查询词典 aesthetic mood

The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位，而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思，但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下，个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思，以幽默对抗现代物质主义机械主义对人灵智的异化，重申自我表现的空间，构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力，则使论语派审美主义向隐逸文化靠拢，其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移，在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路，从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

Every kind of chirography formed its unique aesthetic imagery,and so called "iron-hard picture and flying characters","silkworm head and swallow tail,as square as framed","beautiful as a silver hook and elegant as a disturbed phoenix",and "not Cao,not Zhen,yet flexible" are respectively the unique aesthetic imagery symbols of Zhuan,Li,Cao and Xing.

书体意象是历史发展和审美追求相互作用的结果，每一种书体都形成了自身特有的美学意象，所谓"画如铁石，字若飞动"、"蚕头燕尾、规矩有则"、"婉若银钩，漂若惊鸾"、"非草非真，发挥柔翰"，即篆、隶、草、行特有的美学意象符号。

The cicerone is the depicter of the aesthetic information and the coordinator of aesthetic activities.

导游员在旅游活动中是审美信息的传递者和审美活动的调节者。

The aesthetic characteristic of Chinese wash painting color is running after the black, and also has its own unique language system, with high aesthetic and artistic significance.

中国水墨画的色彩审美有着尚黑的特点，并形成了独特的墨色语言系统，具有高度的艺术性和审美意义。

Professor XIE Jia-Xing is the Professor and the Director of Music Research Institute of China Conservatory, with a Master Degree in Composing Theory (1988) and a PH.D. of Music Aesthetic (2004). He is also the leading figure in music education discipline in China Conservatory, the associate director of the Education Committee of the Chinese Musicians Association , the president of the Music Education Commission of CMA, the director of the Music Education Academic Committee of CEC, the director of the Music Aesthetic Committee of CMA, the director of the Music Psychology Society, the director of Chinese Association of Music Communication, the member of International Society of Music Education, Committeeman of CPCEMM(COMMISSION ON MUSIC IN CULTURAL, EDUCATIONAL, AND MASS MEDIA POLICIES) of ISME, the adviser of APSMER. He is the part-time professor of Xian Conservatory, the part-time professor of Tianjin Conservatory, the specially hired professor of Art Institute of Henan University and the member of Exterior Examination Committee Member of the Education Institute of Hong kong.

谢嘉幸，中国音乐学院音乐研究所所长、教授、学院学术委员会委员， 1988 年毕业於中国音乐学院作曲系，获作曲理论硕士学位； 2004 年在中央音乐学院获音乐美学方向博士学位；中国音乐家协会教育委员会主任助理；中国音乐家协会音乐教育学学会会长；中国教育学会音乐教育专业委员会理事、音乐教育学学术委员会主任；中国音乐家协会音乐美学学会理事；中国音乐家协会音乐心理学学会理事；中国音乐家协会音乐传播学会理事；北京音乐家协会理事；国际音乐教育学会会员、文化教育与大众传媒政策委员会委员；亚太音乐教育研究会顾问；亚太艺术教育学报编委；国家教委教育科学"八五""九五"规划重点课题负责人；西安音乐学院兼职教授，天津音乐学院兼职教授，河南大学艺术学院特聘教授，香港教育学院院外考试委员。

After analyzing and summarizing, the author supposes it has communicant between ancient aesthetic conception and modern aesthetic conception.

通过对古今园林植物景观差异性的比较，对现代植物景观现状及存在问题的分析，探寻现代植物造景中的审美观特点，以它作为理论指导，对现代植物造景的发展趋势及遵循原则提出几点建议。

So my article try to discuss aesthetic consciousness especially the deep meaning of contemporary aesthetic consciousness on the basis of the corporeity experience going with the sense of skin and the connection of corporeity experience, vision and consciousness.

本论文试图从肤觉-躯体经验的角度，在肤觉躯体经验——视觉——意识的关系链中探讨审美意识、特别是当代审美意识的深层内涵。

There has always been, however, a critical tension between Sontag's aesthetic ideas and popular culture as she never allows herself to follow the trend in a blind way. For example, she defined the "camp" style as a marginalized cultural phenomenon between high culture and avant-garde culture, which aimed at maintaining the "dandified" and "defamiliarized" aesthetic taste in avant-garde and popular arts, in order to counter "automation" and long-standing binary opposites of elite and popular cultures.

桑塔格的美学思想并非是随波逐流，而是与流行文化始终保持着一种批判性的张力，如她把"矫饰"风格定义为高雅艺术与前卫艺术之间的"边缘"文化现象，其作用是在前卫艺术中保持"花花公子"的审美趣味，在大众文化中凸显反常化的姿态以抗拒"自动化"，从而消弭精英文化与大众文化的长期二元对立的格局。

As a secular living manner as well as a pursuit of aesthetic judgment on arts,dandyism typically reflects the aesthetic nature of modern culture.

纨绔主义既是一种凡俗的生存风格，也是一种艺术审美诉求，典型地体现了现代文化的审美性质态。

The basic connotation of the"aesthetic utilitarianism"is that aesthetics has an intrinsic function to surpass the desire of secular utilitarian purposes, and that the employment of aesthetic education makes it possible to liberate and sublimate the basic instinct and emotion of the fellow countrymen through the "detachedness"and"universality"of aesthetics, with a view to repelling the material and selfish desires and to formulate in time a complete character and a noble morality.

审美功利主义"是吸收了西方"审美无利害性观念和中国古代儒家、道家的思想，又结合当时所面临的启蒙问题而形成的。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。