查询词典 add the touch that brings a work of art to life

Touch need your hands on me so we can touch i need your lips on me so we can touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch ah ah ah touch ah ah ah ah ah ah touch ah ah ah i can't wait no more got this feelin' in my mind baby i'm gonna call you up and yes i know it's late at night but i can't hold back the urge wanna hear you in my ear wanna feel our bodys merge boy i need you lyin' here so we can touch put your hands on me so we can touch put your lips on me wanna feel your touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch ah ah ah touch ah ah ah touch ah ah ah touch ah ah ah boy i hope you're ready this gon' be a long night we're gon' do it how you want it 'cause i know just what you like got my body feelin' right my emotions runnin' high and i'm feelin' kinda lovely sure there's something we should try we can touch put your hands on me so we can touch put your lips on me wanna feel your touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch ah ah ah touch ah ah ah touch ah ah ah touch ah ah ah look ma i'm glad you called me i was just about to turn around anyway i've been thinkin' bout that move that you made up you mean the one i call the stand up huckle buck yeah ma i love it when you do you i know if you hurry up i ma give you part 2 i'm on my way girl can't you hear my car rushin' i'm tryin' to get there fast so we can sart touchin' touch put your hands on me so we can touch put your lips on me wanna feel your touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch put your hands on me so we can touch put your lips on me wanna feel your touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch ah ah ah touch ah ah ah touch ah ah ah touch ah ah ah touch

触摸需求你的人手右手击球员的左后方场地自我如此我们罐触摸i需求你的嘴唇右手击球员的左后方场地自我如此我们罐触摸男孩舔我的躯体弱来和乞讨的什么 i需求履行我的幻想曲如此我们罐触摸啊啊啊触摸啊啊啊啊啊啊触摸啊啊啊i不能等候不再得到这个feelin在朝派我的介意当作婴儿般对待我是去向打电话你向上的移动和同意i知道它's迟在晚上但是i不能支持住后退成为驱动力想要向听见你在朝派我的耳朵想要向感觉我们躯体合并男孩i需求你lyin'这里如此我们罐触摸放你的人手右手击球员的左后方场地自我如此我们罐触摸放你的嘴唇右手击球员的左后方场地自我想要向感觉你的触摸男孩舔我的躯体弱来和乞讨的什么 i需求履行我的幻想曲如此我们罐触摸啊啊啊触摸啊啊啊触摸啊啊啊触摸啊啊啊男孩i希望你公亩敏捷的这个gon'是a长时间晚上我们公亩gon'社交聚会它怎样你想要它'原因i知道仅仅什么你爱好得到我的躯体feelin权利我的情感runnin高度和我是 feelin可爱的人的一种可靠的那里's某样东西我们是将去请尝试我们罐触摸放你的人手右手击球员的左后方场地自我如此我们罐触摸放你的嘴唇右手击球员的左后方场地自我想要向感觉你的触摸男孩舔我的躯体弱来和乞讨的什么 i需求履行我的幻想曲如此我们罐触摸啊啊啊触摸啊啊啊触摸啊啊啊触摸啊啊啊看妈我是很高兴你打电话自我i was差不多向转变不管怎样我富人是讨论会'较量那个移动那个你制做向上的移动你用意一 i打电话竖立向上的移动髋部反对是的妈i爱它什么时候你社交聚会你i知道条件你匆忙向上的移动i妈让步你分开2我是右手击球员的左后方场地我的方式女孩不能你听见我的小汽车rushin'我是tryin'向到达那里斋戒如此我们罐sart touchin'触摸放你的人手右手击球员的左后方场地自我如此我们罐触摸放你的嘴唇右手击球员的左后方场地自我想要向感觉你的触摸男孩舔我的躯体软弱情欲高潮和乞讨的什么样的i需求履行我的我们能触动表达的幻想曲如此你的我们能稍微谈到一点自我如此的人手放你的我的幻想曲啊啊啊稍微谈到一点自我贫穷，感受到你的触摸男孩舔我的i需求履行什么软弱情欲高潮和乞讨的躯体，所以我们罐的嘴唇 touch ah ah ah touch ah ah ah touch ah ah ah touch

When the mind apprehends the essence of a thing (quod quid est; tò tí en enai), the external object is perceived without the particular notes which attach to it in nature, and it is not yet marked with the attribute of generality which reflection will bestow on it.

当铭记apprehends的本质的东西（狱吏嚼1-5 ；德州仪器恩enai ），外部对象被认为没有特别注意到它重视它的性质（中存在singularibus ），这是没有标明属性一般性的反映将赋予它

Nuno Bettencourt Crave Got the right house But the wrong address I should have my head examined I finally found the difference between A kiss and germ warfare I siphoned gasoline Your eyes, your ears, your mouth, your nose Your arms, your legs, your heart, your soul Touch me, touch me, touch me, touch me My body craves your touch A snapshot of you Tucked in my shoe So close and yet so far from you I抦 sitting at the back of the bus I picture you driving Your rearview mirror eyes Your eyes, your ears, your mouth, your nose Your arms, your legs, your heart, your soul Touch me, touch me, touch me, touch me My body craves your touch I crave you A prisoner I抦 the warden too Nothin?

