查询词典 aesthetic

The paper explores the elaboration of blending space and the working mechanism of aesthetics. The authors hold that with cognitive context in prominence, addressees resolve incongruities in humor by composition, completion and elaboration. The tension in the process changes the addressee's psychological state from restraint to excitement, making their embodied aesthetic experience mutually manifest the addressers' aesthetic choice.

探讨了该模式下整合空间的运作及其审美机制，认为受话者在具备相关突显认知语境的前提下通过初次组合、完善及扩展消解了幽默中的不一致，其中的张力使受话者的心理状态由抑制转为兴奋，使其审美体验与说话者的言语美选择达成互明。

Right after that, another lot of young artists are facing the decline of agricultural society, the thrive of industrial society and post-industrial as well as the development of internet times; facing the times of fashion-consumed culture, desire expanding and society anomic; facing the attack of globalization from politics, economy, culture and art; facing the messed information interlace and virtual world art structure; facing the highly-developed modem internet information times. They are facing the chances and challenges during the society mode changing, facing the opportunities and challenges during the change from traditional aesthetic into modern aesthetic.

而紧跟其后的一批年青艺术家，在面对中国农业社会的衰退，工业社会、后工业社会的兴旺发达及网络时代的崛起；在中国时尚消费文化、物欲膨胀、社会道德沦丧的时代；在政治、经济、文化、艺术全球化的冲击中；在混乱的信息交错和虚拟的世界艺术结构中；在高速发展的现代网络信息时代；他们正面临一个社会结构转型的机遇和挑战，面临传统美学在现代美学转型过程中的机遇和挑战。

The second is from the reform and opening-up to the present, in which the study of the Decadents starts to regard it as the aesthetic art and finds the aesthetic feature.

第二阶段从新时期开始，尤其是近十几年来取得了新的成果，主要是超越社会学批评，开始从审美的视角看颓废主义，揭示了颓废主义的美学特征。

By comparing their different dictions, sentence structures, translation techniques applied and different approaches in aesthetic reproduction, the paper intends to find out the merits and demerits of the two versions and the differing aesthetic effects they produce on th.

仅就一个场景的对白，比较两种译本在措辞、译句结构、人物个性化语言的凸显、翻译方法和技巧的运用方面的异同以及不同的翻译美学再现方式，使两种译本各自的优缺点和不同的翻译美学效应得以局部呈现。

By comparing their different dictions, sentence structures, translation techniques applied and different approaches in aesthetic reproduction, the paper intends to find out the merits and demerits of the two versions and the differing aesthetic effects they produce on the target audience.

仅就一个场景的对白，比较两种译本在措辞、译句结构、人物个性化语言的凸显、翻译方法和技巧的运用方面的异同以及不同的翻译美学再现方式，使两种译本各自的优缺点和不同的翻译美学效应得以局部呈现。

How children value the "docents' script" is related to how children value the "professional authority". The impact of children's aesthetic self-consciousness is the key to weather independent aesthetic could be formed or not.

儿童在审美思考上面对「导赏稿」的态度意味儿童面对「专业权威」的态度，影响儿童审美自主意识的形成，影响能否成为「审美」独立个体的关键。

The aesthetic experiences for children as docents are:(1)the experiences children gain from being "the audience" into "interpreter", children study the art as an interpreter, instead of an audience. This can help to arise the self-consciousness of aesthetic.

儿童担任导赏员的审美经验为：儿童从解读艺术文本的「观众」变成「诠释者」过程中获得审美自主意识的经验。

Beijing ; ecotourist attraction ; spatial aesthetic ; temporal aesthetic

北京；生态旅游资源；地段美；时序美

Secondly,it announced that the Postmodernism Spectacle Culture revelled a kind of pure "visual hedonism" which cut down the line linked with its ancient branch: its aesthetic feature can be concluded from such aspects:Seperated from the reality world as its fictitious feature;sensible intuitionistic as its media feature;vanishment of artistic charm as its aesthetic convert feature; revel of desire as its embracers' psychology feaure.

论文认为，后现代的奇观文化割裂了人类早期奇观文化的审美特性而呈现出一种纯粹的&视觉快感&：&与现实世界的分离&是后现代奇观文化的虚拟特性，&感性的直观&是后现代奇观文化的媒介特性，&韵味的消解&是后现代奇观文化的审美特性，&欲望的狂欢&是后现代奇观文化的受众特性。

One thing is sure, is that they do not support or even oppose the idea of substituting art, and associated with this is that they recognize the value or the value added of the fine arts. They are not esthetes, but firmly believe that art must have an aesthetic quality--in their eyes all the so-called ideas, even the most valuable concepts of art must be achieved through the aesthetic of the intermediary, even though they may oppose the concept of contemporary art's tendency to suppress the technology, but they do not flaunt technological supremacy. They acknowledge and accept the meaning of art, but they also convey the concept of artistic value in way they try to select a relatively moderate path, neutral, and not too left or right, but also East and West, ancient and modern, not avant-garde nor stale, either extremes must be avoided. And to be able to do this, we've reached the limits of a teacher's role, going beyond these expectations is not very realistic, as the less moderate we get, the further we are from a teacher's identity.

有一点可以肯定，那就是他们不赞成甚至反对以观念代替艺术，与此相关联的是他们承认甚至看重技术对於艺术的价值，他们都不是唯美主义者，但坚信审美是艺术必须具备的品质，在他们眼里一切所谓观念，即使是最有价值的观念在艺术中都必须经由审美的中介加以实现，虽然他们反对观念至上，反对当代艺术中蔑视以至讨伐技术的倾向，但他们并不标榜技术至上；他们承认并接受观念对於艺术的意义，但他们同时看重传达观念的方式，他们试图选择的是一条相对中庸的道路，不偏不倚，不左不右，亦中亦西，有古有今，前卫亦无不可，极端则须避免，能够做到这些，已经是作为教师的角色选择的极限，超越这些范畴的期待已经不很现实了，而远离这些范畴的选择又似乎有违於教师的身份。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。