查询词典 aesthetic

Because aesthetic activity is a practical life in essence. It intervenient between ordinary life and non-ordinary life, and it makes two kinds of life dialogism.

因为，"美的活动"本质上就是一种现实生活，它是介于日常生活与非日常生活之间的，并在二者之间形成对话。

As to the children's music education, use the synaesthesia can help to awake the mutual communication and influence of children's sensory,improve the whole aesthetic reaction ability,and promote the development of diffusibility thinking and cultivation ofcomprehensive thinking.

具体至儿童音乐教育活动，运用通感可唤醒儿童各感官相互沟通、相互影响，提升儿童的整体审美反应能力，促进儿童扩散性思维的发展，综合思维的培养。

In order to enhance the aesthetic effect of the concrete surface, close-ray procedure is the last line, the Su-ranked cement water dip pen, brush along the vertical row.

为提高混凝土表面的美观效果，收光的最后一道程序是，用排笔沾素水泥水，沿竖向排刷。

Wins the high praise repeatedly along with the Chinese sixth generation of director on the international film circle, from Jia Zhangke "the Three Gorges Good people""Young Wu", to makes widely known "Blind shaft""Blind Mountain", their unique narrative style and the performance way, have broken the fifth generation of forever glorious luxurious myth, even more cared that the Chinese society first floor unimportant person's innermost feelings, take the humanities concern, the aware on-the-spot report style utilization, the new aesthetic standard, is arousing people's interest and the resonsideration day by day.

随着中国第六代导演在国际影坛上屡获好评，从贾樟柯的《三峡好人》《小武》，到张扬的《盲井》《盲山》，他们独特的叙事风格和表现方式，打破了第五代光芒万丈的奢华神话，更加关心中国社会底层小人物的内心，重视人文关怀，自觉的纪实风格运用，新型的审美观，正日益引起人们的关注及反思。

Wins the high praise repeatedly along with the Chinese sixth generation of director on the international film circle, from Jia Zhangke "the Three Gorges Good people""Young Wu", to makes widely known "Blind shaft""Blind Mountain", their unique narrative style and the performance way, have broken the fifth generation of forever glorious luxurious myth, even more cared that the Chinese society first floor unimportant person''s innermost feelings, take the humanities concern, the aware on-the-spot report style utilization, the new aesthetic standard, is arousing people''s interest and the resonsideration day by day.

题目：由《盲井》引发的对中国新生代导演纪录风格电影的探究随着中国第六代导演在国际影坛上屡获好评，从贾樟柯的《三峡好人》《小武》，到张扬的《盲井》《盲山》，他们独特的叙事风格和表现方式，打破了第五代光芒万丈的奢华神话，更加关心中国社会底层小人物的内心，重视人文关怀，自觉的纪实风格运用，新型的审美观，正日益引起人们的关注及反思。

Bottom: environment: situation: general sense: typicality: feature: contemporary art: sociological significance: humanity: subsistence: plight: disembodiment: trend: controversy: resolution: experience: aesthetic palate: social rules: self form: image: present status: surviving experience: popularity: soap opera: vogue: overdraft consumption: virtual world: city change: transformation: reconstruction: background: tribulation: torture: atmosphere: desire: frustration: period: brevity of life: hypocrisy: third degree: virus: wishful thinking: sentimentality: sensitivity: political icon: darkness: decoding: memory: translation and editing: China.

底部：环境：处境：普遍意义：典型性：特征：当代艺术：社会学意义：人性：生存：困境：意识：脱离本身：趋向：争议：决断：体验：美学趣味：社会体例：自我形式：图像：当下状态：生存体验：流行：肥皂剧：时尚：月光消费：虚拟世界：城市变迁：改造：重建：背景：苦难：折磨：氛围：渴望：挫折：周期：生命短暂：虚伪：拷问：病毒：一厢情愿：脆弱：敏感：政治符号：天黑：解码：记忆：编译：中国。

In the view of this paper, the idea of aesthetic disinterestedness was presented by the 18th century esthetician in terms of subject, first brought up by Shaftsbury.

18世纪英国的经验派美学家最早从主体自身出发提出审美不涉及利害的思想。

But Dewey's pragmatic aesthetics derived from the experiential naturalism, criticized the principle of aesthetic disinterestedness.

康德为美学所确立的"审美无利害"的原则曾是审美现代性的基石之一，而杜威的实用主义美学从经验自然主义出发，系统地否定了"审美无利害"的原则。

Firstly,it reviews the history of aesthetic disinterestedness.

论文以三个命题阐述康德美学与中国现代美学的内在关联：首先，回溯审美无利害的历史，结合中国传统美学，从审美态度、艺术独立的角度阐明审美无利害命题的重要作用，审美无利害性既奠定了现代美学学术的独立性，又揭示出现代美学的基本性质与特征；其次，诠释康德美学中的审美自由概念，在现代美学的语境中阐释了"美是道德的象征"的命题，同时阐明审美游戏与美育的自由特征，审美自由显示出现代美学的超越精神和乌托邦精神；第三，艺术的人生观或者人生的艺术化将艺术与人生紧密地联系起来，审美人生展示出现代美学的审美理想，成为现代美学的价值归宿。

The author argues that we should change our view of art as expressed in the notion of disinterestedness, shift the focus of our studies from high art and traditional aesthetics to the aesthetic phenomena of the daily life,and pay critical attention to the new forms of social inequality and power relations hidden behind the process of aestheticization.

面对这种现象，美学与文艺学工作者应该突破审美活动的自律性观念，打破美学研究的传统对象，关注日常生活的审美化并寻找美学研究的新的生长点；同时，必须警惕日常生活审美化中存在的新的不平等现象，批判性分析新媒介人阶层的社会角色与意识形态，揭示审美化与大众消费主义意识形态以及市场逻辑的合谋。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。