查询词典 aesthetic

Modern literary critic W·C·Booth introduces the theory of aesthetic distance into the analysis of novels. He also puts forward and explains the concepts of unreliable narrator and the implied author.

当代文学批评家韦恩·布斯将"审美距离"的概念引入了小说分析，并提出和阐释了不可信的叙述者和隐含作者的重要概念。

The acceptance of the readers to the text can be achieved through three levels: expectation horizon , aesthetic distance and appealing fe.

读者不是一个被动的阅读者，而是能动的参与者，一篇微型小说没有读者接受只能算作文本，读者对文本的接受要通过三个层次来完成，期待视野，审美距离，召唤结构。

Therefore , recollections of the past become the main means of expressing life , the life instinct and local emotion become the power , the childhood leads to the pursuit of the beauty of human nature, the vision of recollections of the past cause the artist's aesthetic psychological distance , which helps their style created .

于是，忆旧成了他们的主要表达方式，"生命本能-乡土情结"构成忆旧动力，童年指向人情、人性之美的追寻，忆旧视角的运用也造成了艺术家所必需的审美心理距离，助成了他们的文体创造。

There should be less truth but more poetic flavor and romance. The distance between the two should be wider and wider because beauty could be brought about by distance. With aesthetic perception there would be pleasant sensation, which could help one forget the sense of pain for the time being

在摸拟的场景中去表达难以言表的生命体验，在浅表而快乐的世俗生活中，人与人之间都需要一种距离和想象空间，少一点真实多一点诗意和浪漫，彼此远一点，再远一点、再远一点，远了就会有美感，有了美感就有快感，有了快感就会暂时忘记痛感

Some of the specific viewer receptions in psychology, drama, film and literature are "empathy,""involvement," and "aesthetic distance".

本研究探讨老年电视剧观众是否产生如理论中所谓的知性与情感心理过程？

Borrowing it to appreciate Far from the Madding Crowd , the famous work by Thomas Hardy, we can find that his artistic describing produces an aesthetic distance between the novel and readers.

以此来观照哈代的小说《远离尘嚣》，我们可以发现，他以戏剧笔法勾勒生活场景和人物形象，使之与接受者之间产生审美距离。

Many traditional Chinese concepts relevant for ink painting have also been an important reference for modern and contemporary art, like for example the emphasis on the creative process, the aspects of communication and interaction, as well as the open nature of the art work; further the claim for eliminating limitations set by disciplines and for eradicating the aesthetic distance between life and art.

他们注重创作过程，注重参与，互动与交流，以及作品的开放性品质。进一步来说，取消学科之间的限制，消除生活和艺术之间的美学距离。

Distance of Aesthetic psychology.

九、艺术。十、审美心理距离。

Xiao Qian pursue the fighting and the sociality in his novel creation, but the melancholy temperament of individual, the tragedy of novel content make Xiao Qian"s novel formed melancholy keynote in whole; lyrics in the art, the psychology distance of create aesthetic, the feelings of writing are controlled and objective, it make his novel write sober; construction the image of poetry and interweave with feeling, symbolism and the poetry of language make Xiao Qian"s novel formed poetry.

指出萧乾在创作中追求小说的社会性、战斗性与艺术性的和谐，由于个体的忧郁气质，小说内容的悲剧性使萧乾小说在整体上形成忧郁的基调；艺术上的抒情写意，创作审美的心理距离的运用，书写的情感节制，让萧乾的小说叙写上冷静客观；诗意意象的塑造，并与情感相交织，象征手法的运用以及语言的诗意质感使其小说具有诗意美。

In his opinion: freedom in modern society is a kind of inter-control relationship between human and objects, that is an illusion of freedom; personality is the outcome of the batch production of consumer system; it is a kind of self-shoot, a shadowy self-comfort and satisfaction; the aesthetic distance formed the lonely state of modern human, this makes favor and identity be important motivity of consumption; nature here has been changed to naturety, it is a consumable symbol opposes to real nature; art and artworks gradually turns into sign; as the container and carrier of spirit, body has been changed to a separate object, a kind of capital that needs to be managed and operated; the inimitably expansion of image in mass media make human immerse in the aspiration of itself, which makes human fowardly go into the matrix of consumption.Abundant objects and information are accumulated in supermarkets and mass media, which give people an image of rich. At the same time, commodity appears in series to rise people's desire. The difference between kinds of commodity has gradually been erased, replacing the utility as object.

他认为：当代的自由实际上是人与物的相互操控关系，是人的自由幻觉；个性是消费系统中批量生产的产物，是一种自恋性的投射，一种虚幻的自我安慰和满足；审美距离则造成了当代人的孤独，这使得关切和身份认同成为消费的重要动力；自然已经变成自然性，成为对立于真正自然的可消费的文化符号；文艺复兴以来的艺术和艺术品逐渐由模仿转为表现再转为符号。

Green function defined inphase space differs from one in coordinate space by its struc-ture which exhibits nonlocatity in coordinates and oscillatorybehavior with respect to momenta.

在相空间中定义的Green函数不同于通常坐标空间的Green函数，在结构上显示出对坐标的高度非局域性，而对动量则显示出振荡行为。

The upper front part of a saddle;a saddlebow.

前鞍桥马鞍前面的上部分；前鞍桥