查询词典 acrobatic fighting in Chinese opera or dance

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The drama art in Xinjiang, haw a long history, Each nation created its drama with unique artistic characteristics and styles based on its traditional culture. According to form and genre, the drama is divided into opera, dance drama and local drama. If distingue by national feature and region, I key are Uighur opera, Kazak opera, Sibo opera, melody opera and other local opera from the other pants of China.

新疆的戏剧艺术具有悠久的历史，各个民族在自己传统文化的基础上创造了独具艺术特色与风格的民族戏剧，按其艺术形式和体裁划分有歌剧、舞剧和地方戏曲，以民族特点和地域划分则有维吾尔剧、哈萨克剧、锡伯剧以及从我国内地传入新疆的曲子戏和其它地方戏曲。

More recently we've worked with professional Chinese opera artists in productions like Yue opera Hedda Gabler and Beijing opera Miss Julie , and are writing Yue opera Lady from the Sea , commissioned by Norway's Ibsen Theatre and Hangzhou Yue Opera Company. There seems to be another benefit resulting from this type of intercultural hybridism: to enrich the repertoire of traditional Chinese opera with more socially relevant stories, and with more psychologically complex characters.

近年来我们跟国内戏曲艺术家们搞的越剧《心比天高》、京剧《朱丽小姐》和正在为挪威易卜生剧院和杭州越剧院写的越剧《海上夫人》则让我们发现了这种嫁接的另一层意义：用更具现实社会意义的故事和更富有心理层次的新型角色来拓宽传统戏曲的视界。

Ya ncheng City Acrobatic Troupe setup in 1957 has carried forward the good tradition of national acrobatics and absorbed the soul of the modern dance and artistic eurhythmics and other arts so as to form the special acrobatic style of Nan Pie and consummate skill and had a new and graceful program for half of century, so that the troupe took part in many kinds of acrobatics competitions including Jiangsu province, East China and national competition many times, and some classic programs, like "Bowles on Heads","Trundle Cups","Flexible Steel Wire" and "Oriental night in the moonlight" won prizes early or later in the East China and national acrobatics competitions, Program "Bowles on Heads" appeared in the film " Acrobatic essence" which was shown at home and abroad.

半个世纪以来，该团继承了民族杂技的优良传统，吸取了现代舞蹈、艺术体操等艺术门类的精华、形成了独特的南派杂技风格、以精湛的艺术技巧，排练出一批批新颖高雅的杂技节目。该团多次参加江苏省、华东及全国杂技大赛，《对手顶碗》、《滚环》、《软钢丝》、《春江花月夜》等节目先后在华东和全国杂技大赛，《对手顶碗》被列入影片《杂技精英》，在海内外放映。

Ladies up in here tonight No fighting, no fighting We got the refugees up in here No fighting, no fighting Shakira, Shakira I never really knew that she could dance like this She makes a man wants to speak Spanish Como se llama, bonita, mi casa, su casa Shakira, Shakira Oh baby when you talk like that You make a woman go mad So be wise and keep on Reading the signs of my body And I'm on tonight You know my hips don't lie And I'm starting to feel it's right All the attraction, the tension Don't you see baby, this is perfection Hey Girl, I can see your body moving And it's driving me crazy And I didn't have the slightest idea Until I saw you dancing And when you walk up on the dance floor Nobody cannot ignore the way you move your body, girl And everything so unexpected - the way you right and left it So you can keep on taking it I never really knew that she could dance like this She makes a man want to speak Spanish Como se llama, bonita, mi casa, su casa Shakira, Shakira Oh baby when you talk like that You make a woman go mad So be wise and keep on Reading the signs of my body And I'm on tonight You know my hips don't lie And I am starting to feel you boy Come on lets go, real slow Don't you see baby asi es perfecto Oh I know I am on tonight my hips don't lie And I am starting to feel it's right All the attraction, the tension Don't you see baby, this is perfection Shakira, Shakira Oh boy, I can see your body moving Half animal, half man I don't, don't really know what I'm doing But you seem to have a plan My will and self restraint Have come to fail now, fail now See, I am doing what I can, but I can't so you know That's a bit too hard to explain Baila en la calle de noche Baila en la calle de d Baila en la calle de noche Baila en la calle de d I never really knew that she could dance like this She makes a man want to speak Spanish Como se llama, bonita, mi casa, su casa Shakira, Shakira Oh baby when you talk like that You know you got me hypnotized So be wise and keep on Reading the signs of my body Senorita, feel the conga, let me see you move like you come from Colombia Mira en Barranquilla se baila assay it! Mira en Barranquilla se baila as? Yeah She's so ***y every man's fantasy a refugee like me back with the Fugees from a 3rd world country I go back like when 'pac carried crates for Humpty Humpty I need a whole club dizzy Why the CIA wanna watch us?

