查询词典 ancient music

Before the 19th century, from the originator of ancient Greece to the Renaissance, to the Enlightenment period in the 18th century, to the Romantic period in the 19th century, the emotional music aesthetics thinking led to the absolute superiority of Western music aesthetic thought, until the latter 19th century, there appeared th...

十九世纪之前，从古希腊发端，到文艺复兴，到十八世纪启蒙运动时期，再到十九世纪浪漫主义时期，情感论音乐美学思想以绝对的优势主导着西方音乐美学思想，直至十九世纪后期自律论音乐美学出现，对之产生巨大的冲击。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

With its unique location as the main artery for traffic and trade in southwest China from time immemorial, the south " Silk Road " and the transfer station of " Ancient Tea Horse Route " from Tibet to, Lijiang plays an important role in transmitting flows of trades from central China to southeast Asia and communications between Chinese culture and foreign culture and keeps numerous historical cultural heritages here: Lijiang Ancient City with a reputation of " Plateau Gusu " and " Eastern Venice " firstly estabilished in Nansong Dynasty, protected completely and operated energetically now with national characteristics and local characteristics; Mu ' s Residence called the " Concretionary Ancient Naxi Music ", which was Mu ' s hereditary local office in Lijiang and rebuilt as the ancient town museum in 1998; and numerous ancient temples including Wenfeng Temple, Fuguo Temple, Puji Temple and Yufeng Temple etc. combined with central Chinese culture and local national culture and influenced by Tibetan cultural characteristics; the Baisha Mural with magic Dongba culture taking Naxi ancient religion as carrier and Dongba Classics as the main record manner and reflecting the unique national cultural history of Naxi minority with the only living Dongba hieroglyph in the world and the integration of Taoism, Han Buddhism, Tibetan Buddhism and Dongba culture, which becomes the state-level key protected cultural site; and those national culture and national traditional art with abundant cultural content, including Baisha residential buildings and Shuhe residential buildings with long history and unique characteristics and Moso folklore still with matriclan characteristics at Lugu Lake bank, which compiles a colorful article for civilizations.

由于区位独特，丽江自古以来就是我国西南交通贸易大动脉南方"丝绸之路"和由西藏入境的"茶马古道"的中转站，为中原至东南亚南来北往的贸易和沟通中原文化和外来文化影响的传送发挥了重要的作用，同时也在这里留下了众多的历史文化遗存：有始建于南宋，到现今也保护完好，运转鲜活，富有民族特点和地方特色，有"高原姑苏"、"东方威尼斯"美誉的丽江古城；有原为丽江世袭土司木氏衙署、1998年重建后改为古城博物院，被称为"凝固的纳西古乐"的木府，以及可见中原文化与地方民族文化结合，并受到藏族文化特征影响的文峰寺、福国寺、普济寺、玉峰寺等众多的古建寺观；神奇的东巴文化以纳西族古老的宗教为载体，以东巴经书为主要记录方式，反映了纳西族独特的民族文化历史，世界上唯一"活着的"东巴象形文字，融道教、汉佛教、藏传佛教以及东巴文化为一体，成为研究明代艺术奇珍的国家级重点保护文物白沙壁画；历史悠久、独具特色的白沙民居建筑群、束河民居建筑群，以及泸沽湖畔仍具有母系氏族特征的摩梭风情等具有丰富文化内涵的民族文化和民族传统艺术，为人类文明史留下了灿烂的篇章。

Thus, despite a long history of Galla authentic music still retains its ancient advocate music played, playing, dancing, singing legacy, but also be able to see a few thousand years, Buddhism and Taoism, Confucianism and other religious music, and military music, imperial court music to its effects.

因此，尽管经过了漫长的历史，高洛音乐会仍保留着原汁原味的古鼓吹乐奏、打、舞、唱的遗风，也能看到几千年来释、道、儒等宗教音乐及军乐、宫廷乐对它的影响。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即"天人和一"、"弦外之音"以及"以象立意"等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

In the meantime music and dance are dynamic state arts with the human body perform for intermediate, which have two kinds of cultural characteristic of language writing and non- language literalness and the non-language writing characteristic be theirs main aspect, which make race music and dance of protection and lineage have more difficulties comparing cultural heritage ancient works and cultural object ruins .

同时，音乐和舞蹈是以人体表演为中介的动态艺术，它具有语言文字与非语言文字的两种文化特征，非语言文字特征是它的主要方面，这就使得民族音乐和舞蹈的保护与传承较文献典籍和文物遗址而言有更大的难度。

In the meantime music and dance are dynamic state arts with the human body perform for intermediate, which have two kinds of cultural characteristic of language writing and non- language literalness and the non-language writing characteristic be theirs main aspect, which make race music and dance of protection and lineage have a larger difficulty comparing cultural heritage ancient works and cultural object ruins .

同时，音乐和舞蹈是以人体表演为中介的动态艺术，它具有语言文字与非语言文字的两种文化特征，非语言文字特征是它的主要方面，这就使得民族音乐和舞蹈的保护与传承较文献典籍和文物遗址而言有更大的难度。

Also during this time he took part in the movement of humanists, writers, musicians and scholars of the ancient world who formed the Florentine Camerata , the group which gathered at the home of Count Giovanni de' Bardi , and which was dedicated to recovering the supposed lost glory of ancient Greek dramatic music.

另外伯爵在此期间，他参加了人文主义者，作家，音乐家和古代世界谁形成的佛罗伦萨萨尔斯堡，该小组在家里收集的学者运动的一部分，尼日'巴蒂，并致力于恢复被假定失落的辉煌的古希腊戏剧音乐。

In the tune "the old city" represents Beijing, the music take the Peking opera as the source material, will divide the slow movement and the musical beat two parts, the slow movement sub-system will be persuasive the exquisite Peking opera melody to further process, causes it music, has displayed the urheen timbre delightful gentle performance special skill, will listen both to express feelings, the Beijing style to be full exquisitely, and will not lose the sonorous powerful place, music mood fluctuation repeat swings, the change will be careful, musical beat partial melodies sprightly smooth, by the urheen continuously the fast figure and the clear bright timbre, will entrust with this section of musics fresh and the active characteristic, but long will draw out a syllable appearance, also will then cause it alone lyricism, this music from differentThe angle expresses thinks of the ancient exquisite feeling, takes to the people infinite province to think with recalls.

曲中&古城&意指北京城，乐曲以京剧为素材，分慢板与流水板两部分，慢板部分系将婉转优美的京剧唱腔进一步加工，使之更加音乐化，发挥了二胡音色甜美柔和的演奏特长，听来既抒情优美、京味十足，又不失铿锵有力之处，音乐情绪起伏迭荡，变化细致，流水板部分旋律明快流畅，以二胡的连续快速音型和清脆明亮的音色，赋予本段音乐清新而活跃的特色，而长拖腔的出现，则又使之独具抒情性，本乐曲从不同角度抒发思古幽情，带给人们无限的省思与回忆。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。