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J. Allen Brack expresses," demon animal world " 3.1 edition Ao Duya basically is the carbon that presents ancient element, not many, agnate instrument and equipment assemble inside, have jug again, famous god 祇 is closed in the depth of Aoduya's, the player must cooperate with other player, the effort between beautiful take time is thorough Aoduya, think method to try to answer.

J。 Allen Brack 表示，《魔兽世界》3.1 版奥杜亚主要是呈现远古元素的副本，里面集合相当多、不同族的仪器与设备，又有监牢，有名神祇被关在奥杜亚的深处，玩家必须与其它玩家合作，花费时间努力深入奥杜亚、想办法加以应对。

Through a historical and critical survey of the village and agrarian studies in India, I shall try to answer this question.

通过本人对印度农村生活和农业的进行的历史性的批判性的调查研究，我试图回答这个问题。

Answer: to some extent, I do agree upon it.

回答：某种程度上，同意。

Here then is an agreeably simple answer to our question.

那么，这便是对我们的问题的一个共许的简单回答。

THE Short Answer A bit of both and the difficulty in identifying AGRO Agents.

一点都和困难，在确定农业代理商。

The only direct way to answer this question is to compare Jomon and Yayoi skeletons and genes with those of modern Japanese and Ainu.

解决这个问题唯一直截了当的方法是将绳纹人和弥生人的残骸和基因与现代日本人和阿伊努人的作一比对。

The answer to this problem is a portable air conditioner as it has many advantages.

这个问题的答案是因为它便携空调器有很多好处。

His answer was to lift the vessel out of the water by making it ride on a cushion of air, no more than one or two feet thick.

他的答案是通过让船行驶在不超过1至2英尺的空气垫上使其把船从水中提起来。

Relating to any international express and international air transportation problems can be at any time to inquire, our professionals will answer your questions.

有关任何国际快递和国际空运方面的问题都可以随时来电咨询，我们的专业人员将会为您解答。

In his answer, Rudd spoke about the continuing need for Australia to secure its sea and air lanes.

在路克文总理的回答中，澳大利亚有要持续保卫其海空航线的安全。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。