查询词典 aesthetic

They all focus on the aesthetic of the product whether, in the designer's case, defined as a creative resolution of the joint demands of technology, price, or as the fulfillment of the requirements of taste, practicality and social and economic needs.

站在设计师的立场来看，他们都将注意力集中在产品的审学上，不管是对一个作为连接技术与价格需求的创造性决议的定义还是对作为履行品位性、实用性和社会及经济需求的必要条件的定义。

On the basis of comparison and comprehension to the intentional theory concerned by Bruntano, Husserl, and Merleau-Ponty, this paper revealed it s inheritance and difference of the three phenomenologists, and analyzed the Phenomenology of Aesthetic Experience of Mikel Dufrenne, whose theory was mai...

本文在对布伦塔诺、胡塞尔、梅洛·庞蒂的意向性理论作一梳理与比较的基础上，揭示出上述三者之间意向性理论的继承和差异。

The changes of these aesthetic styles are a natural extension of postmodernist cultural logic in the times of network.

这些艺术审美方式的变异是后现代主义文化逻辑在网络时代的必然延伸。

Moreover, postmodernist aesthetics and art as a significant component of the post-aesthetic culture yet remains peculiar in nature.

作为后现代主义文化的重要组成部分，后现代主义美学和文艺也具有自己的独特性。

On the one hand, it described the intension and characteristics of aesthetic Utopia in hist...

一方面阐述了历史语境中审美乌托邦思想的内涵与特性；另一方面论述了席勒、马尔库塞审美乌托邦思想产生的历史背景和理论渊源。

In a superficial sense, they seem more obviously Japanese: despite the visible influence of Wyler and Toland, their dominant style - high-angle shots with actors set against landscapes and dispersed throughout the frame - is reminiscent of classical Japanese painting. But one may surmise that the choice of this style was partly motivated by a desire on Mizoguchi's part to create a recognisably Japanese aesthetic for foreign consumption.

从某种表面意义上看，这些影片看起来带有更易察觉的日本特征：尽管它们明显受到了惠勒与托兰德的影响，但其主导风格（即演员以风景为背景、散落于画面各处的俯角镜头）令人回想起日本古典绘画；不过人们也可以猜测，沟口健二之所以选择这种风格，部分是受到了他希望创造出一种能为外国消费者所辨识的日本美学这一愿望的驱动。

The fist part mainly describes the background of his creating in artistic songs from the social background, aesthetic thought,the impacts of classical German traditions,overall development of German artistic songs and the humanitarian significance on Beethoven.The second part analyzes his creation techniques from the aspects of subjects,genre,tune development methods,harmonic language,tone,mode,musical structure anal piano accompaniment.The third part is the summary for Beethoven's inheritance and innovation

第一部分主要从社会时代背景、美学思想背景、德国古典传统与贝多芬创作的关系、作品中表达的人道主义内涵以及德国艺术歌曲整体发展对贝多芬艺术歌曲创作的影响几方面着手进行阐述；第二部分从题材、旋律发展手法、和声语言、调式调性、曲式结构、钢琴伴奏等六个方面来展开对贝多芬艺术歌曲创作技法的分析；第三部分则从贝多芬艺术歌曲对后人艺术歌曲创作的影响这三个方面入手对贝多芬的继承与创新做一个总结

Herbert Marcuse sketches out the repressions in the modern society in his major works Eros and Civilization, Negations, One-Dimensional Man, and The Aesthetic Dimension, and sees art as the last means of liberation in a society in which freedom has become repressed.

许多思想家都对现代社会导致的压抑作出过分析和论述，其中极为突出的一位是在二十世纪六十年代在美国最具影响力的新左派代表，赫尔伯特·马尔库塞。

Herbert Marcuse sketches out the repressions in the modern society in his major works Eros and Civilization, Negations, One-Dimensional Man, and The Aesthetic Dimension, and sees art as the last means of liberation in a society in which freedom has become repressed.

他在《爱欲与文明》、《论解放》、《论否定》、《单向度的人》、《审美之维》等重要著作中剖析了现代社会中人性受到的种种压抑，设计了非压抑性社会的蓝图，并提出以恢复感性、诉诸艺术审美为解放人性的途径。

I argue that it is crucial that we investigate the form of representation, legal, political and aesthetic, within which 'queer' Asian migrants are given recognition and definition by the US state, to query if such representation far from being felicitous, is yet another mode by which Asian diasporic sexualities are constitutively occluded at the very moment of their asserted historical emergence.

这种法律上的承认和保护是对酷儿的政治的、法律的和审美的再现。我认为非常有研究价值。在这种再现中，酷儿身份的亚裔移民被美国政府定义、认可。但我们有必要追问这种再现是一种福祉，还是另一种模式的禁锢。海外亚裔的性存在是不是在刚刚宣布了它的历史性的存在的同时，就被这种模式所建构和禁锢了。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。