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aesthetics相关的网络例句

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与 aesthetics 相关的网络例句 [注:此内容来源于网络,仅供参考]

Through a series of experiments and observations, Fechner summed up the law of 13 psychological aesthetics, some of which occur in a wide range of aesthetic effects.

通过一系列实验和观察,费希纳总结出了13条心理美学规律,其中有一些曾在美学中发生广泛的影响。

The subject of the pioneer German psychologist Fechner believed that aesthetics should be used to study the experimental methodology for measuring and compare many different people's aesthetic experience.

该学科的开创者德国心理学家费希纳认为,美学应该采用实验的方法系统地研究和比较许多不同的人的美感经验。

Robbe-Grillet's belief that reality is indefinite is the foundation of his fiction aesthetics and his fiction creation.

不确定现实观是格里耶小说美学和小说创作的基石。

The paper firstly examines the philosophical background. It holds that philosophical currents such as phenomenology and existentialism have an effect on this theory to some degree, and then traces the inner logic of origin and development of the theory from post-modernism and "anti-cultural" trend. Afterwards, it generalizes several important post-modern theorists such as Alain Robbe-Grillet, Roland Barthes, Susan Sontag, Michel Foucault, Jacques Derrida, Gilles Deleuze, Jean Baudrillard and so on. The paper proposes that "against-interpretation" is not only a literary critical claim, but also a cultural theory. Its attitude that overthrows and rebells tradition makes it inevitably tend towards the logic of deconstruction.Chapter two, chapter three and chapter four analyze in detail of Robbe-Grillet, sontag and Baudrillard respectively, and systematicly discuss the aesthetics pursuit and the cultural significance of the theory against interpretation through comparing the thoughts of them.

论文首先对反阐释理论产生的哲学背景作了辨析,认为现象学和存在主义哲学思潮在某种程度上对反阐释理论产生了一定的影响;再从60年代之后,后现代主义对现代性的批判与美国的&反文化&潮流两方面追寻反阐释理论产生与发展的内在逻辑;然后又概括介绍了阿兰·罗伯—格里耶、罗兰·巴尔特、苏珊·桑塔格、米歇尔·福科、雅克·德里达、吉尔·德勒兹、让·博德里亚等几位对反阐释理论发生过重要影响的后现代大家,指出&反对阐释&不只是一种文学批评主张,还是一种文化批判理论,它对传统的颠覆与反叛姿态使它不可避免地走向了&解构主义&的逻辑。

The decision was a pondered one, because the goal of this artistic movement, which developed in Europe between the late 19th and early 20th centuries, was to recover in a contemporary key the aesthetics, forms, noble materials, building techniques and artisan skills of Graeco-Roman tradition, the cradle of every subsequent artistic manifestation of Western culture: from literature to the theatre, music and architecture.

该决定是思考的,因为这个艺术运动,在欧洲发达国家之间的19世纪末和20世纪初的目标,是要收回的关键在当代美学,形式,高贵的材料,建筑技术和希腊工匠技能罗马的传统,以后每西方文化艺术的摇篮,从文学的表现:在戏剧,音乐和建筑。

Romantic Holism has a great influence the thought of Russian aesthetics in the first half of the 19th century.

浪漫主义的整体主义思想的集大成者是德国浪漫主义者,特别是耶拿浪漫派。

We produce the "Jia Da" and "show Pago" series Wet Machine Products use of aesthetics, the design of human thinking, focus on the establishment of style; improve the product grade and quality to make our products not only with the applicability, more appreciation, decoration sexual, and strive to find a way to develop their own ideas, deepening, innovation.

我们生产的&佳达&和&秀帕&系列湿巾机产品运用美学、人性化设计思维,注重风格的树立;提高产品的档次与品位,使产品不只具有适用性,更具欣赏性、装饰性,力争找到一条自己的开发思路,不断深入、不断创新。

Husserl's art aesthetics thought was based on phenomenological analyzing imagination.

胡塞尔的艺术美学思想建立在对想象现象学分析的基础之上。

Motherwell, Newman and Kline are particularly significant here for they were responsible for rediscovering "oriental" aesthetics: questing after an artform in which divergent cultural elements could seamlessly converge.

Motherwell,Newman和Kline在此处都特别重要因为他们的贡献在于发现了&东方&美学:寻找不同的文化元素能够在其中天衣无缝的融合的艺术形式。

Thomas Aquinas summarized the form ideas of ancient Greek and Middle Ages, and made a systematic exposition on the three elements of aesthetics ( integrity , proportion and splendor).

托马斯·阿奎那总结了古代和中世纪的形式观念,以亚里士多德的形式观念为基础,阐述了美的三要素说;现代新托马斯主义者马利坦、吉尔松复活了亚里士多德的形式观念,并且从存在论(最高的存在即上帝、纯形式)上论证了包括美和艺术在内的整个世界。

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