查询词典 aesthetic perception

The author ignores the aesthetic and historic cultural value of a century old building to the town of Rockingham.

作者忽视了这座古老大楼对该镇所具在的美学与历史价值。

Because of the above mentioned reasons, the paper aims to entirely display, analysis and study the repetition in Robbe-Grillet"s early masterpieces :"Les Gommes", and "The Voyeur start from the repetition concepts under the traditional and postmodernism linguistic context. The emphasis was put on the reenactment that appear in the text and the parody among the text, finally summarize from the meaning and aesthetic result produced in the text of it.

基于上述原因，本文主要从传统意义的重复和后现代语境下的重复入手对罗伯-格里耶早期的代表作《橡皮》和《窥视者》中的重复手法进行详尽地陈列、分析、研究，将重点放在文本内的复现和文本间的戏仿的分析上，最后从其在文本中产生的意义和所产生的审美效果进行总结。

The thesis consists of five chapters. The first chapter is this thesis"s introduction presenting the purpose, significance and method of the study; The second chapter analyses the architectural design"s characteristic and its differences between Gropius and wright through the respective typical achievement of the two; The third chapter is the core of the thesis. This chapter comprehensively compares the architectural thought between Gropius and Wright which is reflected in several aspects, such as the basic thought of architectural design, space conception, architectural aesthetic inclination and the methodology of architectural design and so on; the fourth chapter is the comparison of the cause resulting in different architectural thought of the two; The fifth chapter is the concluding remarks of the thesis. This chapter mainly elaborates respective different ideological enlightenment which the two architects have respectively left us.

论文共分五章：第一章是绪论，介绍本文的研究目的和意义，以及研究方法；第二章是由典型作品入手来剖析格罗皮乌斯与赖特的建筑创作特点与差异；第三章是本文的重心部分，通过在建筑创作的基本思想、空间观、建筑美学观、创作方法论等几个方面，对格罗皮乌斯与赖特的建筑观作较系统的比较；第四章是两建筑大师建筑观形成的原因之比较；第五章是本文的结束语，主要阐述两大师各自给我们的不同的思想启示。

As for Ukiyo-e prints, Suzuki Harunobu reached his prime time at his late years. For example 《Romantic Voluptuous Little Pretty》,《the Eight Scenes of Beauty's Chamber》《Romantic Beauty Mirrors》, this group of three of beauties are very famous. Kitagawa Utamaro had unique aesthetic appreciation, presenting women's charming and grace. Another artist Toshusai Sharaku didn't created many works. He appeared only for a short period of time, just like a shooting start crossing the sky. Katsushika Hokusai's "the Thirty-six Scenes of Fuyue" was the beginning of the popularity of Ukiyo-e prints. His work absorbed the factors of western world. Many of his works presented grandeur in front of people. The works of Utagawa Hiroshiga were also outstanding. His works revealed a sort of " Japanese complex".

浮世绘方面，铃木春信的创作旺盛期是在晚年，《风流艳色小豆人》、《风流闺室八景》和《荡女鉴镜图》三组美人画非常著名；喜多川歌磨有着独到的审美意识，展示女性的妩媚动人和优雅神态；役者绘大师东洲斋写乐的作品不多，仅仅出现在一个极短的期间，犹如历史夜空中一闪而过的彗星；葛饰北斋的&富岳三十六景&是浮世绘风景画流行的开端，作品吸取西洋的绘画元素，大多雄伟壮丽；歌川广重的&名所绘&出类拔萃，画中流露一种&日本情结&。

It not only develops the aesthetic thought of Taoist school and early Taoism,but also inf...

重玄美学不仅是对传统道家、道教美学思想的发展创新，对后来道教的发展也产生了深远的影响。

Aesthetic excitation is one of the important subjects of Nabokov's novel that is analyzed in the second section.

第二节分析了纳博科夫小说中的一个重要主题：审美狂喜。

Increasing one's aesthetic pleasures is one way to combat boredom, and Kierkegaard described many methods of doing so.

提高人的审美愉悦是一种打击无聊，和克尔凯郭尔描述许多方法这样做。

This being said, I believe that the highest aesthetic experience has the exact opposite effect from that of Cage's and Magritte's work .

至此，我认为最高层次的审美体验具有与凯奇和马格里特作品截然不同的效果。

The Big in Chuangtzu's poetics transcends the moral meaning, and bears the connotation of aesthetic level and can be integrated with the Sublime of Longinus' works.

与先秦其他各家不同，庄子诗学思想中的&大&超越了伦理层面的道德意义而更具有审美层面的内涵，与处于西方文明源头的朗加纳斯的崇高范畴具有汇通意义。

At the same time, the author makes a distinction between different categories of Big in the pro-Qin literature. The Big of Chuangtzu's poetics thought transcends the moral meaning, so has the connotation of aesthetic level and can integrate with the Sublime of Longinus.

并且考察中国先秦典籍中&大&这一范畴的不同内涵，指出庄子诗学思想中的&大&与先秦其他各家不同，超越了伦理层面的道德意义而更具有审美层面的内涵，与处于西方文明源头的朗加纳斯的崇高范畴具有汇通意义。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。