查询词典 aesthetic

Chapter 1 redefines the crucial concept sense according to Kant philosophy. It is the key to solve a variety of puzzles tangled in the western thinking, and also, it is the key to solve the famous aesthetic antimony: In what sense can judgments of artistic merit, which appear to be about our subjective feelings, be considered objective or factual? Chapter 2 mainly discusses the misunderstanding about Kant theory of the aesthetic judgment rule: disinterested.

首先，感官感觉的语义素的分析从身体感官入手，揭示趣味判断的逻辑悖反性在西方哲学美学传统中的地位，阐述几种有代表性的观点，并以康德对感官、感觉以及感性、情感等的理论规定为纲，逐步回应阐释过程中的诸多疑问，继而阐明康德对反应的趣味和反思的趣味的区分，以及他对上一悖反问题的具体回答。

This covert appreciation of images in dangerous insofar as it accepts not a dialectical relation between political and formal meaning, not their nterpenetration, but a hazier, more reified relation, one in which topicality drops away as epochs fade, and the aesthetic aspect is, if anything, enhanced by the loss of specific reference (although there remains, perhaps, a cushioning backdrop of vague social sentiments limiting the 'mysteriousness' of the image) I would argue against the possibility of a nonidological aesthetic; any response to an image is inevitably rooted in social knowledge- specifically, in social understanding of cultural product.

l s1 o6 A8 l( R$ D7 E)|7 }$}迄今为止，这样的想法已经把对作品的鉴赏力引向了危险的境地，因为它接受的不是政治意义与正式意义之间的辨证关系，不是两者之间互相渗透的关系，而是一种更危险更实在的关系，其中最明显的就是随着几个重要时代的消褪而衰败，就美学角度来说，如果任何事物，因丢失具体的参考文献而被强调出来（尽管这些文献是存在的，可能一股当时社会含糊不请的氛围造成了缓冲力从而限制了作品的神秘性）我一定会反对一种叫非智慧美学的可能性，一幅作品的任何反应都必然植根于社会的知识形态，尤其是社会对文化产物的理解

However, they hardly escaped from the shadow of aesthetic destruction due to its omnipresence. The inadequacy for previous aesthetic theories to face the idea of ultimate destruction leads to the active pursuit of the understanding and mastering of ultimacy of destruction, in which lies the ever-lasting vigorousness and decisiveness.

这种冲动主动明确地朝向破灭这个主题，通过对破灭的深入理解，发现破灭自身蕴含的决定性的力量，冲动由此获得巨大的爆发力，但由于破灭的自我反复和相互抵消，冲动无法获得持久的生命力。

Christ represents justice, whose rationality is unaesthetic. However, Christian aesthetic view can be expressed by an adequate way. Sakyanuni symbolizes love, whose emotion is by itself similar to that in all other arts; therefore, it is very difficult to show its essence by other aesthetic ways.Ⅵ Taoism appears in the civilized society.

耶稣代表了正义，他理性的世界观是非审美的，但可以通过适当的转换手段重构审美空间：释迦象征着爱，情感的世界观本身就类问于艺术创造，因之反而难以通过另一种审美方式恰如其分地重现。

Had taken 10 old course when network game, game player group has matured and already developed almost to use up, hit unendingly at the same time upgrade to had made game player aesthetic and fatigue quite, and the core cohesive affinity that this kind of exhaustion will affect game finally, the net swims the enterprise should be blended in game more at the moment in, let game become truly significant recreation, eliminate aesthetic exhaustion of the player thereby, realize what the net swims to be able to develop continuously.

当网络游戏走过10多年历程，游戏玩家群体已经成熟并已开发殆尽，同时无休止的打怪升级已经让游戏玩家审美疲劳，而这种疲劳最终将影响到游戏的核心凝聚力，网游企业此刻更应该将文化概念融入到游戏之中，让游戏成为真正有意义的娱乐，从而消除玩家的审美疲劳，实现网游的可持续发展。

This study is base on aesthetic and psychology theories, with the goal of a full-scale scanning of the aesthetic value of computer game.

本文从美学和心理学的基础出发，对电脑游戏的审美价值进行了较为全面的剖析。

Secondly,it announced that the Postmodernism Spectacle Culture revelled a kind of pure "visual hedonism" which cut down the line linked with its ancient branch: its aesthetic feature can be concluded from such aspects:Seperated from the reality world as its fictitious feature;sensible intuitionistic as its media feature;vanishment of artistic charm as its aesthetic convert feature; revel of desire as its embracers' psychology feaure.

论文认为，后现代的奇观文化割裂了人类早期奇观文化的审美特性而呈现出一种纯粹的"视觉快感"："与现实世界的分离"是后现代奇观文化的虚拟特性，"感性的直观"是后现代奇观文化的媒介特性，"韵味的消解"是后现代奇观文化的审美特性，"欲望的狂欢"是后现代奇观文化的受众特性。

From the angles of the exhibition arts emergence, development and designing, the article discusses the relations among exhibition art, designing culture and the aesthetic culture, as well as the affection that the symbols of exhibition plastic arts posed on the pop visitant, thus confirms that, form the theme plot to the scheme design, to the material manufacture and finally the art modeling, the aesthetic and its information play an important role on gene rating and applying the exhibition design symbols.

本文从展示艺术发生、发展、和设计的角度，论述了展示艺术与设讨文化、审美文化的关系以及展示艺术造型语言对大众参观者的审美作用和影响，从而证实了，从展示艺术活动主题策划、方案设计、材料制作到艺术造型展现，审美文化和审美信息在展示设计语言的显现和运用的重要性。

Visual images art is a discipline of deep aesthetic foundation; the Frankfurt School makes great theoretical contribution to it. Compared with traditional arts, visual images art has distinctive aesthetic characteristics in technology, visuality and entertainment.

影像艺术有深厚的美学基础，法兰克福学派的马尔库塞对影像艺术理论有重要的贡献，与传统艺术相比，影像艺术在技术性、现场感、游戏性上有自己的审美特征。

Marx's aesthetic thoughts were developed on axiological aesthetic thoughts on the basis of people's existence and enhancement.

马克思《巴黎手稿》美学思想是以人的生存、发展为其关注对象的价值论美学思想。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。