淑女提高在这里今晚没有战斗，没有战斗我们向上争取难民在这里没有战斗，没有战斗 Shakira， Shakira 我从不真的知道她可以像这一样的跳舞她使一个男人想要说西班牙人哦宝贝当你谈话同类哪一你使一个女人去疯狂因此是明智的而且保存在读我的身体的告示而且我在今晚你知道我的臀部不是谎言而且我开始感觉它是权利所有的吸引，紧张做不你见到宝贝，这是完美嗨女孩，我能见到你的身体移动而且它是驾驶我发狂的而且我做不已经最微小的主意直到我锯子你舞蹈而且当你散步在跳舞上上面地板没有人不能够不理睬方法你动作你的身体，女孩而且每件事物如此料想不到-方法你左右方的它因此你能继续拿它我从不真的知道她可以像这一样的跳舞她使一个男人想要说西班牙人哦宝贝当你谈话同类哪一你使一个女人去疯狂因此是明智的而且保存在读我的身体的告示而且我在今晚你知道我的臀部不是谎言而且我开始感觉你男孩发生让去，真正的减慢做不你见到宝贝两头尖的中型雪茄烟哦我知道我是在今晚我的臀部做不谎言而且我开始感觉它是权利所有的吸引，紧张做不你见到宝贝，这是完美 Shakira， Shakira 哦男孩，我能见到你的身体移动一半动物，一半男人我做不，不真的知道什么我正在做但是你似乎有一个计划我的意志和自制能力有来到不及格现在，不及格现在见到，我正在做什么我能，但是我罐子不因此你知道那太是一一点点难的解释我从不真的知道她可以像这一样的跳舞她使一个男人想要说西班牙人 Shakira， Shakira 哦宝贝当你谈话同类哪一你认识你是得到我施催眠术因此是明智的而且保存在读我的身体的告示感觉康茄舞，让我见到你动作起来像你一样来从哥伦比亚她是如此每个男人的幻想像我一样的一个难民背面与来自第三个世界的国家我需要一全部俱乐部晕眩的为什么中央情报局需要对手表我们？

Ladies up Up in here tonight No fighting, no fighting We got the refugees up in here No fighting, no fighting Shakira, Shakira I never really knew that she could dance like this She makes a man wants to speak Spanish Como se llama, bonita, mi casa, su casa Shakira, Shakira Oh baby when you talk like that You make a woman go mad So be wise and keep on Reading the signs of my body And I'm on tonight You know my hips don't lie And I'm starting to feel it's right All the attraction, the tension Don't you see baby, this is perfection Hey Girl, I can see your body moving And it's driving me crazy And I didn't have the slightest idea Until I saw you dancing And when you walk up on the dance floor Nobody cannot ignore the way you move your body, girl And everything so unexpected - the way you right and left it So you can keep on taking it I never really knew that she could dance like this She makes a man want to speak Spanish Como se llama, bonita, mi casa, su casa Shakira, Shakira Oh baby when you talk like that You make a woman go mad So be wise and keep on Reading the signs of my body And I'm on tonight You know my hips don't lie And I am starting to feel you boy Come on lets go, real slow Don't you see baby asi es perfecto Oh I know I am on tonight my hips don't lie And I am starting to feel it's right All the attraction, the tension Don't you see baby, this is perfection Shakira, Shakira Oh boy, I can see your body moving Half animal, half man I don't, don't really know what I'm doing But you seem to have a plan My will and self restraint Have come to fail now, fail now See, I am doing what I can, but I can't so you know That's a bit too hard to explain Baila en la calle de noche Baila en la calle de día Baila en la calle de noche Baila en la calle de día I never really knew that she could dance like this She makes a man want to speak Spanish Como se llama, bonita, mi casa, su casa Shakira, Shakira Oh baby when you talk like that You know you got me hypnotized So be wise and keep on Reading the signs of my body Senorita, feel the conga, let me see you move like you come from Colombia Mira en Barranquilla se baila así, say it!

不会说谎女士们今夜在这里舞动起来没有是非没有争斗我们在这里舞动起来没有是非没有争斗我从未意识她能如此欢快的跳舞人们纷纷说起西班牙语你的名字是？美丽的我的家他的家哦宝贝当你这样说话的时候人们为你如此着迷所以用你的智慧继续细读我的舞蹈于是今夜我欢快的跳舞你知道我的舞蹈不会说谎于是我开始感觉到这一刻所有的吸引所有的不安你看见了吗这便是完美嗨女孩我能看见你舞动的身影于是我着迷于是我迷失直到看见你在跳舞当你舞动的脚步划过地面所有人都为你而注目女孩让人意想不到-忽左而忽右所以请继续跳吧我从未意识她能如此欢快的跳舞人们纷纷说起西班牙语你的名字是？美丽的我的家他的家哦宝贝当你这样说话的时候人们为你如此着迷所以用你的智慧继续细读我的舞蹈于是今夜我欢快的跳舞你知道我的舞蹈不会说谎于是我开始感觉到你的存在来吧让我们一起慢慢的舞动你看见了吗这便是完美哦我知道今夜我正欢快的跳舞我的舞蹈不会说谎于是我开始感觉到这一刻所有的吸引所有的不安你看见了吗这便是完美哦男孩我能看见你舞动的身影如梦如幻我不确定自己在做什么但是你却不同我的意志我的约束现在开始失去开始失去看我正做我能做的但却无法做到你知道这似乎太难解释他在夜晚的街道上跳舞他在白天的街道上跳舞他在夜晚的街道上跳舞他在白天的街道上跳舞我从未意识她能如此欢快的跳舞人们纷纷说起西班牙语你的名字是？