努诺Bettencourt渴望合适的房子但是，错误的地址我应该有我的头检查我终于找到之间的区别一次吻和细菌战余抽走汽油你的眼睛，你的耳朵，你的嘴，你的鼻子贵国的武器，你的腿，你的心，你的灵魂碰我，摸我，摸我，摸我我的身体渴望你的触摸您的快照藏在我的鞋子如此接近，却又如此远离你余抦坐在后面的车本人图片你驾驶你的后视镜眼睛你的眼睛，你的耳朵，你的嘴，你的鼻子贵国的武器，你的腿，你的心，你的灵魂碰我，摸我，摸我，摸我我的身体渴望你的触摸本人渴望你囚犯典狱长本人也抦 Nothin ？

Documents of 2007 China Contemporary Art Documentary Exhibition》,《Prism——Seven New Artists Joint Exhibition of China Academy of Art》,《Form·Spirit》,《Art Life》,《The First China Modern Academies Watercolor Art Exhibition》,《Zhejiang Tide In The Moonlight- 2005 Zhejiang Oil Painting Exhibition》,《0 Distance》,《Foundation Art Education Models of Ten Fine Arts Academies in China》,《Form Experience》,《Academy Journey——2007 Graduation Exhibition of Oil Painting Department, China Academy of Art》,《The Art Work Collectanea of the Foundation Department, China academy of art》,《The Art Work Collectanea of China Academy of Art》,《Form and Structure》,《Paradigm》,《Super Structuralism》, and 《Starting From 0》, etc..

中国当代艺术文献展文献》《多棱镜——中国美院新锐油画七人展》《形。意》《艺术界》《首届中国当代学院水彩艺术展》《月印浙潮2005浙江油画大展》《零距离》《全国十所高等美术院校造型基础教学范例》《体验形态》《学院旅途2007中国美术学院油画系毕业作品集》《中国美术学院造型基础部作品精选》《中国美术学院留校作品选》《论形体与结构》《完全范本》《超级结构主义》《从零开始》等。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Bathroom with ground glass, body art is no bathroom glass is not closed . pornographic film lay in a bathtub with shower. Human art is a bathtub with water but no more- Shuai gg at the side of pornographic films eat rice, Art is born of human sausage, pornographic movies were filmed in China, Japanese art is the human body's film is pornographic films within three minutes really not in months. Human art is less than three minutes stripped of clothes, is a film pornographic films, only one female, the human body is an art they have some film actress, is a film pornographic movies Lane women exposed to less than 2 times. the human body is an art film Lane women exposed more than three times. pornographic film has been adapted to the garden machine-jet wet clothes. the human body art h 哥 sas been the kitchen faucet-jet wet clothes. is a screen pornographic films, only one screen, Human art is a screen with four pictures, that is pornographic films for Health Services received a bath mm tip, Art is human health services do not accept tips, using mm body as a tip. pornographic films and everyone can see the stitches, Art is human and everyone can have silenced the pornographic film

洗澡间用毛玻璃的，是人体艺术洗澡间没玻璃也没有关门的，是色情电影躺在浴缸里洗澡的，是人体艺术浴缸里没水却多了个帅 gg 在旁边的，是色情电影吃米饭的，是人体艺术吃香蕉香肠的，是色情电影中国人拍的，是人体艺术日本人拍的，是色情电影三分钟内没有动真个的，是人体艺术三分钟不到衣服就脱光了的，是色情电影一个影片里只有一个女主角的，是人体艺术一个影片里有几个女主角的，是色情电影一个影片里女人裸露2次以下的，是人体艺术一个影片里女人裸露3次以上的，是色情电影被花园里的撒水机喷湿衣服的，是人体艺术被厨房里的水龙头喷湿衣服的，是色情电影一个屏幕里只有一个画面的，是人体艺术一个屏幕里有四个画面的，那是色情电影服务生找洗澡 mm 收小费的，那是人体艺术服务生不收小费，用 mm 身体当小费的，是色情电影和大家一起看还可以哈哈大笑的，是人体艺术和大家一起看却鸦雀无声的，是色情电影

The first part presents a comprehensive scene of the art environment in which Soutine was involved, the influences he received and his opinions on the problems he confronted. This is achieved by analyzing the relationships between his paintings and those of his contemporary as well as between his paintings and the classical art works in museums. The second part will, through his landscape, still life and portrait paintings, explore the forming of Soutine\'s characteristically expressive art language and the development of his art style, which integrated the modernism paintings with classical art elements. The third part will discuss the culture background of his art, the psychology of his creation and his techniques in order to point out" the intuitively expressionist nature "of his art. This part will also analyze the achievement of Soutine\'s art and its contribution to art history through critics\' opinions of him and his influences on other artists.

