing opera the red lantern accompanied by piano successfully re-performed many times several decades after Cultural Revolution, resulting from the new centaury of the relaxed political and cultural environment For the purposes of evaluation of its art value, this paper analyzed the example music, records, books and journals, audio and video materials of the arias Beijing opera the red lantern accompanied by piano, had the historic environment and generation background revert to type and analyzed the music aria in detail.

几十年后，在政治、文化环境宽松的新世纪，钢琴伴唱《红灯记》的多次复演均取得巨大成功。本论文通过对钢琴伴唱《红灯记》谱例、唱片、书刊、音像资料进行分析，还原作品创作的历史环境、创作背景，具体分析音乐唱腔，评判该作品的艺术价值。

This paper introduced the background of the opera Romeo and Juliet, the style of the composer and the characteristic of the dramatis personae, analyzed the method of expressing the emotion by singing its aria, elaborated mainly on the singing skill of the colorature part, so as to provide helpful suggestion for the learners of vocality.

通过对歌剧《罗密欧与朱丽叶》创作背景、作曲家的风格以及人物性格的分析，探讨了这首咏叹调在演唱中人物情感表现和技术运用的方法，并着重对作品花腔部分的演唱技巧进行了阐释，从而为声乐学习者更好地演唱这首脍炙人口的咏叹调提供一些有益的帮助。

Based on Mozart's opera genius, this paper used the methods of researching on "19 Mozart Piano Sonatas", as well as the three major Mozart opera scores:"The Marriage of Figaro","Don Juan" and "The Magic Flute" and DVDS. Through a comparative analysis between his opera and piano sonatas I can find a large number of elements of his opera, such as aria, recitativ, quartet, chorus, decorative colorature and strong conflicts of paragraphs from the summary Mozart's Piano Sonatas in a dramatic factor.

基于莫扎特的歌剧天才，本文立足于对《19首莫扎特钢琴奏鸣曲》的乐谱研究，以及对莫扎特三部重要歌剧：《费加罗的婚礼》、《唐璜》、《魔笛》的总谱及音响资料的剖析，对这种体裁进行比较分析，可以从他的钢琴奏鸣曲中找出大量具有歌剧咏叹调、宣叙调、重唱、合唱、花腔装饰以及强烈戏剧冲突性段落，从中总结出莫扎特钢琴奏鸣曲中所具有戏剧性的因素。

Glitter and be Gay光彩照人,心花怒放 Aria form "Candide"- Cunegonde Glitter and be gay, that's the part I play: Here I am in Paris, France.

光彩照人，心花怒放，这是我扮演的角色：我身在法国巴黎。

The main reason is that its rhythm is bold and unconstrained, solemn and stirring. Its aria is dolorous and melting and its tune is loud and sonorous.

但在当代社会转型、经济转轨的时期，戏曲艺术尤其是秦腔艺术的日趋衰落却是不争的事实，足以引起广大观众和学界的高度重视。

The latter thought he had achieved prodigies of technique and ornamentation, only for Farinelli to surpass him so much that he "was at last silenced only by the acclamations of the audience"(to quote the music historian Charles Burney — this account cannot be verified one way or the other, since no surviving work which Farinelli is known to have performed at this time contains an aria for soprano with trumpet obbligato).

而后者认为他在吹奏技巧与装饰音上已达到天才的境界，只有Farinelli能远远压过他，最后吹奏者只能被听众的欢呼声嘘下来。（引用音乐史学家Charles Burney的话－这种说法其实无法以这种或其他方法证实。因为没有残存的作品可以证明Farinelli在此时的表演包含著以喇叭为高音的咏叹调伴奏。

Chapter one is Mozart and opera creation. Chapter two is "The Marriage of Figaro" aria in the analysis of four.

第一章，莫扎特及其歌剧创作；第二章，《费加罗的婚礼》中四首咏叹调的分析；第三章，《费加罗的婚礼》中四首咏叹调的教学。。。

It can stylistically be compared to fortifications from Aria and Bactria from the first centuries BCE and CE.

它可以风格相对应的防御工事，从咏叹调和巴克特里亚从第一世纪和公元前行政长官。

The dramatist and musical characters and the perfect combine between music and drama are the purports. The thesis is divided into three parts: the preface, four chapters and the conclusion. In the preface it is explained that what in this thesis is expounded and what kinds of study about the opera there are in Chinese and in the other area of the world. The first chapter is a summary about Gounod and his"Faust", which is the typical work in lyric operas. In the second chapter analysis on drama, the character and figures of the roles in the opera is made, and the characteristic of the plot ,the creation of opera and framework is put together. In the third chapter the music in the opera is studied, and the characteristics are put together on the base of particular analysis on typical passage of aria chorus ensemble. In the last chapter, perfect combine between drama and music is presented by study on Faust's character and psychology,and it is discussed that music implied the plot. And the conclusion is a whole comment of the opera and it's musical characteristics

更多论述。全文由引言、四个章节、结论等几个部分组成：引言是关于论文的选题、国内外研究现状的陈述，指明笔者选题的意义以及国内外学者对此课题的研究程度；第一章是对抒情歌剧作曲家古诺以及抒情歌剧的典范之作《浮士德》的一个总体上的概述；第二章从人物性格与戏剧情节、戏剧结构、戏剧创作等方面对歌剧《浮士德》进行分析，归纳其戏剧特点；第三章是对歌剧《浮士德》音乐特点的研究，通过对咏叹调类、重唱类、合唱类唱段中有代表性唱段的具体分析，总结其在音乐创作方面的主要特点；第四章从音乐刻画人物的性格与心理、音乐暗示戏剧情节的发展等方面，论述了歌剧《浮士德》在戏剧与音乐方面的完美结合；结论是对歌剧《浮士德》的整体论析。

First-prize winner Guang Yang, from Beijing, displayed a mezzo-soprano with velvety low notes, a gleaming upper register and impressive amplitude in an aria from Gounod's rarely heard "Sapho" and the final scene of Verdi's "Il Trovatore."

每年在波士顿举办的滋根筹款音乐会都邀请名家演唱，今年邀请了四位歌唱家，除观众熟悉的著名女高音王意如，还有男高音戴晓平、女高音廖珩君、女中音阳光。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。