If the dance works, to the means as an end, the actors superb art not to reflect the life and performance of their character's thoughts and feelings the premise of the existence, or not to proceed to adopt the contents of selected dance dance movements appropriate skills, but rather to demonstrate the actor possession dance skills abilities, it will dance works since the content and form of divergence, or the lack of artistic integrity, but failed, also fell into the dancer's art itself, the acrobatic skills of performances, The loss of the basic character of the art of dance.

如果在舞蹈作品中，以手段作为目的、演员高超的技艺不以反映生活、表现人物的思想感情为其存在的前提，或是不以舞蹈内容出发采选取相应的舞蹈动作技巧，而是以展示演员所掌握的舞蹈技巧能力出发，那就会使舞蹈作品由于内容和形式的脱节，或是缺乏艺术的完整性，而陷于失败，舞蹈演员的技艺本身也就沦入了杂技性的技巧表演，而丧失了舞蹈艺术的基本品格。

Under this slogan's direction, Hubei Province has done the much works regarding the promotion Huangmei Opera; Has established the Hubei Province Huangmei Opera theater; Invited the partial Huangmei Opera actor from Anhui Anking; Huanggang area's majority of Chu opera, the Chinese theatrical troupe changes the ripe plum opera company in abundance; Has established the Huang Gang skill school, trains the reserve talented person specially for the Huangmei Opera.

在这一口号的指引下，湖北省围绕振兴黄梅戏做了大量工作；成立了湖北省黄梅戏剧院；从安徽安庆聘请了部分黄梅戏演员；把黄冈地区的大部分楚剧、汉剧团纷纷改为黄梅戏剧团；成立了黄冈艺校，专门为黄梅戏培养后备人才。

The performances on the list of weekly activities of each province in May include The Water-Sprinkling Festival, a dance presented by Yunnan Provincial Song and Dance Ensemble, a song drama Boundless Prairie and a Concert of Famous Chinese and Foreign Songs presented by Liaoning Provincial Opera and Ballet Theatre, Mother on the Bailu Prairie, a dance drama offered by Liaoning Song and Dance Ensemble, an Evening Party given by Beijing, the Huangmei Opera of Anhui Province, the performance of the Little Egret Song and Dance Ensemble of Fujian Province, and several excellent dramas of Yunnan created in recent years.

5月份的省周活动将有以下节目在春城一展风彩，它们是云南省歌舞团的舞剧《泼水节》，辽宁省歌舞剧院的歌剧《苍原》和一台《中外名曲演唱会》，辽宁歌舞团的舞剧《白鹿额娘》，北京市的《综合晚会》，安徽的黄梅戏，福建小白鹭歌舞团的演出；还有云南省近年创作的几台优秀剧目。

Certainly dance of also can match you at will the action wanted to express The Free style this is a kind of appear lost in thought to go in to turn of the dance tread, it expresses various choreographic mixture of type together and arbitrarily, do not dance style of limitative, escape from to dance generally of norm, can be treated as a kind of characteristic street dance House along with the House music, a kind of dance that makes use of a complicated but miraculous step to express tread, it can plus Latin to dance of twist a waist,martial arts to get empty to turn over,the basic step and ballet of the tap dance turn a turn, springing up to come since can be very elegant, can also very wild.

当然，跳舞的同时也可以随意去搭配你所想表现的动作 Free style这是一种出神入化的舞步，它将各种类型的舞蹈混合在一起，随心所欲地表现，没有舞蹈风格的限定，脱离一般舞蹈的规范，可以说是一种个性化的街舞 House随着House音乐，运用复杂而神奇的步伐表现的一种舞步，它可以加上拉丁舞的扭腰、武术的空翻、踢踏舞的基本步以及芭蕾的转圈，跳起来既可以十分优雅，也可以相当狂野。

Methods Clinical data of 3 cases of bile duct injury during laparoscopic cholecystectomy were analyzed retrospectively.

回顾总结3例LC术中胆管损伤的临床资料，分析3例胆管损伤的原因及对策。

These techniques are applied to the gobang.

本文将这些技术用于五子棋中。