第一部分分析了苏丁绘画与同时代的艺术家的创作及博物馆中的经典作品的关系，尽力全面地描述苏丁在当时所面对的艺术环境，对其所受到的影响及面对的问题有所认识；第二部分分别从风景、静物、人物三个方面，从苏丁艺术自身的形成、发展来论述他在现代艺术的框架下，借助古典艺术以形成其独特的表现性语言的过程；第三部分从苏丁绘画的文化、心理以及艺术技巧等多个方面进行分析，指明其&富于直觉的表现主义&的特质，并通过批评家的评论与他对后来艺术家的影响来认识苏丁艺术的成就及在美术史上的作用。

Liu Jin is one of the young and active artists now. His latest art experiments are all used his body as medium. His opuses aspire after feelings of releasing for using his body with pleasant sensation of being presence in the foreland of art experiments. Although his opuses contain some behavior art, I slide over to say that his art exploration is only the behavior art, it doesn't mean that behavior art is the wicked way for artists to get high reputation and flubdub, also it doesn't mean that the actual behavior art is target of public criticism in the government art criticism circles, we can say that because of many people just pay their attention to the Chinese meaning of "behavior". For this reason, it is similar to the performing art.

刘瑾是目前较活跃的年轻艺术家之一，他最近的艺术实验均以自己的身体为媒介，他的作品追求身体在执行作品的过程中的释放感和在场于艺术实验前沿的亢奋，尽管他的作品包含了许多的行为艺术因素，但我还是回避了以行为艺术来简单化的指称他的艺术探索，这既非是行为艺术在某些人眼里已成为哗众取宠，沽名钓誉的恶俗行径，也不是因为目前行为艺术在官方的艺术批评界已成为众矢之的，而是因为行为艺术这一名词本身在中文语境中过于看中行为本身，在这一点上，又同表演艺术相差不远。

Selected Exhibitions : 2008 /"The Third Guangzhou Triennial : Farewell to Post-Colonialism", Guangdong Museum of Art, Guangzhou,China / 2007 /"Alchemy of Shadow : 3rd Lianzhou International Photo Festival", Lianzhou, China / 2006 /"A Yellow Box In Qingpu: Contemporary Art and Architecture in a Chinese Space", Shanghai /"Micrology, the Politics of Realism Chinese Contemporary Art Exhibition, Macao / 2005 /"In the Depth of Reality : China Contemporary Art Exhibition", Hangzhou /"Gift, Contemporary Art Invited Exhibition", Hangzhou / 2004 /"Formatting: New Media Art Project", Hangzhou /"Labyrinth : the Second Chinese New Media Art Festival", Hangzhou / 2003 /"Experimental Art Project in White Pagoda Mountain", Hangzhou /"Links: Contemporary Art Exhibition", Hangzhou /"Exhibition of Chinese Young Artists, Hangzhou

郑端祥，1977年生於中国福建，现任教於中国美术学院造型基础学部。作品《时间的横截面III》於2006年展出於澳门艺术馆"显微境。观：中国当代艺术展"，同年影像装置《时间的横截面之夜游记》展出於"黄盒子在青浦"，2007年於连州国际摄影展展出《失忆系列》和《工厂系列》。重要展览有： 2008年/雕塑中国，香港汉雅轩/广州三年展：与后殖民说再见，中国广东美术馆、中国第三届媒体艺术节：四季，中国杭州，2007年/中国当代艺术展：在瓦伦西雅55天，西班牙瓦伦西雅、首届今日文献展：能量－精神。身体。物质，今日美术馆，中国北京、夜间摄影，香港汉雅轩，2006年/。盒子，中国上海、显微境。观：中国当代艺术展，中国澳门当代美术馆

Viewed in the field of vision and paradigm of modernity, Fichte is a philosopher whose rich and profound ideas on aesthetics show great originality. His major propositions and tenets about aesthetic modernity, such as those about the relations between beauty and culture, art and technique, art and public life, art and science, art and philosophy, art and morality and art and love, as well as those about the self-discipline and sacredness of art and about art and the progress of human society, are innovative and profound, and have exerted a far-reaching influence on modern aesthetics.

在现代性的视域和范式中理解费希特，费希特有着丰富而深刻的原创性美学思想，他关于美与文化的关系、艺术与技艺的关系、艺术与公共生活的关系、艺术与科学的关系、艺术与哲学的关系、艺术与道德的关系、艺术与爱的关系、艺术的自律、艺术的神性、艺术与人类进步等审美现代性的重要原理和命题具有独创的思想深刻性，并对当代美学产生了深远影响。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。