查询词典 aesthetic

In his magnum opuses of on the music and a comprehensive view on music, Qing Zhu illustrates systematically his music aesthetic thought, with the idea of 'music is the language of soul' as the core.

青主在代表作《乐话》和《音乐通论》等理论专著中，以&音乐是上界的语言&为其音乐美学思想的核心，系统的阐述了他的音乐美学观点。

Abstact : Through the arts and sorts analysis of the relationshi, ointing out that sorts are artistic creativity,"a source of livelihood" and based on the field, but also discusses the combination of arts and sorts has enriched the connotation of PE, so that PE has an indeendent aesthetic function, reflects the the basic characteristics of the arts.

洛阳理工学院，河南洛阳471003）摘要：通过对艺术与体育关系的分析，指出体育是艺术创作的&生活源泉&和取材领域，同时也论述了艺术与体育的结合，丰富了体育的内涵，使体育具备了独立的审美功能，体现了艺术的基本特征。

From this perspective, Osaka Hiroshi's nudes are made with standards entirely different from those of Western aesthetic tradition.

由这个观点来看，Osaka Hiroshi在裸体作品上采用了与西方艺术传统完全不同的处理标准。

This paper pays more attention to investigate the affect and value of the dialogues in The Castle, which include the narrative technique, plot, content, and the integrated aesthetic meaning. This paper also investigates the affect and value of the dialogues in other novelettes and short stories of Kafka. So as to form a deep comprehension of the style in Kafka works.

本文将着重考察&对话&对于小说《城堡》的叙事、情节、内容和美学意蕴的作用和价值，兼及卡夫卡的部分中短篇小说中的对话的作用和价值，从而形成对于卡夫卡小说整体风格的深入理解。

They all surpluses my experience field. Chapter 4:"The world-building function of aesthetic emotion and existential mood."

而这种与生存，与世界的关联，恰恰构成了所谓的&天才&创造和天才技艺的根基。

The "aesthetic emotion" springs from an intellectual triumph, from overcoming barriers of word-bound thought and achieving insight into literally "unspeakable" realities

&审美情感&来源于智力的胜利，从克服障碍的字面的方向的思想来实现洞察字面上&无法形容&的现实。

Such aesthetic experience of perfection is derived from their much too comfortable life reality as only--children. Her paintings, however, are not limited to the blissful paradise of the current world, and, they seem to be description of the different lives of the generation, even with a poetic and philosophical tragedy in addition to a quasi-religious tragic sense.

这种完美的美学经验是在独生子女一代的优越感成长中形成的，但她的画面并没有仅仅是描绘一种天堂般美好快乐的世界，而似乎试图描绘这一代人的存在困境，甚至某种带有哲学悲剧色彩的诗意境地，以及一种准宗教式的悲剧感。

The function of philosophy is that it brings people aesthetic enjoyment of "wisdom-loving" through unconscious influence in philosophical mastery, thus obtaining the purpose of purifying people's souls and educating people's emotional appeals.

哲学的功能是通过哲学修养的潜移默化给人们以&爱智&的&审美&享受，从而达到提升人们的灵魂，教化人们情趣的目的。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Renovation aims particularly at the aesthetic unity of the monument in the sense of "making new again" the outer appearance or the visible surface of a monument, whereas "making visible again" by means of conservation work, cleaning and re-exposure in combination with replacements still belongs in the realm of restoration.

翻新，特别是指让古迹的外观或是可见的外表「焕然一新」，以达到古迹的美感统一。不论「使之重现」是藉由维护工程、清洁或是以替换来再现等方法，仍然是属於修复的范畴。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。