查询词典 antique cloth

Won "the annual US-Furniture Design Award" bad furniture company of the "designer" series will be as solid wood bark cloth to sewing patterns, and costume design concept in the large-scale application of classical furniture design, it is on the one hand antique furniture and elegant appearance, on the other hand have distinctive special surface texture.

荣获"仁美年度家具设计大奖"的坏美家具公司制造的"设计家"系列将实木皮的纹路当成布料加以缝纫，并把服装设计理念大量应用在古典家具的设计上，使它一方面具有古典家具优雅的外貌，另一方面拥有与众不同的特殊表面质感。

His dress was of the antique Dutch fashion—a cloth jerkin strapped round the waist—several pair of breeches, the outer one of ample volume, decorated with rows of buttons down the sides, and bunches at the knees.

他的衣服是古色古香的荷兰时装布短上衣绑在腰间一轮的马裤几对，数量充足的外部之一，双方的下排按钮装饰，捆在膝盖处。

In the Sufei shop, has chocked up the belt tassels' Chinese type back cushion, silk fabrics wallet which the edge plate buckles, colored, has nearby the fine decoration meal the cloth, the plum blossom design assorted door knob sheath, embroiders the snowflake to decorate the heart shape Christmas which China ties to hang the decoration, the thick cotton material is the thick silk bolting spring teapot wrap, has the collar to have the gauze which or silk fabrics beverage bottle clothes the plate buckles, wraps in the fine gauze bag's lavandula spica, to scatter the plate which the candy resembles in the tray to take away the chopsticks wrap, has an unconventional idea paper matsyasana sunlight chimney, but also has each use attractive glassware, both tradition and modern age, is also antique warm refinedly.

苏菲的店里，摆满了带流苏的中式靠垫，滚边盘扣的绸缎钱夹，彩色的，有着精致饰边的餐布，梅花图案的各色门把手套子，绣着雪花缀着中国结的心形圣诞挂饰，厚厚布料系着粗丝绳的茶壶套，有领子有盘扣的纱或绸缎的酒瓶衣服，包在轻纱袋子里的熏衣草、撒在托盘里糖果似的盘扣筷子套，别出心裁的纸质鱼形日光灯罩，还有各种用途的漂亮玻璃器皿，既传统又现代，古香古色又温馨雅致。

Currently high-grade rattan seats Shell Nosing has been changed antique cloth, Shell Nosing to see is how well the.

目前高档藤席的收口已改为古色古香的布，收口收得怎么样是看不到的。

A Face Cloth in the Antique Phylis Stitch Free Pattern ...

03/02/07 -人脸布的古董P hylis宝贝自由模式。

The exhibition in 1963 to 70 era antique cloth, would like to take people to know that fabric pattern is a reflection of the aesthetics and history, is the 60s style hippie Hippy Style, is a youth culture fashion Dasheng's, For the source of a British Granny to break the old norm in the fashion industry, it hired Nigel Waymouth and Sheila Cohen for the United States means that they spent a lot of Aubrey Beardsley print pattern, performing a new color, a launch will be recognized by the public.

今次展出1963年到70年代的古董布，希望籍此让人知道，其实布的图案是反映当时的美学及历史，60年代是嬉皮风格Hippy Style，是时尚青年文化的大盛年代，源头是英国Granny欲要在时装界破旧立新，故此聘请Sheila Cohen和Nigel Waymouth作美指，他们用了大量Aubrey Beardsley的印刷品图案，表演新色调，一推出便受到大众认同。

Taiwan color cloth fastening technology, is a long history of folk arts and crafts, was first built by wealthy family inling peng , after the village of great saphenous leopard color fabric used creatively transplanted to the stage, pavilion, in the wooden stage based on the skeleton screw fabric colors created using a very high appreciation of the value of the arts scene in the antique Linglongxi lou , 2500 the use of screw-Taiwan colored fabric, from Taiwan, chiropractors, corrugated, birds, animals to cylindrical, square lattice , brackets, plaque-free bar is not twisted together with a cloth or翎mao , or flowers, or figures, or patterns, all the vivid image to a dragon, phoenix, tiger, leopard form the most prominent, unique handmade folk art techniques.

彩布拧台工艺，是一种有较长历史的民间工艺美术品，最早是豪门望族所搭建的灵棚，后被大隐豹村创造性地用彩布移植到戏台、楼阁上，在木搭戏台骨架的基础上采用各色花布拧扎成一个很高艺术欣赏价值的玲珑多姿的仿古戏楼，拧台使用2500块各色花布，从台脊、瓦楞、飞禽、走兽到圆柱、方棂、斗拱、匾额无不是用布拧扎而成，或翎毛，或花卉，或人物，或花纹，处处形象生动，以龙、凤、虎、豹造形最为突出，具有独特艺术性的民间手工技艺。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。