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As an old woman chosen from the countryside by cao xue qin,grandmother liu came to masion jia to try her luck, to get pretty advantages at expense of other people, people thought she was vulgar, ridiculous and ignorant,thought she came here with country folks fun to scrounge, treated her just for the fun. All that impressions she gave us just because she lived under such a huge differences between rich and poor, without other choice, life decided her action. Her action was ludicrous and laughable, also, pathetic. It was a tragedy of all the peasants. For liu, only through humiliating herself to seek advantage, so that could go on the hard life.however, she faced her status squarely, and gained happiness from her own simple feature. Plus the process of resuing qiao jie, all the fact made a clever, cautious, humourous and kind grandmother, a good at social communications, active and optimistic grandmother.

刘姥姥是《红楼梦》中1个小人物，她是曹雪芹从乡下选上的1位贫穷的老太婆，她来贾府是为碰碰运气，讨点油水，贾府人觉得刘姥姥粗俗、可笑、无知，是来讨钱的，带有乡下人的野趣，都拿她取乐，她给别人的这些印象是因为她穿梭于巨大贫富差距之中，没有别的选择，生活使她扮演这样的角色，她的表演真是滑稽可笑，但又是可悲的，是所有贫苦农民的悲剧，她只有这样的作贱自己才能得到点恩惠，维持他们艰难的度日，但刘姥姥能正视自己的身份地位，并从自己的乡土味中寻找欢笑，再通过她救巧儿的事实，不难看出，刘姥姥既聪慧又淳朴，既谨慎又幽默，既善良又精通人情世故，是1位积极向上乐观的老人。

Allowed the date that" year" indulge in atrocities on the whole, the common people treat this terrible night as to close to come then very, call" year end", and figured out a the whole set to celebrate New Year's Eve the way of the pass:Each time to this evening, each per families work well the supper in advance, turn off the clean cooking stove, then chase a fastening with all stockade of chicken, the house hospital in front and back the doors all seal, hiding to eat" New Year's Eve dinner" in the house, because of this dinner have fierce 吉 don't 卜 of meaning, so buy very flourishing, in addition to wanting that the whole family the old and the young rounds together to have a meal to mean in peace and harmony and reunitedly, return the beard at have a meal to provide the worship of ancestors before and first first, the spirit of the imprecation ancestry protect, spending this night safe and sound, after eating the supper, who all dare not the sleeping, pushing to sit together to talk away to encourage.

到了宋代，人们便开始在桃木板上写对联，一则不失桃木镇邪的意义，二则表达自己美好心愿，三则装饰门户，以求美观。又在象征喜气吉祥的红纸上写对联，新春之际贴在门窗两边，用以表达人们祈求来年福运的美好心愿。为了祈求一家的福寿康宁，一些地方的人们还保留着贴门神的习惯。据说，大门上贴上两位门神，一切妖魔鬼怪都会望而生畏。在民间，门神是正气和武力的象征，古人认为，相貌出奇的人往往具有神奇的禀性和不凡的本领。他们心地正直善良，捉鬼擒魔是他们的天性和责任，人们所仰慕的捉鬼天师钟馗，即是此种奇形怪相。所以民间的门神永远都怒目圆睁，相貌狰狞，手里拿着各种传统的武器，随时准备同敢于上门来的鬼魅战斗。

Allowed the date that" year" indulge in atrocities on the whole, the common people treat this terrible night as to close to come then very, call" year end", and figured out a the whole set to celebrate New Year's Eve the way of the pass:Each time to this evening, each per families work well the supper in advance, turn off the clean cooking stove, then chase a fastening with all stockade of chicken, the house hospital in front and back the doors all seal, hiding to eat" New Year's Eve dinner" in the house, because of this dinner have fierce 吉 don't 卜 of meaning, so buy very flourishing, in addition to wanting that the whole family the old and the young rounds together to have a meal to mean in peace and harmony and reunitedly, return the beard at have a meal to provide the worship of ancestors before and first first, the spirit of the imprecation ancestry protect, spending this night safe and sound, after eating the supper, who all dare not the sleeping, pushing to sit together to talk away to encourage.

到了宋代，人们便开始在桃木板上写对联，一则不失桃木镇邪的意义，二则表达自己美好心愿，三则装饰门户，以求美观。又在象征喜气吉祥的红纸上写对联，新春之际贴在门窗两边，用以表达人们祈求来年福运的美好心愿。为了祈求一家的福寿康宁，一些地方的人们还保留着贴门神的习惯。据说，大门上贴上两位门神，一切妖魔鬼怪都会望而生畏。在民间，门神是正气和武力的象征，古人认为，相貌出奇的人往往具有神奇的禀性和不凡的本领。他们心地正直善良，捉鬼擒魔是他们的天性和责任，人们所仰慕的捉鬼天师钟馗，即是此种奇形怪相。所以民间的门神永远都怒目圆睁，相貌狰狞，手里拿着各种传统的武器，随时准备同敢于上门来的鬼魅战斗。由于我国民居的大门，通常都是两扇对开，所以门神总是成双成对。唐朝以后，除了以往的神荼、郁垒二将以外，人们又把秦叔宝和尉迟恭两位唐代武将当作门神。相传，唐太宗生病，听见门外鬼魅呼号，彻夜不得安宁。于是他让这两位将军手持武器立于门旁镇守，第二天夜里就再也没有鬼魅搔扰了。

As a result, the schisms of All That Is were never rewoven back into the very fabric of All That Is and have continued to exist as a schism of All That Is.

作为结果，一切万有的分裂体从不重新组合返回进一切万有真实的构造，并且继续作为一切万有的分裂体存在。

For whithout words, in friendship, all thoughts, all desires, all expectations are born and sheard, with joy that is unacclaimed.

因为在友谊的不言而喻中，所有的思想、所有的欲望、所有的企盼，都在无法表达的欢愉中孕生而共享。

For whithout words, infriendship, all thoughts, all desires, all expectations are bornand sheard, with joy that is unacclaimed.

因为在友谊的不言而喻中，所有的思想、所有的欲望、所有的企盼，都在无法表达的欢愉中孕生而共享。

"Maybe I won't go around doing all the skills and scoring all the goals but there is another side to the game and I can let them get on with all the showboating."

&也许我不会去表演那些技巧，也不会射进很多球，但是有另一种方式可以对比赛做出贡献，我能让他们尽情表演。&

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That needs all the members should understand each other, should solidarize, should complement others' predominance, only doing which just can bring each leader's function into play, just can lead all teaching and administrative staff to work corporately, to develop and to innovate, just can make all the work of the kindergarten prosperous and flourishing and contribute to the construction of the harmonious society.

那就要做到班子成员相互理解、团结一致，要做到优势互补、结构合理，只有这样才能充分发挥领导集体中每个人的作用，带领全体教职员工团结奋进、开拓创新，使幼儿园的各项工作红红火火、蒸蒸日上，为构建和谐社会做出应有的贡献！

But in your fear you would seek only love's peace and love's pleasure, then it is better for you cover your nakedness and pass out of love's threshing-floor into the sea sonless world where you should all laugh, but not all of your laughter, and weep, but not all of your tears.

但是，如果出于恐怖，你只想寻求爱的平和与快乐，那你只好掩饰你的赤裸，穿越爱的打鼓场，进入一个没有季节的世界；在那里，你将欢笑，却无法笑出你所有的快乐，你将哭泣，却无法倾诉你所有的悲伤。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。