查询词典 aesthetic perception

On the one hand, Marlow serves as the speaker of the author and plays an important role in the novel. On the other hand, Marlow acts as a narrator and adds to the aesthetic effects due to the "aesthetic distance" designed in the work.

在作品内容上，马洛充当作者的代言人，在小说中扮演重要的角色；形式上，马洛具有特别的叙事作用，并因为审美距离的设置赋予作品特殊的审美意义。

On the basis of a thorough analysis to aesthetic distance and zero aesthetic distance proposed by Wang Guowei, this paper holds that there are some shortcomings in Wang's ideas on truth, nature and images.

对传统上有关王国维"隔"与"不隔"说的研究观点进行分析，认为"真"说、"自然"说、"形象"说都存在一定的缺失与不足。

Only when the distance is well controlled can readers immerse in the fictional world and at the same time discriminate the work from reality, examine and comment the characters and the circumstances objectively in a more widely view. Then a sense of aesthetics can be acquired by reading the work. This thesis is going to analyze the aesthetic distance in The Adventures of Huckleberry Finn, which is always regarded as Mark Twain's masterpiece. It embodies great artistic appeal and is one typical example in the masterly control of aesthetic distance. The thesis is divided into three chapters. Chapter One demonstrates various distances presented in this novel.

只有恰当地控制审美距离，读者才能融入作品，同时能够将作品与现实区别开来，以更广阔的视野和冷静客观的态度去审视、评品小说中人物的言行及其所处的环境，从而对其有更全面深刻地认识，感受作品的美学效果本文运用韦恩·布斯的"审美距离"理论分析了马克·吐温的杰作《哈克贝里·费恩历险记》中的审美距离及其带给读者的独特的审美体验。

Material technological basis and spreading style of visual culture are producing visual products, promulgating "virtual reality", dispelling "aesthetic distance", deconstructing people's subjectivity and imagination, gradually depriving existing condition and space of traditional culture, dispelling the aesthetic style of watching quietly, and constructing modern entertaining style.

视觉文化的物质技术根基和传播应用形式在制造视像产品、传播"虚拟现实"、消解"审美距离"、解构人的主体性和想象力的过程中，逐步剥夺了传统文化艺术的生存条件和生存空间，进而消解了静观这种传统的审美方式，建构起消遣这种现代的接受方式。由此，使人类由静观的审美时代进入到了消遣的娱乐时代。

The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位，而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思，但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下，个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思，以幽默对抗现代物质主义机械主义对人灵智的异化，重申自我表现的空间，构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力，则使论语派审美主义向隐逸文化靠拢，其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移，在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路，从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

Every kind of chirography formed its unique aesthetic imagery,and so called "iron-hard picture and flying characters","silkworm head and swallow tail,as square as framed","beautiful as a silver hook and elegant as a disturbed phoenix",and "not Cao,not Zhen,yet flexible" are respectively the unique aesthetic imagery symbols of Zhuan,Li,Cao and Xing.

书体意象是历史发展和审美追求相互作用的结果，每一种书体都形成了自身特有的美学意象，所谓"画如铁石，字若飞动"、"蚕头燕尾、规矩有则"、"婉若银钩，漂若惊鸾"、"非草非真，发挥柔翰"，即篆、隶、草、行特有的美学意象符号。

The cicerone is the depicter of the aesthetic information and the coordinator of aesthetic activities.

导游员在旅游活动中是审美信息的传递者和审美活动的调节者。

The aesthetic characteristic of Chinese wash painting color is running after the black, and also has its own unique language system, with high aesthetic and artistic significance.

中国水墨画的色彩审美有着尚黑的特点，并形成了独特的墨色语言系统，具有高度的艺术性和审美意义。

Professor XIE Jia-Xing is the Professor and the Director of Music Research Institute of China Conservatory, with a Master Degree in Composing Theory (1988) and a PH.D. of Music Aesthetic (2004). He is also the leading figure in music education discipline in China Conservatory, the associate director of the Education Committee of the Chinese Musicians Association , the president of the Music Education Commission of CMA, the director of the Music Education Academic Committee of CEC, the director of the Music Aesthetic Committee of CMA, the director of the Music Psychology Society, the director of Chinese Association of Music Communication, the member of International Society of Music Education, Committeeman of CPCEMM(COMMISSION ON MUSIC IN CULTURAL, EDUCATIONAL, AND MASS MEDIA POLICIES) of ISME, the adviser of APSMER. He is the part-time professor of Xian Conservatory, the part-time professor of Tianjin Conservatory, the specially hired professor of Art Institute of Henan University and the member of Exterior Examination Committee Member of the Education Institute of Hong kong.

谢嘉幸，中国音乐学院音乐研究所所长、教授、学院学术委员会委员， 1988 年毕业於中国音乐学院作曲系，获作曲理论硕士学位； 2004 年在中央音乐学院获音乐美学方向博士学位；中国音乐家协会教育委员会主任助理；中国音乐家协会音乐教育学学会会长；中国教育学会音乐教育专业委员会理事、音乐教育学学术委员会主任；中国音乐家协会音乐美学学会理事；中国音乐家协会音乐心理学学会理事；中国音乐家协会音乐传播学会理事；北京音乐家协会理事；国际音乐教育学会会员、文化教育与大众传媒政策委员会委员；亚太音乐教育研究会顾问；亚太艺术教育学报编委；国家教委教育科学"八五""九五"规划重点课题负责人；西安音乐学院兼职教授，天津音乐学院兼职教授，河南大学艺术学院特聘教授，香港教育学院院外考试委员。

After analyzing and summarizing, the author supposes it has communicant between ancient aesthetic conception and modern aesthetic conception.

通过对古今园林植物景观差异性的比较，对现代植物景观现状及存在问题的分析，探寻现代植物造景中的审美观特点，以它作为理论指导，对现代植物造景的发展趋势及遵循原则提出几点建议。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。