查询词典 aesthetics

The aesthetics is the guide of art teaching art, there are a lot of aesthetics genres both in ancient and modern, China and foreign. Some of them have the most direct influence on art teaching, such as Confucian aesthetics, Taoist aesthetics and Zen aesthetics, heteronomous aesthetics, autonomy aesthetics, hermeneutic aesthetics and art sign aesthetics. We can get help from these theories to scan art teaching art, how to obey the character of appreciation beauty, how to follow the nature of the art, how to unseal the students taste mentality skillfully, how to show the artistic charm properly and all rounds.

艺术教学艺术需要美学的引领，古今中外有着许多的美学流派，其中中国的儒家美学、道家美学和禅宗美学，国外的他律美学与自律美学、解释学美学与接收美学以及艺术符号美学对艺术教学的影响最直接，从它们那里获得的启迪，都帮助本文审视艺术教学艺术，如何遵从了艺术的审美品格，如何尊重了艺术的本质，如何巧妙地开启学生的审美心理，恰当地全面地为学生展示艺术的魅力。

This paper researches the situation of university aesthetics education; bring the advertisement aesthetics into university aesthetics education, make the advertisement aesthetics become a new kind of education resources of university aesthetics education, in order to reach the aim of richening the form and content of university aesthetics education.

论文通过对目前高校美育现状的深入了解和分析，提出将广告审美运用于高校审美教育之中，把广告审美这种实用性审美形式作为高校美育中一个全新的教学资源，以达到丰富高校审美教育内容和形式的目的。

In the last part of the article, through joining the situation of researching of Heidegger"s aesthetics in China, the writer has objected the value of Heidegger"s aesthetic theory in reseaching the ontology of aesthetics, the interfluent between Chinese aesthetics and the West aesthetics, building modern language aesthetics, building modern aesthetic culture in China and buiding modern Hermes.

在论文的结束语部分，结合海德格尔美学在中国的研究现状，笔者归纳了海氏美学理论在美的本质问题的探讨、中西美学交流、现代语言美学、中国当代审美文化建设和现代阐释学中的价值。

Political or moral utilitarianism and aesthetic utilitarianism are the two main traditions in modern Chinese aesthetics. The former considers aesthetics and art to be tools for political struggles or moral preachment, and requires them to "serve"directly for political or moral purposes, while the latter, taking aesthetics for the sake of life, or thus a life concept of aesthetics, is against the consideration of aesthetics and art to be tools for politics or morality, and requires them to affect intrinsically the improvement of life state. Liang Qichao is the direct ideological source in the end of the 19〓 century for the former, while Wang Guowei the founder for the latter.

真正构成中国现代美学的两大传统是政治、道德功利主义和审美功利主义：前者主张以审美和艺术作为政治斗争或道德说教的工具，要求审美和艺术直接"服务于"政治或道德目的；后者主张为人生的美学，或者是人生论美学，反对审美和艺术直接充当政治或道德的工具，而是要求审美和艺术内在地作用于人生境界的提升；前者在19世纪的直接思想源头在梁启超，而后者的开创者是王国维。

Zhuang thoughts, the social politics, economy, the aesthetics of Chu Sao and literature of Han dynasty, points out that under the common function of these reasons, the trend of aesthetics thought of an awakening of individual consciousness appears, secondly, analyzes the characteristics of the trend of aesthetics thought from several aspects, like the reviviscence of Lao,Zhuang thought, the emergence of sentimentalism and the permeation of the aesthetics consciousnesses to the human life etc, thirdly, discusses the relationship between "the Nineteen Ancient poems "and the trend of aesthetics thought.

第三部分对《古诗十九首》自然美、含蓄美、悲凉美、浑雅美等美学特色进行系统分析，并指出：第一，《古诗十九首》自然之美表现在深衷浅貌、自然精切的语言和情感的真挚自然上；第二，《古诗十九首》的含蓄美表现在表情达意说理、用典、比兴以及曲终奏雅，意在言外等方面。

The famous contemporary American aesthetician Thomas Munro initiates actively aesthetics towards science, the scientific aesthetics has been produced a widespread arid profound influence to western aesthetics., and it has been one of the two main kinds of western aesthetics.

当代美国著名美学家托马斯·门罗积极倡导美学应走科学美学之路，科学美学在西方美学界也产生了普遍而深远的影响，成为当代西方美学两大类型之一。

Part three ,Eagleton thinks aesthetics connected with body languages is a political science about perceptual body, we cant isolate the relationship between it and ideology for the sake of the purity of aesthetics . On one hand, ideology takes effects through aesthetics to mould individuals and combine civil order ; on the other hand, Aesthetics itself generates a resistant impulse against general ideology and society reality.

一方面一般意识形态通过审美发生作用，达到塑造个体和整合社会秩序的目的，另一方面审美本身又产生了对一般意识形态和社会现实的反抗冲动。

By placing the voluntarist aesthetics under the grand background of philosophy history and aesthetic history, this paper analyzes the epoch-making significance of voluntarist aesthetics in its transformation from philosphical epistemology to axiology and incorporates aesthetics into the realm of value, thus having affirmed the ideological function of aesthetics.

文章把唯意志主义美学放在哲学史和美学史的大背景下，分析它在从哲学认识论向价值论的转折过程中的划时代意义，并因此得以把美归入价值领域，肯定了审美的意志功能，分析了叔本华、尼采各自的美学内容、结构、矛盾及发展趋势。

Croce"s thoughts,and via the comparative research I wish I can open out the value of life aesthetics.Additionally,from the view of aesthetics history in Chinese modern times,I analyse the value of life aesthetics,point out Zhu Guangqian"s life aesthetics inherit the anthropologismus spirit in the western moderntime after western Revival of Learning time,and bring forth the unhomeliness gloss in China realism society and life region which coming from B.Croce enactment the anthropologismus thoughts in the spirit field.

从全文来看，我试图从克罗齐找到朱光潜人生美学思想的来源，并通过朱光潜与克罗齐的比较研究，揭示朱光潜人生美学思想所具有的独创性价值：另外，从中国现代美学史的角度来分析朱光潜的人生美学的历史性贡献，从而指出朱光潜的人生美学在根本上承袭了西方文艺复兴时期以来西方近、现代的人本主义精神，使得克罗齐在精神领域中所设立的人本主义思想得以在中国的现实社会生活领域中展现其不同寻常的光彩。

In the history of western aesthetics, phenomenology, analytical aesthetics and Gestalt psychology have provided more research on perception, from which we can draw a conclusion about aesthetics perception. The process of perception is a dynamic process, in which experience change to erlebenis and a Yijing and the sense become.

借鉴西方美学尤其是现象学、分析美学、格式塔美学对审美知觉的具体分析，本文认为：一，知觉表现为由经验向体验转变的动态过程，在这个过程中，一个涌动着意义的"境域"油然而生。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。