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accordion相关的网络例句

查询词典 accordion

与 accordion 相关的网络例句 [注:此内容来源于网络,仅供参考]

In most cases when you don't need a specific layout style like 'border' or 'accordion,' you will probably want to specify 'fit' as it will still manage the base sizing of the Panel for you within its container.

多数情况你不需要指定布局的风格如"border"或"accordion",较常见的是"fit"那一种,会自动调整大小自适应它的容器。

The Company is not only the production of "child prodigy" brand children's accordion, but also the production of "Aviva" brand accordion professional use (including the keyboard and the button-style accordion, hexagonal Guoqin, harmonium), annual production of 350,000 Units, and 85% of products are exported to The United States, South America, Western Europe, Japan, the Middle East.

本公司不仅生产"神童"牌儿童手风琴,还生产"英杰"牌专业用手风琴(包括键盘和纽扣式手风琴,六角琴,簧风琴),年产量达35万台,且85%的产品被出口到美国,南美,西欧,日本,中东。

The thesis is written on the theme of the nationalized accordion creation characteristic of Li Yuqiu, taking several of his representative works as the point of tangency. The thesis also integrates its creating background, analysis and inducts the special creating methods of Li Yuqiu and his individual art philosophy view point expressed during his creation, and exposes the special contribution Li Yuqiu made to the constructing of the accordion music system of Chinese national characteristic. The thesis has the aim of guide the coming generations to make efforts for opening the expressing method of accordion national style and creating the accordion music with Chinese aesthetic ethos.

本文以李遇秋的民族化手风琴音乐创作特色为主线,以他具有代表性的几部作品为切入点,并结合其创作背景,分析归纳出李遇秋独特的创作手法及其在创作中表现出来的独具个性的艺术哲学观,揭示李遇秋为建立具有中国民族特色的手风琴音乐体系所做出的特殊贡献,旨在引导后人为开拓手风琴民族风格的表现手法,创建具有中国审美格调的手风琴音乐而努力奋斗。

On the thought, the experts, scholars, and teachers of accoldion circle need to unify the understanding, establish the developing direction of the popularizing education of accordion. On one hand, they should cultivate student with the ability of appreciating, demonstrating and creating beauty, edify their sentiment, improve their self-culture; on the other hand, efforts should be made to combine the development of accordion with the entertainment life of people closely.

思想上,手风琴界专家、学者、教师要统一认识,确立普及教育的发展方向,一方面要培养学生鉴赏美、表现美、创造美的能力,陶冶他们的情操,提高他们的自身修养,另一方面要使手风琴的发展与群众的文娱生活紧密结合。

All in all, childrens accordion teaching does not only mean to teach children how to play accordion, more importantly, it help children to learn about music and peoples worldwide as well as to comprehend the accumulative aesthetics in the form of music and sound, to scrutinize the true, the good and the beautiful in music, to experience the strong emotional resonance arisen by music, Bring music education into full play as a soul purifier, a temperament cultivator, a wisdom enlightener, and a complement between emotion and interest; supersede ideas and activities that show craftsmanship, utilitarianistic, have skill and artistic meaning separated and have human quality and artistic meaning disembodied.

综上所述,儿童手风琴教学并不仅仅是为了教会孩子如何去弹琴,更重要的是通过手风琴这件乐器学习世界音乐文化,了解世界各个民族,积极地体悟音乐音响形式中的审美蕴积,审视音乐真善美的理想,去感受与之强烈共鸣的情感意兴,使音乐教育在审美活动中发挥净化心灵、陶冶性情、启迪智慧、情致互补的作用。

The Spring Street Ritual is an original composition for accordion, which was worked by William Schimmel, who is a famous accordion soloist in America, and the aim of this work was that commemorating for America-Russia musician Igor Stranvinsky, who was the most great musician in the world.

春之祭》是一部原创手风琴作品,是美国著名的手风琴演奏家威廉·史迈尔在上个世纪为纪念伟大的美籍俄罗斯音乐家伊戈尔·斯特拉文斯基而创作的。

Volume 1 introduces the history of accordion , Volume 2 is about the preliminary spread of accordion in China . I dug into great amount of concerning historical data of four aspects, they are the early accordion textbooks, the accordion activities happened in Shanghai, Haerbin and Yanan, which veritably resurges the development of accordion art in China before 1949. Volume 3 reveals the development of Chinese accordion art from after 1949, I focused on five aspects, namely the production, education, performance, theoretical study and communication between China and foreign counties, in time order. This part comprehensively shows the plenty fruits of accordion art in around 50 years after the foundation of China. Volume 4 mainly concerns the development of Chinese accordion music composing. It reviews the history in four periods. Meanwhile, this part also analyses in detail the nationalization pursuit and the utilization of performance skills in composing.

第一章是对&手风琴历史源流&的介绍;第二章是&中国最初的手风琴艺术传播&,本人挖掘出大量的相关史料,从&早期的中国手风琴教科书、上海、哈尔滨和延安的手风琴活动&四个方面进行了研究,真实地再现了1949年以前的中国手风琴艺术发展;第三章是&新中国成立以来的手风琴艺术发展&,分别从&乐器制造、手风琴教育、表演、理论研究与中外交流&五个方面按时间顺序进行了论述,全面反映了手风琴艺术在新中国成立后50余年所取得的丰硕成果;第四章是&中国手风琴音乐创作的发展&,论文将手风琴音乐创作分为四个时期进行了历史的回顾,并对创作中的民族化追求以及手风琴演奏技巧在创作中的运用作了具体分析。

Founded in Italy in 1889, Polverini has a history of more than 118 years. It is one of the most historic accordion manufacturer and the only accordion manufacturer with the ability to design and produce all kinds of accordions models (standard piano, chromatic accordion, diatonic accordion, convertor, MIDI accordion) and more than 100 other models.

意大利博罗威尼手风琴创始于1889年,有着120多年的悠久历史,是意大利手风琴历史最长的手风琴品牌之一,也是现存意大利手风琴工厂中历史最长的工厂,同时也是意大利唯一一家手风琴工厂有能力并且生产各种100多种不同型号的手风琴,包括键盘式手风琴/键钮式手风琴/全音阶手风琴/半音阶手风琴/传统低音手风琴/自由低音手风琴/电子手风琴。

As an excellect accordion composer, works Zubirsky creates are full of profound connotation, and the technique is adept and novel. His famous accordion works include two sonata, three groups child suit and tow partitas.

作为一位非常优秀的手风琴作曲家,祖宾斯基所创作的作品内涵深刻,手法娴熟、新颖,其知名作品包括:两首奏鸣曲、三组儿童组曲以及两首帕蒂塔等。

They pair the breathing limitations of piano accordion and human voice, extending the voice through extreme unconventional technique and the accordion's acoustic properties with live electronic manipulation.

他们以手风琴和人声共同的呼吸循环限制为基础,将人类的声音延伸至非传统的技巧,也将手风琴的响音特质加入电脑现场的控制。

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