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I had the biggest Maggazin of all Kinds now that ever were laid up, I believe, for one Man, but I was not satisfy'd still; for while the Ship sat upright in that Posture, I thought I ought to get every Thing out of her that I could; so every Day at low Water I went on Board, and brought away some Thing or other: But particularly the third Time I went, I brought away as much of the Rigging as I could, as also all the small Ropes and Rope-twine I could get, with a Piece of spare Canvass, which was to mend the Sails upon Occasion, the Barrel of wet Gun-powder: In a Word, I brought away all the Sails first and last, only that I was fain to cut them in Pieces, and bring as much at a Time as I could; for they were no more useful to be Sails, but as meer Canvass only.

我相信，我现在所拥有的各种武器弹药，其数量对单独一个人来说是空前的。但我并不以此为满足，我想趁那只船还搁浅在那儿时，尽可能把可以搬动的东西弄下来。因此，我每天趁退潮时上船，每次都运回些东西。特别是第三次，我把船上所有的粗细绳子通通取了来，同时又拿了一块备用帆布，那是备着补帆用的；我甚至把那桶受了潮的火药也运了回来，一句话，我把船上的帆都拿了下来，不过我都把它们裁成一块块的，每次能拿多少就拿多少，因为现在，我需要的不是帆，而是帆布。

I had the biggest Maggazin* of all Kinds now that ever were laid up, I believe, for one Man, but I was not satisfy'd still; for while the Ship sat upright in that Posture, I thought I, ought to get every Thing out of her that I could; so every Day at low Water I went on Board, and brought away some Thing or other: But particularly the third Time I went, I brought away as much of the Rigging as I could, as also all the small Ropes and Rope-twine I could get, with a Piece of spare Canvass, which was to mend the Sails upon Occasion, the Barrel of wet Gun-powder: In a Word, I brought away all the Sails first and last, only that I was fain to cut them in Pieces, and bring as much at a Time as I could; for they wore no more useful to be Sails, but as meer Canvass only.

我相信，我现在所拥有的各种武器弹药，其数量对单独一个人来说是空前的。但我并不以此为满足，我想趁那只船还搁浅在那儿时，尽可能把可以搬动的东西弄下来。因此，我每天趁退潮时上船，每次都运回些东西。特别是第三次，我把船上所有的粗细绳子通通取了来，同时又拿了一块备用帆布，那是备着补帆用的；我甚至把那桶受了潮的火药也运了回来，一句话，我把船上的帆都拿了下来，不过我都把它们裁成一块块的，每次能拿多少就拿多少，因为现在，我需要的不是帆，而是帆布。

Papetti became well known for all the years '60 and '70, and all his new album reaches the top of the hit parade; he was also printed in all the Latin American market.

Papetti为众所周知是再60岁和70年代，所有他的新专辑到达顶峰；专辑遍布所有拉丁美洲市场。

Marketing is like all corners of the country, where have much inclemency. The biggest basic point of marketing is competition but the tidemark is copetition. No permanent enemies; no permanent friends. Sometimes you can learn Maitreya, If you are tolerable every obstacles, you must be all the best everywhere and all directions.

营销就是江湖，江湖就一定会有险恶，营销最大的基点是竞争，但竞争最高境界是竞合，所以营销职场上，没有永远的敌人，也没有永远的朋友，所以要心胸宽广，有时更要有学"弥勒佛"，大肚能容天下难容之事，这样你在营销职场上就一定能"四处逢缘"！

You said that your own family would be only too delighted to pay all the necessary costs: that your father had been an incubus to them all : that they had often discussed the possibility of getting him put into a lunatic asylum so as to keep him out of the way: that he was a daily source of annoyance and distress to your mother and to everyone else: that if I would only come forward to have him shut up I would be regarded by the family as their champion and their benefactor: and that your mother's rich relations themselves would look on it as a real delight to be allowed to pay all costs and expenses that might be incurred in any such effort.

当我告诉律师我没钱支付这巨额费用时，你马上提出，说你自己家里将很乐意支付所有的费用，说你父亲是你们大家的祸害，你们常常商量是不是把他送疯人院了事，说你父亲成天弄得你母亲还有别的人不得安生，如果我能为你们出头，让他就范，那全家人就会把我当作英雄和恩人，而你母亲有钱的亲戚朋友会因为允许他们代为偿付此举的一切费用而满心欢喜。

Think of it this way: The probability of getting all spades in a given bridge hand is infinitesimally small, but in all the bridge games all over the world, somebody might,' says Stan Young, assistant director of the National Institute of Statistical Sciences in Research Triangle Park, N.C.

美 国国家统计科学研究院(National Institute of Statistical Sciences)的副主任斯坦。荣格说，可以这么看：拿到的一把牌中全是方片牌的可能性微乎其微，但要把范围扩大到全世界的所有牌局，这还是有可能的。

Note first of all delete all the text of the code (we do not need it, because its format is correct or not), and then select all the text of a note, point "Insert | Bookmark", named as the "reference text", added to bookmarks.

首先删除尾注文本中所有的编号（我们不需要它，因为它的格式不对），然后选中所有尾注文本，点"插入｜书签"，命名为"参考文献文本"，添加到书签中。

The all-round dimensional intersectional English teaching emphasizes student-centeredness, the all-round and sustainable development of all the factors in the system of English education, the development of the idea of lifelong learning on the part of the students, and the realization of students' sustainable development.

英语全维交叉教学注重以学生的发展为本，培养学生终身学习观念，实现学生的可持续发展。

This paper proposes a novel interpolator that is the All Phase Inverse Discrete Cosine Sequency Filter. Based on the theory of the All Phase, the APIDCSF considers the surrounding samples'influence on the center one throughly, and takes the average of IDCT orthogonal filtering of surrounding sampling blocks which include the center sample as its orthogonal transformed value.

在全相位理论的基础上，充分考虑了周围邻域对中心样本的影响，以包含该中心样本的所有邻域正交变换滤波的均值作为其正交变换滤波值，构造了全相位离散反余弦列率滤波器组(All Phase Inverse Discrete Cosine Sequency Filter， APIDCSF)，其内插性能好于高阶消失矩的环形Neville滤波器。

The thesis is based on the architecture of All-Digital Frequency and Phase Synthesizer (All-Digital PLL) which is published by Hugh Mair and Liming Xiu. The architecture makes multiple signals of the same frequency and the same phase difference the output of a voltage-control-oscillator to be the internal input of the DCO (flying-adder architecture), and we utilize the control word to decide the desired synchronized output signal.

中文摘要本论文是以Hugh Mair及Liming Xiu所提出之全数位频率与相位合成器架构(All-Digital PLL)为基础来做改良设计，此架构是以多个压控振荡器输出的相同频率及相同相位差的讯号，做为DCO(flying-adder architecture)的内部输出讯号，再以控制位元决定出所欲同步讯号。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。