查询词典 aesthetic perception

His first aesthetic infatuations were with the art of the Renaissance era, primarily with the work of Michaelangelo.

他最早形成的美学上的迷恋对象是文艺复兴时期的艺术，特别是对米开朗基罗的作品。

The songs such as Lullaby of Broadway, Shuffle Off to Buffalo, Young and Healthy, The 42nd Street, the theme song, and also You're Going Out There a Nobody, But You've Got to Come Back a Star!, an old song from the film all become classics of Broadway musicals. In 2001, the musical was remade according to the operation rules of Broadway classical musicals to adapt to the aesthetic demand of the people of the present times. The performance of the new version at Ford Center for Performing Arts in New York at the time won the Best Revival of a Musical and the Best Performance by a Leading Actress in a Musical of the Tony Award that year.

而该剧中的《百老汇摇篮曲》、《舞到布法罗》、《年轻与健康》，以及主题歌《42街》和从电影中保留下来的老歌《一鸣惊人》等都成为百老汇音乐剧的经典唱段。2001年，该剧根据百老汇经典舞台剧的运做规律再次对该剧进行改造，以适应当今人们的审美需求，当年新版本在纽约福特中心的演出再次获得了托尼奖中的最佳复排音乐剧奖和最佳女主角奖。

The nineteenth-century ballerina was the object of public adulation, but the aesthetic was determined by the male ballet masters, librettists, choreographers, and patrons.

十九世纪是芭蕾讦对象公开，但审美是由男性芭蕾舞大师librettists、编舞、顾客。

He often employs 'wild style' graffiti with delicate aesthetic elements and complex layering to create mesmerising artworks that transcend the ordinary graffiti form.

他经常使用&狂野风格&的涂鸦手法，加上细致的美学原素和复杂的层次来制作出令人着迷的作品，令其作品超越了一般的涂鸦艺术。

They all focus on the aesthetic of the product whether, in the designer's case, defined as a creative resolution of the joint demands of technology, price, or as the fulfillment of the requirements of taste, practicality and social and economic needs.

站在设计师的立场来看，他们都将注意力集中在产品的审学上，不管是对一个作为连接技术与价格需求的创造性决议的定义还是对作为履行品位性、实用性和社会及经济需求的必要条件的定义。

On the basis of comparison and comprehension to the intentional theory concerned by Bruntano, Husserl, and Merleau-Ponty, this paper revealed it s inheritance and difference of the three phenomenologists, and analyzed the Phenomenology of Aesthetic Experience of Mikel Dufrenne, whose theory was mai...

本文在对布伦塔诺、胡塞尔、梅洛·庞蒂的意向性理论作一梳理与比较的基础上，揭示出上述三者之间意向性理论的继承和差异。

The changes of these aesthetic styles are a natural extension of postmodernist cultural logic in the times of network.

这些艺术审美方式的变异是后现代主义文化逻辑在网络时代的必然延伸。

Moreover, postmodernist aesthetics and art as a significant component of the post-aesthetic culture yet remains peculiar in nature.

作为后现代主义文化的重要组成部分，后现代主义美学和文艺也具有自己的独特性。

On the one hand, it described the intension and characteristics of aesthetic Utopia in hist...

一方面阐述了历史语境中审美乌托邦思想的内涵与特性；另一方面论述了席勒、马尔库塞审美乌托邦思想产生的历史背景和理论渊源。

In a superficial sense, they seem more obviously Japanese: despite the visible influence of Wyler and Toland, their dominant style - high-angle shots with actors set against landscapes and dispersed throughout the frame - is reminiscent of classical Japanese painting. But one may surmise that the choice of this style was partly motivated by a desire on Mizoguchi's part to create a recognisably Japanese aesthetic for foreign consumption.

从某种表面意义上看，这些影片看起来带有更易察觉的日本特征：尽管它们明显受到了惠勒与托兰德的影响，但其主导风格（即演员以风景为背景、散落于画面各处的俯角镜头）令人回想起日本古典绘画；不过人们也可以猜测，沟口健二之所以选择这种风格，部分是受到了他希望创造出一种能为外国消费者所辨识的日本美学这一愿望的驱动。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。