查询词典 aesthetic

Style imagery of subjective aesthetic imagery is the highest level of aesthetic imagery of calligraphy as well as the integration of entitative imagery and formal imagery,and it represents the organic integration of aesthetic concept of an era and personal creativity of calligraphers.

主体美学意象之风格意象是书法美学意象的最高层面，是实体意象和形式意象的综合，代表了时代美学理念和书法家个体创造性的有机结合。

This essay adopts the view of anthropology of art and its study strategy; takes as rule the historical priority which is the unity of history and logic; sets on the basis of the realistic aesthetic relation from the eyes of people with different nationalities; begins with the formational mechanism of aesthetic perception to study the issue of aesthetic perception.

本文采用艺术人类学视角以及研究策略，以历史与逻辑统一的历史优先性作为原则，以不同民族的人对现实的审美关系作为研究前提，从美感的形成机制入手探讨美感问题。

Abstract］This paper studies the animation industry by exploring European animation festivals panoramically from the perspective of aesthetic economy and space economy. It is found that semiotic products with great semiotic meaning are not a kind of transcendental presentation but daily reality in the aesthetic economy and space economy era. The animation industry, which is focused on cultural and creative content producing, is a rising industry in which the animation festival is not only the exhibition of traditional commodities but also a creative arena of meaning produce. The restructuring of place for European animation festivals is followed the basic requirement of aesthetic economy and space economy, since the festivals add new semiotic meaning and cultural elements to the original places.

从审美经济、空间经济的视角，以动漫节为研究对象，对欧洲动漫产业发展所形成的文化与市场景观进行一种全景式的考察后，可以发现：在审美经济的时代，以符号意义为主的符号产品不再是超验的表象，而是日常生活的实在；以文化创意内容为核心的动漫产业已经成为新兴产业；其中，作为符号生产与传统商品集中展示的动漫节，更侧重于深入开发动漫及其衍生产品的审美价值，使动漫节不仅仅流于纯粹的小商品集市，而在于创造更多的符号意义，丰富动漫节的多种内涵；动漫节举办地的地点重构适应了空间经济发展的内在要求，动漫赋予不少城镇以全新的符号内涵，创造了各种形态的地点神话，从而促进空间经济的城市发展。

We should thoroughly analyze it to the understanding that such meditations of sunya is of rich esthetics significance.detailed interpretation and thorough analysis comes to the conclusion that sunya embodies the aesthetic features of combined subjectivity and objectivity and the sense preception; sunya highlights the artistic and aesthetic dialectics of reality and illusion, nothing and being; sunya impiles the aesthetic experience of something in thevoid and having the clear and pure mind and experiencing the aesthtic objects.

深入地分析，这样的&空&观智慧也蕴涵着丰富的美学意义。通过对&空&的细致解读和深入分析，结论认为：&空&体现了主客圆融、感性直观的审美特质；&空&彰显了真幻相即、有无相生的艺术与审美的辩证法；&空&蕴涵着虚境纳物、澄怀味象的审美体验论。

The formation of western classical metaphysical aesthetics is a dialectical movement of constituting aesthetic subject transcendently on the basis of soul conception, passing through "the theory of natural soul" in ancient Greece, Descartes's "doctrine of rational soul" and in Germany classical aesthetic the second comprehension on aesthetic subject with separate soul and flesh, opposite emotion and ration.

西方古典形而上美学的形成是在灵魂观念基础上对审美主体超验性建构的辩证运动过程。历经古希腊的&天赋灵魂&，笛卡尔的&理性灵魂&，德国古典美学灵肉分离、情理对立的审美主体的二次综合。

In traditional vision,"Body" was covered or reigned by so called idea, spirit, etc. Nowadays,"Body" began to be regarded as an" untorn body- soul entire" which body itself acquire independent aesthetic value. This paper will explore the" aesthetic history of Body "from three perspectives:"Body" as the objective;"Body" as the subjective of aesthetic experience;"Body" as the art creator. Some psychics extheticians, existentialism philosophers and phenomenology scholars discussed "Body" issue profoundly and subversively.

