查询词典 aesthetic

Throughout the course of producing,it permeates strong emotional intention,unique art personality,and style that materialize the aesthetic appeal,aesthetic experience and the self-composed suitable form of the aesthetics.

这种主动性表现在作曲家需要去寻求和创造符合自己的审美意愿的音响，它在生产过程中，始终渗透着生产者主体强烈的情感意向、独特的艺术个性、气质和风格，物化着艺术家主观世界的审美情致、审美体验以及自创的恰当得宜的美的形式构成。

From the angle of interpretative method,the key point of creative aesthetic criticism lies in distinguishing between comments of the version and understanding of aesthetic semanteme.

从诗性解释学来看，把握审美批评的创造性的关键，在于把握文本信息的"解说"与艺术语义的"解读"的区分。

The Prominence of Joseph·Addison's aesthetic thoughts exists in his expression of aesthetic imagination-the joyful sensation of imagination is different from that of sense or sensibleness and it can be divided into the elementary one and the secondary one,both of which derive from the object of vision made of"greatness.novelty and beauty".

论文关键词约瑟夫·艾迪生/想像/审美 Joseph·Addison/imagination/aesthetics，论文来源天津大学学报：社科版，论文单位，点击次数 22，论文页数 66～70页2002年2002月论文网 http：//www.lw23.com/paper_60400831/约瑟夫·艾迪生美学思想的独特性表现在他对审美想像的论述上：想像快感不同于感官快感和悟性快感，它可分为初级想像快感和次级想像快感，均来自视觉对象，这种对象由"伟大、新奇和美"组成。

The consumption has become a kind of sign operation behavior and an exchange system for the construction of identity and differences, which makes the consumerism era a special cultural context. Consumer culture not only affects people"s life style and their way to communicate and identify themselves, but also affects the artistic and aesthetic realms, making aesthetic activities and artistic production under the influence of consumer"s economic logic.

当消费成为一种系统化的符号操作行为和一种建构认同与差异的交流体系时，消费时代也就成为了一种特殊的文化语境：消费主义文化不仅影响着人们的生活方式和沟通认同方式，其影响还波及到了艺术和审美领域，使审美活动和艺术产品的生产受制于经济和消费逻辑。

It can be said that "harmony between man and nature" in the spirit of traditional Chinese culture,"potential", but also the culture of the Chinese aesthetic,"the backbone of thinking", which at long history of human civilization as a cultural and artistic spirit of the rheological strength of a dominant culture always penetrate the Chinese place a lot of time and space opera aesthetic.

可以说，"天人合一"的中华传统文化的精神"潜质"，也是华夏审美文化的"中坚思维"，它在人类文明历史长河中成为文化艺术精神流变的一种支配力量与文化底蕴，始终渗透于中国地方戏审美的诸多时空。

"Body Charm" is "Shen Fa" and "rhythm" Said is the classical art performance and the aesthetic goods Kam sperm nucleus, classical dance,"who rhyme" aesthetic pursuit of a "shape, God, strong, and law" constitutes, elements "to Shen, Chong, rely on, and with, Tian, moved next to."

摘 要："身韵"是"身法"和"韵律"的总称，是古典艺术表现和审美的品鉴的精核，古典舞"身韵"的审美追求是"形、神、劲、律"构成，元素是"提、沉、冲、靠、含、腆、移、旁提"等。

The works exhibited this time is the production under this thinking. I will not limit myself in such an abstract or traditional label. The direct or indirect calligraphy, Taiji, sculpture, poem and philosophy, aesthetic thoughts absorbed from paintings allow me to realize that the form of paintings is not just a key problem, no one shall find the freedom exit as when Duchamp's works were completely destroyed. And there is no one who is as frank and smart as Picasso to change the form game into the local snack. In some history phases, a kind of thinking ways and a kind of language styles may gain the upper hand. But comparing to stable accumulation of the history of culture and aesthetic, the pure quality of painting spirant will forever be an important premise of painting criticism.

这次展览的作品，便是这样的思考前提下的产物，我不会把自己定身在抽象或者传统这样的标签之下，我在绘画过程中所吸收的书法、太极、雕塑、诗歌和哲学、美学思想的直接和间接的营养，让我体会到，绘画作品的形式远不是一个最关键问题，没有人可以在杜桑完全彻底的破坏面前找到自由的出口，也没有人可以像毕加索那样把形式游戏变成地方小吃一般的率性和机灵，在某一个历史阶段，一种思想方式，一种语言风格或许会占上风，但相对于文化史、美学史坚实的积淀，绘画精神性的纯粹质量将永远是绘画批判的一个重要前提。

As the revelation of aesthetic and existing significance, the sublimity has always been an important aesthetic form.

作为对审美意义和生存意义的揭示，"崇高"历来是一种重要的审美形态。

It deals with feeling versus experience, subjectivity versus objectivity, disinterested pleasure, aesthetic universality, free and adherent beauty, the sensus communis, genius, aesthetic ideas, beauty as the symbol of morality, beauty of nature versus beauty of art, the sublime, and the supersensible.

这部份他处理感觉与经验的对立、主体性与客体性的对立、不与利害相关的愉悦感、美感的普世性、自由美以及依附美、共通感、天才、美感理念、美作为道德的象徵、自然美与艺术美的对立、崇高感以及超感官。

Achieve a special aesthetic culture of Japan in the world, Japanese men have used aesthetic culture to control and judge class or age and social position of Japanese women, KOGAI MAGE and TAKASHIMADA MAGE is used by common women, KATSUYAMA MAGE and TENJIN MAGE is used by geshia women, HYOKO MAGE is used by concubine, RAKAKU MAGE is used by servant, SANRIN MAGE is used by young women, KUMEZO MAGE is used by a middle-aged women, MARU MAGE is used by women of old age.

日本古代发型是最足以代表日本风情的民族发式，翻开日本古代发型的演变史；最早可推到3世纪的古坟时代，历经千年以上之改良创新，而发展出多彩多姿的款式。皇族之笄髷及上流社会之高岛田髷，女医及巫女等特殊职业之片手髷，普通国民流行之桃割髷及银杏髷，艺妓专用之胜山髷及天神髷，女妾专属之兵库髷，女佣之螺角髷；少妇的三轮髷；中年之久米三髷；老年之丸髷，均有各领风骚的发型区别，毛发款式描法依照人体脸型七种样式来美化。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了