查询词典 aesthetics

Aesthetics helps us to give us yardsticks.

艺术美学」要给我们的就是找寻纵横座标的能力。

As a core category of Chinese classical aesthetics, artistic conception highly cemented Chinese historical experiences and philosophical wisdoms.

意境作为中国古典美学的核心范畴，它高度凝结了中国人的哲学智慧和艺术经验。

The emotional relationship with Mao envisioned in Yin Zhaoyang's painting reflects the ideological influence of his portrait during the childhoods of the post-revolutionary generation. This influence was strongest in visual impact after 1949 when Mao's portrait saturated the media and was seen everywhere.. The portrait visually invaded the self image of a generation and formed an emotional aesthetics that is also one of the roots of modern youth.

在尹朝阳的绘画中，和毛的想象性的情感关系，体现为肖像在后革命一代成长初期的一种意识形态影响，在这种影响中，肖像的视觉影响即毛在1949年之后大量肖像的扩散所产生的形象无处不在的大众传播，一种肖像对于一代人自我想象的视觉侵入所产生的情感美学，实际上构成了一种青春的现代性根源。

The contemporary art should be an important force to the social innovation, being very active, rebellious and pioneering to take the responsibility for the shock to the bound of the society, cultures, aesthetics and vogues even. It is to lead up the spirit of human, and expand the depths of humanness.

作为现代社会中最有活力、最反叛、最先锋的当代艺术，应该是社会革新的重要力量，承载着冲击社会、文化、美学甚至时尚固有规范与边界的责任，代表着领升人类精神、拓展人性深度的方向和努力。

And further the performer is expected to understand theoretically its national cultural connotation, aesthetics and creative characteristics, to instruct techniques theoretically and to deal with the various timbres.

弹奏《百鸟朝凤》除了需要很好的技能技巧外，还需要从理论上去理解解其民族文化的底蕴及内涵、审美特征、创作的特点以及如何用理论去指导技术、处理各种音色，更重要的是通过它去探索民族民间音乐的奥妙

This thesis centers on the study of residential space of Sui and Tang Dynasty,extracts the implied cultural connatation and conception and discusses the change ofculture and conception towards resdential conditon in Sui and Tang Dynasty from theperspective of architecture, decoratuion, aesthetics and psychology. The study bridgesthe theoretical research and the practical designing, and stives for a set of designingtheories and methods which keep up with the development of society and peoplesneeds.

本文通过对隋唐时期居室空间的研究，提炼出蕴藏于其中的深刻文化内涵和人们对其产生的观念，并从建筑文化、装饰文化、美学、心理学等多方面探讨隋唐时期居室环境中文化与观念的演变，在现在的理论研究与设计实践之间起到良好的媒介作用，探索出符合当今社会发展和人们需求的设计理论和方法。

As for Chang, is the Kaishanzushi Chinese martial arts films,classic "one-armed knife,""Ma thorn""Ma Yongzhen,""revenge","Shaolin Temple","Outlaws of the Marsh" are constantly beingreproduced in the younger generation, he is a Chinese-language films of violence Aesthetics originator of the now-known inthe world of big John Woois the director of his disciples.

至于张彻，则是华语武侠片的开山祖师，经典之作《独臂刀》《刺马》《马永贞》、《报仇》《少林寺》《水浒传》都不断被后辈翻拍，他是华语电影暴力美学的鼻祖，如今名扬四海的大导演吴宇森正是他的弟子。

Firstly, I analyzed the beauty of sports culture from view of the informal exhibition of the motion game .according to the game theory of hermeneutical aesthetics, drew a conclusion that sporters and spectators will enter the game state originally (the state of devoting one\' s mind), only when they devoted to motion significance world earnestly and solemnly , integrated themselves with motion ,thus the beauty of sports culture can be presented .

首先，依据解释学美学的&游戏&理论，从运动游戏&非形&的展现分析运动文化之美，得出运动者和观赏者只有认真严肃地投入到运动的&意义&世界中，与运动意义融合为一时，人才进入本真的游戏状态，即&物我两忘&的审美状态，运动文化之美才得以实现。

In summary, the dissertation makes a profound study of traditional festivals with a new angle, visual field of philosophy and aesthetics, and mainly completes some work as follows: have a deep study of traditional festivals'phenomenon, discover the connotation of traditional festivals; explain the philosophical naissance of traditional festivals, analyze the dual-movement of time and its essential function to the logic process of traditional festivals'naissance; unfold the ontological foundation of traditional festivals, search out headstream of festival feeling which is rhythmized existence and experience of actual life, discuss the mode, character and significance of festival feeling; narrate the changes of traditional festivals in the process of modernization, explore the possible way of traditional festivals'transformation in modern society.

总之，本文从哲学美学这一崭新的视角对中国传统节日进行了深入的理论研究，主要完成了以下几个方面的工作：对传统节日进行了深入的现象描述，挖掘出了传统节日的文化内涵；阐释了传统节日的哲学发生，分析了时间的双重运动对于节日的逻辑生成的本质作用；发掘出了传统节日的存在论根基，寻找到了节日感的源头——节律化存在和实际生活经验，论述了节日感的表现形式、特质及其对于人生的重要意义；阐析了传统节日在现代化进程中发生的变化，探讨了传统节日在现代转型的过程中可能有的出路。

One theoretical premise that we study the variation of television artistic aesthetics is to admit that the television art bears with the relation between the traditional artistic form existing to pass, and admit that the main body of television art is the transformation and innovation of traditional art forms. Besides some relatively mature TV artistic patterns like TV plays and the documentary films, that TV novels, TV prose, TV reportages. MTV and TV traditional operas are still major in the category of tradition art form.

研究电视艺术美学变异的一个理论前提就是承认电视艺术与传统艺术形态之间存在着传承关系，承认电视艺术的主体构成是对传统艺术形态的改造和创新，除了像电视剧、纪录片这样相对成熟的电视艺术样式之外的其他艺术样式，诸如电视小说、电视散文、电视报告文学、电视音乐、电视戏曲……他们事实上都主要还在传统艺术形态的范畴之内。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。