查询词典 adaptation

Results indicate that the stigmatic surface morphology of Pedicularis species is related to the type of corolla structure occurring in the species. Pollination studies in 8 Pedicularis species demonstrated adaptation between stigmatic surface morphology and other aspects of floral biology.

拥有更膨大，更粗糙的柱头表面特征的植物种类通常都是具喙或长管种类，而短管无齿种类的柱头平滑且无膨大，相反，对于长管具喙种类而言，柱头在膨大的同时，更形成了发达的&沟回&结构，这种柱头结构式样的不同直观、显著的改变了不同种类的传粉效率。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Good retention measures after RME must be taken in order to produce adaptation in perioral soft tissues,which may contribute to stable results after orthodontic treatment.

RME治疗后必须采取良好的保持措施，使发生显著性变化的口周软组织对于扩大的牙弓发生适应性改变，这样RME治疗结果才能稳定。

The study of biological adaptation is significant for the study of biological evolution,biodiversity and persistive utilization.

研究生物适应对生物进化的研究及生物多样性保护与持续利用都具有重要的意义。

Recommended procedures are intended to serve as source material for reference or adaptation by any WHO Member State wishing to establish pharmacopoeial requirements.

推荐规程的目的是为想要建立药典要求的所有WHO成员国提供参考或改编资料来源。

Thus, the theoretical interpretation of adaptation is changed from the genotype explanation to organism's phenotypic explanation.

这样，就将适应的理论解释从基因型解释转化为生物的表型解释。

A film adaptation of Philippa Gregory's 2002 best-selling historical novel The Other Boleyn Girl, with Natalie Portman as Anne Boleyn, Scarlett Johansson as her sister Mary and Munich's Eric Bana as another hubba-hubba Henry, is due later this year.

另外一部由菲利帕·葛勒葛里2002年最畅销的历史小说《博林》改变的电影也会在今年晚些时候推出，由娜塔莉·波德曼饰演安妮·博林，丝佳莉·乔纳森饰演她的妹妹玛丽，来自慕尼黑的埃利克·巴纳则扮演以为好好国王。（ Hubba hubba 表示赞同，热心的感叹词

After the above treatments,theyoung plants were treated with 2 photoperiodic of 10h and 14h,after the adaptation of some days.

全部春化处理后的幼植株经驯化后马上进行不同日照长度的诱导试验，共设10h/日和14h/日两组处理。

RESULTS: The classical and repeatable waveforms of F-ERG were successfully recorded for different photopic adaptation duration.

结果：在不同明适应时间成功记录到典型且重复性好的F-ERG波形。

The amplitude of wave b changed remarkably and peaked after 5 minutes photopic adaptation.

经过分析观察到在不同的明适应时间，a， b波的潜伏期均无明显差异，b波的振幅变化较为明显，明适应5min后记录到的F-ERG，b波振幅值达高峰。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。