查询词典 all-american

With thee conversing I forget all time, All seasons and thir change, all please alike.

你的法律是神，我的法律是你；此外不闻不问，这才是最幸福的知识，女人的美誉。

First of all, the paper carried out test study on four two-spanned model members of FSMRCWB, including three 1/2-scaled two-storeyed models and one 1/3-scaled three-storeyed model. The paper analyzed the test results, including analysis on mechanical property of the composite wall beam under vertical loads, and failure mode, deformation capacity, aseismic performance under horizontal loads and constant vertical loads. Secondly, the nonlinear property of concrete is studed and the nonlinear models of FSMRCSS is builded by ANSYS. Last, The paper studies the result of ANSYS, which mainly includes the loading-displace curve of FSMRCSS under horizontal loads and constant vertical loads, the mechanics of arch under vertical loads lonely and under horizontal loads and constant vertical loads respectively, and status of the distribution and changing of vertical stress and cross shear on the surface of the suporting beam, and the influence of span ratio and hole.All in all, the caculating results are in good agreement with the test results.

本文首先进行了三个1/2比例的两跨两层和一个1/3比例的两跨三层的框支密肋复合墙梁的模型试验，分析了框支密肋复合墙梁在竖向荷载作用下的受力性能，以及在竖向荷载与水平低周反复荷载共同作用下的受力性能、变形性能、滞回性能、耗能系数及破坏形态；其次，研究了混凝土的非线性特性，建立了框支密肋复合墙梁非线性有限元模型，并借助大型通用有限元软件ANSYS进行计算；再则，进行了非线性有限元结果分析，主要研究框支密肋复合墙梁在竖向荷载与水平地震力共同作用下的荷载位移曲线，分析在竖向荷载单独作用下和在竖向荷载与水平地震力共同作用下墙梁的拱作用，托梁顶面的竖向应力和横向剪应力分布及变化情况，并讨论跨度比、洞口对墙梁拱作用和托梁顶面的竖向应力的影响。

But in your fear you would seek only love's peace and love's pleasure, then it is better for you that you cover your nakedness and pass out of love's threshing-floor into the seasonless world where you should all laugh, but not all of your laughter, and weep, but not all of your tears.

但在您的恐惧，你会寻求只有爱的和平与爱的乐趣，那是更好地为你支付您的裸，并通过走出爱的脱粒地板纳入seasonless世界里，你都应该笑，但没有您所有的笑声，和流泪，但不是所有的眼泪。

When forty winters shall besiege thy brow, And dig deep trenches in thy beauty's field, Thy youth's proud livery so gazed on now, Will be a tattered weed of small worth held: Then being asked, where all thy beauty lies, Where all the treasure of thy lusty days; To say within thine own deep sunken eyes, Were an all-eating shame, and thriftless praise.

当四十个冬天围攻你的朱颜，在你美的园地挖下深的战壕，你青春的华服，那么被人艳羡，将成褴褛的败絮，谁也不要瞧：那时人若问起你的美在何处，哪里是你那少壮年华的宝藏，你说，在我这双深陷的眼眶里，是贪婪的羞耻，和无益的颂扬。

When forty winters shall beseige thy brow,And dig deep trenches in thy beauty's field,Thy youth's proud livery, so gazed on now,Will be a tatter'd weed, of small worth held:Then being ask'd where all thy beauty lies,Where all the treasure of thy lusty days,To say, within thine own deep-sunken eyes,Were an all-eating shame and thriftless praise.

当四十个冬天围攻你的朱颜，在你美的园地挖下深的战壕，你青春的华服，那么被人艳羡，将成褴褛的败絮，谁也不要瞧：那时人若问起你的美在何处，哪里是你那少壮年华的宝藏，你说，"在我这双深陷的眼眶里，是贪婪的羞耻，和无益的颂扬。"

When forty winters shall beseige thy brow, And dig deep trenches in thy beauty's field, Thy youth's proud livery, so gazed on now, Will be a tatter'd weed, of small worth held: Then being ask'd where all thy beauty lies, Where all the treasure of thy lusty days, To say, within thine own deep-sunken eyes, Were an all-eating shame and thriftless praise.

