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We live in a society exquisitely dependent on science and technology, in which hardly anyone knows anything about science and technology.

我们活在高度依赖科技的社会里，而此中的人却对科技几乎毫无认识。

I never resort to a prepared script — anyone who does not have it in his head to do 30 minutes extemporaneous talking is not entitled to be heard.

我从不求助于事先准备的讲稿，任何想不出30分钟即席讲话内容的人就没有资格让人来听。

Sort. I never resort to a prepared script — anyone who does not have it in his head to do 30 minutes extemporaneous talking is not entitled to be heard.

我从不求助于事先准备的讲稿，任何想不出30分钟即席讲话内容的人就没有资格让人来听。

A war on terrorism implies that you are going to exterminate terrorism, and I don't see how anyone can do that.

"反恐怖主义战争意味着要消除恐怖主义，但我认为那是不可能的，就像要根除罪恶一样，是绝对不可能的。"

The idea is to create another way to externalize how we feel in a language anyone can understand.

这个构想是为了创造出另一种方式来让我们在使用一种所有人都能明白的语言时的感受具体化。

Anyone perfect must be cheating, flying with externals and their cockpit off...

飞得好的人绝对是在作弊。没在座机舱里，偷偷用机外视角。

It was not just the Jews Hitler sought to extirpate, it was just about anyone with an alternate point of view.

希特勒不仅要消灭犹太人，他要消灭所有与他持不同观点的人。

As Nazism took hold in Germany, however, he saw Nazism for what it was: it was not just the Jews Hitler sought to extirpate, it was just about anyone with an alternate point of view.

然而，纳粹主义统治了德国后，他认清了纳粹主义的本来面目：希特勒要灭绝的不仅是犹太人，任何持有非正统观点的人概莫能外。

" But in an interview today, the petite pretty dancer said "This is not a joking matter and I don't want to extort anyone for money!

"但在接受采访的今天，瘦小漂亮舞者说："这不是开玩笑的事，我不想给任何人勒索金钱！

The extraordinary life story of Ray Charles. A man who fought harder and went farther than anyone thought possible.

灵魂歌王》是一部罕见的好莱坞传记电影，很公正的描述了这位美国天才的一生。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。