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Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear division was usually made between the "acting area" and "auditorium".

认为戏剧从仪式演化而来的人们还认为那些仪式包含了戏剧的基本因素,因为音乐、舞蹈、面具和服装几乎经常被使用,而且,必须为演出提供一个合适的地点;如果不是整个社区共同参加演出,经常在&演出区&和&观众席&之间划分出明显的分界。

Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear division was usually made between the "acting area" and the "auditorium."

认为戏剧从仪式演化而来的人们还认为那些仪式包含了戏剧的基本因素,因为音乐、舞蹈、和几乎经常被使用,而且,必须为演出提供一个合适的地点;如果不是整个社区共同参加演出,经常在&演出区&和&观众席&之间划分出明显的分界。

Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear pision was usually made between the "acting area" and the "auditorium."

认为戏剧从仪式演化而来的人们还认为那些仪式包含了戏剧的基本因素,因为音乐、舞蹈、面具和服装几乎经常被使用,而且,必须为演出提供一个合适的地点;如果不是整个社区共同参加演出,经常在&演出区&和&观众席&之间划分出明显的分界。

Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear division was usually made between the "acting area" and the "auditorium."

认为戏剧从仪式演化而来的人们还认为那些仪式包含了戏剧的基本因素,因为音乐、舞蹈、面具和服装几乎经常被使用,而且,必须为演出提供一个合适的地点;如果不是整个社区共同参加演出,经常在&演出区&和&观众席&之间划分出明显的分界。

I argue that in The Picture of Dorian Gray, besides the well-known eccentric dandy, Lord Henry Wotton, Dorian Gray is an unprecedented gender figure that has long been ignored by most critics, and should thus be explored in details.

我首先要提出的是,在《多利安格雷的画像》中,除了大家都已熟悉的、乐於挑战文化常模的亨利沃顿爵士以外,多利安格雷其实是一个一直以来都受到评论家们忽视的前所未见的新形别角色,因此十分值得对之进行一番探讨。

While the most descriptive accounts of the Gardens come from Greek historians such as Berossus and Diodorus Siculus,Babylonian records stay silent on the matterTablets from the time of Nebuchadnezzar do not have a single reference to the Hanging Gardens,although descriptions of his palace, the city of Babylon, and the walls are foundEven the historians who give detailed descriptions of the Hanging Gardens never saw themModern historians argue that when Alexander's soldiers reached the fertile land of Mesopotamia and saw Babylon, they were impressedWhen they later returned to their rugged homeland, they had stories to tell about the amazing gardens and palm trees at MesopotamiaAbout the palace of Nebuchadnezzar About the Tower of Babel and the zigguratsAnd it was the imagination of poets and ancient historians that blended all these elements together to produce one of the World Wonders

虽然对花园最详尽的记述是出自Berossus 和 Diodorus Siculus等希腊历史学家笔下,但巴比伦的历史记录却对此事只字未提。尽管在尼布甲尼撒时期存留下的各种书写板上发现了对他的宫殿、巴比伦城以及巴比伦的城墙的种种描述,但这些书写板上却没有一处提到过空中花园。甚至那些对空中花园进行过详细描述的历史学家们也从没有亲眼目睹过它们。现代历史学家争论说:当亚力山大的士兵们到达了富饶的美索不达米亚地区并看到了巴比伦时,他们深为所震撼。当他们后来回到崎岖不平的家乡时,带回了有关美索不达米亚的令人惊叹的花园和椰子树……、有关尼布甲尼撒的宫殿……以及有关巴别塔和金字型神塔的各种故事。是诗人和古代历史学家的想象力把这所有的元素混合在一起制造出了世界奇观之一。

The Arians, disciples of Lucian, rejected (as did the more moderate Eusebius of Caesarea) the eternity of Creation, and they were logical enough to argue that consequently "there was when the Word was not", and that He was a creature.

该Arians ,弟子卢西安,拒绝(也较温和的优西比乌的恺撒)永恒的创作,他们的逻辑足以认为,因此&有的Word时没有&,而且他是一种动物。

The Arians, disciples of Lucian, rejected (as did the more moderate Eusebius of Caesarea) the eternity of Creation, and they were logical enough to argue that consequently "there was when the Word was not", and that He was a creature.

该arians ,弟子的乔治拒绝了(当时较为温和尤西比乌斯的caesarea )永恒的创作,而他们的逻辑不够,辩称因此,&有的时候,这个词不是&,而他是一个受造物。

The Edinburgh team would doubtless argue that Mr Brown was handed the grumpy gene at birth, that this dour and introspective character, so cautious in his dealings with others, so ready to take offence, obsessed by detail and unable to relax in company, was one of nature's pessimists, a man for whom no silver lining comes without a cloud, the epitome of P.G.

爱丁堡大学的研究小组可以毫不怀疑地认为Brown先生遗传了坏脾气的基因,这种严厉与内省、纠缠于细节和在公司无法放松的个性是一种天生的悲观主义者的表现,比如他与别人相处时的谨慎和随时准备采取防御的态度。对这种人来说,没有一丝银线不带来一片乌云,正如P.G。

Both Oswald and Richard Layard argue that relationships are more important than money--and that includes professional relationships.

奥斯瓦德和理查德·莱亚德都主张:人际关系比金钱更重要——也包括那些工作上建立的关系。

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