二 当四十个冬天围攻你的朱颜，在你美的园地挖下深的战壕，你青春的华服，那么被人艳羡，将成褴褛的败絮，谁也不要瞧：那时人若问起你的美在何处，哪里是你那少壮年华的宝藏，你说，在我这双深陷的眼眶里，是贪婪的羞耻，和无益的颂扬。

II When forty winters shall besiege thy brow, And dig deep trenches in thy beauty's field, Thy youth's proud livery so gazed on now, Will be a tatter'd weed of small worth held: Then being asked, where all thy beauty lies, Where all the treasure of thy lusty days; To say, within thine own deep sunken eyes, Were an all-eating shame, and thriftless praise.

当四十个冬天围攻你的朱颜，在你美的园地挖下深的战壕，你青春的华服，那么被人艳羡，将成褴褛的败絮，谁也不要瞧：那时人若问起你的美在何处，哪里是你那少壮年华的宝藏，你说，"在我这双深陷的眼眶里，是贪婪的羞耻，和无益的颂扬。"

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的"中国旧式女人"，同时又是受了点"新式教育"影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

Bow characteristic: Knew very well the open country seeks livehood the skill, excels to hunt for the wild animal; Is very high in the carte and tierce heaven share, but does not understand the true profound carte and tierce; Does not select food, most likes the fragrant barbecue, vainly hoped for eats each kind of different game; To mountain under world all and sentiment of the male and female ignorant chong ignorant, after when descends a mountain, often by own idea weight judgment, causes trouble and makes an ass of oneself all many; Thought the myriad things equality, the birth and death, the law of the jungle all are in society the habit, cannot have the idea which the monster and the human must oppose, the innate its package cares about; Meets matter of the trouble to be able to trade a direction to ponder that, does not like from seeking the worry, but regarding the matter which already recognized, processes very the straight line thought.

对山下世界一切和男女之情懵憧无知，等到下山之后，常以自己的想法衡量判断，闯祸和闹笑话都不少；认为万物平等，生老病死、弱肉强食皆是世间常态，更不会有妖和人必须对立的想法，自有其包容心；遇麻烦之事会换个方向思考，不喜欢自寻烦恼，不过对于已经认定的事，处理起来很直线思维。一个从小在山上长大的野人走出大山，软星设定的这个男主似乎并不稀奇，纯如白纸的男主多年来用的也不少了，但是软星为野人设定的对白和桥段让这个野人变得不凡，有的时候看到他的对白都不禁感叹编剧太有才了……初期和韩菱纱大量的搞笑对白自不用说，后期和慕容紫英谈到望舒剑的用途那段也让人笑喷。

Weapon: Long sword, bow characteristic: Knew very well the open country seeks livehood the skill, excels to hunt for the wild animal; Is very high in the carte and tierce heaven share, but does not understand the true profound carte and tierce; Does not select food, most likes the fragrant barbecue, vainly hoped for eats each kind of different game; To mountain under world all and sentiment of the male and female ignorant chong ignorant, after when descends a mountain, often by own idea weight judgment, causes trouble and makes an ass of oneself all many; Thought the myriad things equality, the birth and death, the law of the jungle all are in society the habit, cannot have the idea which the monster and the human must oppose, the innate its package cares about; Meets matter of the trouble to be able to trade a direction to ponder that, does not like from seeking the worry, but regarding the matter which already recognized, processes very the straight line thought.

武器：长剑、弓特点：熟知野外求生的技巧，擅长捕猎野兽；在剑术上天份很高，但并不懂得真正高深的剑术；不挑食，最喜欢香喷喷的烤肉，梦想吃遍各种不同的野味；对山下世界一切和男女之情懵憧无知，等到下山之后，常以自己的想法衡量判断，闯祸和闹笑话都不少；认为万物平等，生老病死、弱肉强食皆是世间常态，更不会有妖和人必须对立的想法，自有其包容心；遇麻烦之事会换个方向思考，不喜欢自寻烦恼，不过对于已经认定的事，处理起来很直线思维。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。