查询词典 aesthetics

TT models, this paper established a new one of "subject omission", designating the overlapped part of the "input variance" and the "output variance", also the common part in both "semantic translation and "communicative translation". Thus, this new strategy not only gets popular with foreign readers, but also conveys and transferred the original flavor. It effectively absorbs the valid ingredients of the "disembodiment approach, and is proposed as a partly foreignization strategy, which are both initiated in this paper. Starting from the definition and function of subject omission, this paper illustrates its correlations with the characteristics of classical Chinese, features of poetic syntax and translation standard, followed by its close intimacy with the many traits of poetic aesthetics.

本文从马藤和纽马克的翻译模型出发，找到了input variance和 output variance，也即 Semantic Translation 与 Communicative Translation 中重叠的部分，即既能为外语读者所熟悉，又能体现原诗风格意境的结点：主语省略，融合了西洋翻译实验中"脱体句法"的合理成分，建立了诗歌翻译和主语省略关系的新模型，提出了中文诗歌部分异化的策略(与荷尔马斯诗歌翻译策略之三吻合)本文首先从主语省略的定义及功能入手，分别阐述了其与文言文的语言特征，诗歌句法的特征及与翻译标准之间的内在联系，及其与诗歌美学众特征之间的紧密联系。

Under the influence British empirical of aesthetics, Immanuel Kant established aesthetic disinterestedness as an aesthetic principle.

在英国经验派美学的影响下，康德将"审美无利害"确立为一种美学原则。

But Dewey's pragmatic aesthetics derived from the experiential naturalism, criticized the principle of aesthetic disinterestedness.

康德为美学所确立的"审美无利害"的原则曾是审美现代性的基石之一，而杜威的实用主义美学从经验自然主义出发，系统地否定了"审美无利害"的原则。

The author argues that we should change our view of art as expressed in the notion of disinterestedness, shift the focus of our studies from high art and traditional aesthetics to the aesthetic phenomena of the daily life,and pay critical attention to the new forms of social inequality and power relations hidden behind the process of aestheticization.

面对这种现象，美学与文艺学工作者应该突破审美活动的自律性观念，打破美学研究的传统对象，关注日常生活的审美化并寻找美学研究的新的生长点；同时，必须警惕日常生活审美化中存在的新的不平等现象，批判性分析新媒介人阶层的社会角色与意识形态，揭示审美化与大众消费主义意识形态以及市场逻辑的合谋。

The results showed that the elements of design that affect brand equity are aesthetics, originality, informativeness, identifiability, eye-catchingness, memorability, and systematic, cultural, symbolic, protective, convenient, environmental and displayable qualities.

研究结果显示，包装能够提供消费者的设计效益分别为美感性、独创性、资讯性、识别性、醒目性、记忆性、系统性、文化性、象徵性、保护性、便利性、环保性、展示性等13项设计效益，经研究证实其同时对品牌权益具有影响作用。

This dissertation will solve the following problems:(1) How was western aesthetics disseminated in modern China?

本文试图解决的问题是：(1)西方美学是如何在近现代中国传播的？

This article chooses the most prevailing authors as object from France, Britain, Germany, and Russia, including Jean-Jacques Rousseau, the Sentimentalism in Britain, William Wordsworth, Thomas Hardy,"The Yellow Book" Writers＆Ernest Dowson, Johann Wolfgang von Goethe, the Romanticism in Germany, Theodor Storm, Rudolph lindau, Ivan Sergeyevich Turgenev. In order to expound content arising and influence from European literature, this article demonstrates Yu Da-fu's preference to them, the factual relationship between Yu Da-fu and their productions, the choosing and accepting for their creativity style, the representation of sentiment in his creativity, and the guidance to his aesthetics and creativity from European authors and creations……Meanwhile, it is indicated that Yu Da-fu's sentiment is not simply duplication of European literature, but had its unique characters.

对郁达夫创作的感伤风格构成影响的欧洲作家有很多，本文着重选取最为明显的四国——法国、英国、德国与俄国的一些代表性作家作为论述对象，包括卢梭、英国感伤主义、华兹华斯、哈代、"黄面志"作家群及道森、歌德、德国浪漫派、施笃姆、林道、屠格涅夫，论证了郁达夫对他们的偏爱，郁达夫与他们的作品之间发生的事实联系，郁达夫对他们的创作风格的选择和接受，郁达夫的感伤风格在创作中的表现，欧洲作家作品如何指引郁达夫的审美与创作……由此得出本文的主要结论：郁达夫创作的感伤风格深受欧洲文学的影响。

Aesthetics of the Middle Ages in the West had never been considered anddeveloped as an independent subject, though some aesthetic factors, which appearedin theoretical forms, had seeped into temporal Christian doxy and theologicalthoughts.

西方中世纪美学并没有成为一门独立学科得到发展，但它的某些理论形态的美学因素却已分散和渗透在当时的基督教教义和神学思想中。

Come the main body of a book to be analysed the body drawing support from Beethoven sonata fair amount of confidence face material and document material such as music aesthetics , the science of history , philosophy , complying with music and study Beethoven sonata dramaticism characteristic cause of formation and concrete technique of expression.

本文借助贝多芬奏鸣曲的谱面材料以及相关文献材料，着重从音乐的本体来分析和研究贝多芬奏鸣曲的戏剧性特征的成因以及具体的表现手法。

Chinese Drama is the crystal of Chinese traditional culture and the disticlate of Chinese Classical aesthetics, the art of dramatics has a long history.

中国戏曲是中国传统文化的结晶，是中国古典美学之集大成者，戏曲艺术源远流长。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。