作为审美客体，随着对身体耻感的剥离，人类基于身体自我欣赏的自恋得到正名；作为审美体验者，身体从形而上美学谱系中精神往下流溢、理念获得分享的&美的末端&，被理解成审美体验活动的&第一人口&；作为审美创造者，身体也走出了传统美学中的缺席状态，身体的活力被视为审美创造的&第一推动力&，创造者的&身体状态&同时也被视为&情感状态&、&心理状态&。

To be brief, the English romanticism on the one hand further pushes ahead the project of modernity in the artistic or aesthetic field, but on the other hand it also launches a vehement aesthetic critique of modernity, thus resulting in the birth of aesthetic modernity; the Chinese romantic movement represented by the Creation Society is characterized by a different Janus'face: like English romanticism, it is a significant artistic articulation of the principle of subjectivity (which is the kernel of modernity) in its initial stage, yet influenced by the interaction of individual enlightenment and the national salvation, a pair of conflicting themes typical of China's modernity project, the Creation Society gradually turns to the left and consequently not only radically politicizes its romantic spirit but also ironically suppresses the search of modernity.

简言之，英国浪漫主义思潮一方面在艺术和审美领域内进一步推进了现代性工程，而另一方面又反戈一击，对现代性工程进行了猛烈的审美批判，从而催生了现代性之另一对立性形态——审美现代性的最早萌芽，并因此而造成了现代性的分裂；以创造社为代表性个案的五四新文学中的浪漫主义思潮在中国的现代性语境下则又呈现出另一种两面性：一方面，创造社的初期也象英国浪漫派一样，通过在艺术和审美领域内竭力弘扬现代性的主体性原则，从而积极地推进了新文化运动所致力构建的现代性工程，但另一方面，个体启蒙和民族救亡两大中国现代性主题的纠结使得创造社在后期逐渐将其前期的启蒙浪漫主义进行了民族主义化和意识形态化，从而放弃了对现代性作更深入的追求。本文在结构上总共分为八章三部分。

Refers to a variety of plastic materials (such as plaster, resin, clay, etc.) or can be carved, Keke rigid material (such as wood, stone, metal, jade pieces, agate, aluminum, glass, steel, sandstone, copper, etc.) to create a have a certain space, visual, tactile art image, to reflect the social life, expressing the artist's aesthetic experience, aesthetic emotion, aesthetic ideal art.

指用各种可塑材料或可雕、可刻的硬质材料（如木材、石头、金属、玉块、玛瑙、铝、玻璃钢、砂岩、铜等），创造出具有一定空间的可视、可触的艺术形象，借以反映社会生活、表达艺术家的审美感受、审美情感、审美理想的艺术。

The Neo-Confucianism of Taiwan and Hongkong\'s aesthetic study combines the artistic spirit of Confucianism and Taoism, introjects the aesthetics of China and the west, and excavates the modern merits of traditional aesthetic, which are important problems of the modern Chinese aesthetics. Therefore, it is very helpful to the modern Chinese aesthetic and the comparative poetics that we scan the Neo-Confucianism of Taiwan and Hongkong\'s problems again and pursue the evolution of these problems in a cross-cultural and cross-subject view.

由于台港新儒家的美学研究兼有会通儒道艺术精神、融合中西美学思想，及发掘传统美学之当代价值等的层面，这些无一不是中国当代美学的重大课题，因此带着问题意识用跨文化、跨学科的视野重新审视他们探讨过的问题并追踪问题的延伸，将对中国当代美学的建构和比较诗学的研究都有着重要的启发意义。

All through the simplicity of their forms, colors richness, the diversity patterns, exchange and create the kind of lyrical, sexual summarized its aesthetic characteristics, and aesthetic functions of reflection, inspiration functional, educational functions and self-entertainment functions describes its aesthetic function.

本文通过对其形式的简易性、音色的丰富性、形态的多样性、交流的亲切性以及创造的抒情性等概括它的审美特征，并以审美的反射功能、激励功能、教育功能和自娱功能等描述了它的审美功能。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了