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Or are you frightened, hiding behind all kinds of absurd theories, all the psychological innuendos, all the thing man has put together as they call it religion, the existing society, that is the degeneration that is gradually going on: pollution in all the cities, despoiling the air, and also corruption.

这就是我们深陷于其中的世界。

"We are glad to see the breakthrough s," he added,"but we don't want the television audience, society in general, to think that a few blacks making it can excuse all of the indignities, all the injuries, all of the lack of opportunities for all the rest of the blacks."

&我们很高兴看到这些突破，&他又说，&可是我们不要电视观众和社会一般人士认为，因为有几个黑人成功了就可以原谅对其余黑人所有的污辱、所有的伤害以及所有丧失的机会。&

"We are glad to see the breakthroughs ," he added,"but we don't want the television audience, society in general, to think that a few blacks making it can excuse all of the indignities, all the injuries, all of the lack of opportunities for all the rest of the blacks."

&我们很高兴看到这些突破，&他又说，&可是我们不要电视观众和社会一般人士认为，因为有几个黑人成功了就可以原谅对其余黑人所有的污辱、所有的伤害以及所有丧失的机会。&

"We are glad to see the breakthroughs," he added,"but we don't want the television audience, society in general, to think that a few b lacks making it can excuse all of the indignities, all the injuries, all of the lack of opportunities for all the rest of the blacks."

&我们很高兴看到这些突破，&他又说，&可是我们不要电视观众和社会一般人士认为，因为有几个黑人成功了就可以原谅对其余黑人所有的污辱、所有的伤害以及所有丧失的机会。&

"We are glad to see the breakthroughs," he added,"but we don't want the television audience, society in general, to think that a few b lack s making it can excuse all of the indignities, all the injuries, all of the lack of opportunities for all the rest of the b lack s."

&我们很高兴看到这些突破，&他又说，&可是我们不要电视观众和社会一般人士认为，因为有几个黑人成功了就可以原谅对其余黑人所有的污辱、所有的伤害以及所有丧失的机会。&

All the sweating, all the heartache, all the dreams, the hopes, ambitions, the revising the swotting it's all come down to this moment .

所有努力、紧张、梦想、希望、目标，所有反复检查和刻苦学习全都凝结在这一刻。注意 tie 有平局，不分胜负的意思。

When forty winters shall beseige thy brow,And dig deep trenches in thy beauty's field,Thy youth's proud livery, so gazed on now,Will be a tatter'd weed, of small worth held:Then being ask'd where all thy beauty lies,Where all the treasure of thy lusty days,To say, within thine own deep-sunken eyes,Were an all-eating shame and thriftless praise.

当四十个冬天围攻你的朱颜，在你美的园地挖下深的战壕，你青春的华服，那么被人艳羡，将成褴褛的败絮，谁也不要瞧：那时人若问起你的美在何处，哪里是你那少壮年华的宝藏，你说，&在我这双深陷的眼眶里，是贪婪的羞耻，和无益的颂扬。&

When forty winters shall besiege thy brow, And dig deep trenches in thy beauty's field, Thy youth's proud livery so gazed on now, Will be a tattered weed of small worth held: Then being asked, where all thy beauty lies, Where all the treasure of thy lusty days; To say within thine own deep sunken eyes, Were an all-eating shame, and thriftless praise.

二 当四十个冬天围攻你的朱颜，在你美的园地挖下深的战壕，你青春的华服，那么被人艳羡，将成褴褛的败絮，谁也不要瞧：那时人若问起你的美在何处，哪里是你那少壮年华的宝藏，你说，在我这双深陷的眼眶里，是贪婪的羞耻，和无益的颂扬。

II When forty winters shall besiege thy brow, And dig deep trenches in thy beauty's field, Thy youth's proud livery so gazed on now, Will be a tatter'd weed of small worth held: Then being asked, where all thy beauty lies, Where all the treasure of thy lusty days; To say, within thine own deep sunken eyes, Were an all-eating shame, and thriftless praise.

当四十个冬天围攻你的朱颜，在你美的园地挖下深的战壕，你青春的华服，那么被人艳羡，将成褴褛的败絮，谁也不要瞧：那时人若问起你的美在何处，哪里是你那少壮年华的宝藏，你说，&在我这双深陷的眼眶里，是贪婪的羞耻，和无益的颂扬。&

Integrated consideration high pressure in all all sorts of operating conditions of course diesel engine, use modular design method, designed in all the control such as processing of starting control of management of move of control of capacity of course derv engine oil, course pressing control, operating mode, 4 phase, breakdown is politic.

综合考虑高压共轨柴油机的各种运行工况，采用模块化设计方法，设计了共轨柴油机油量控制、轨压控制、工况转移管理、4阶段起动控制、故障处理等控制策略。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。