查询词典 accompaniment figure

"Zhuozhou Shadow" and "Tiger Theme" compared to highlight the difference is that the use of the art field Zhuozhou shadow accompaniment instrument, the use of musical instruments are jinghu, erhu, four Hu, dulcimer, small three-stringed lute, etc., with the attendant and will have a musical accompaniment and get married.

&涿州影&与&老虎调&相比，突出的不同是涿州影使用了文场伴奏乐器，使用的乐器有京胡、二胡、四胡、扬琴、小三弦等，随之也就有了伴奏音乐和过门。

Through efforts made by folk artists in Lhasa, the singing and dancing art was later performed to the accompaniment of a band composed of bamboo flute, six-stringed musical instrument, yangchin,jinghu and strings of bells, compared to performance performed to the accompaniment of a six-stringed musical instrument only in the past.

在它的流传过程中，经过拉萨的民间艺人不断创作改编，发展并扩大了原来乐队的形式，由原来只用六弦琴伴奏逐步演变为现在的包括以竹笛、六弦琴、扬琴、京胡、串铃等乐器进行伴奏的歌舞形式。

In piano extemporization improvisation, figure is very important for the overall design of accompaniment. In a manner of speaking, figure is crucial for the art effect of piano extemporization improvisation.

钢琴即兴伴奏中，音型对于伴奏的整体设计有非常重要的作用，在某种意义上讲，它决定着钢琴即兴伴奏的艺术效果。

In the first chapter, author pointed out the three most importantproblems on the current analysis of figure in the existing piano extemporization improvisation books. The first problem is that it lacks of in-depth analysis on the fundamental theory on the figure of piano accompaniment improvisation.

本文第一章，笔者通过对现有钢琴即兴伴奏文献中有关伴奏音型部分的研究与分析，提出了目前存在的三个重要问题。

The second is that the design of figure should consider more on the combination of theory and actual practice. The third problem is that analysis on the factors of affecting application of the figure of piano accompaniment improvisation is not so richness.

一是对于伴奏音型基本理论研究不够，二是对音型的设计缺乏理论与实践的结合，三是很少研究音乐实践中伴奏音型运用时的制约因素。

When motion is towards the location of the addressee,come is much preferable to go in English while both laiand quare common in use in Chinese.When motion is towards the location of the addressee at a past time,laimust be used in Chinese if the addressee is there at the time of utterance while qumust be used if the addressee is not there at the time of utterance.By contrast,come is used in English either when the addressee is there or when he is not there at the speaking time,while go is only used when the addressee is not there at the time of utterance. When both the speaker and the addressee serve as the figure,which is indicated by the phrases like with me/us/you in English and the phrases like he ni,he nimen,gen wo,gen womenin Chinese,come is much preferred to go for the figure"s motion,while in the same context,quis used for the figure"s motion.What"s more,come is more frequently used to indicate the figure"s movement towards a place where neither the speaker nor the addressee is located at the time of utterance,while quis often used in Chinese in the same case.

当移动体朝向听话人所在方位移动时，英语多用come，汉语可用"来/去"；当移动体在一个过去的时间朝向听话人所在方位移动时，汉语可用"来"表示听话人在说话时间仍在位移参照点，用"去"表示听话人在说话时间已不在位移参照点，而英语在两种情况下都可用come，用go则表示听话人在说话时间已不在位移参照点；当说话人和听话人一起作为移动体而句中主语只是说话人或听话人一方时，英语多用come，汉语多用"去"。

As to concrete treating method, the thesis adds the components in third dimension to the original 2D MHD code, and inward flows are embedded along the side of the current sheet, through changes of certain flow's scale, its distance to the current sheet, the viscosity coefficient and the resistivity in the plasma, the magnetic field figure, the velocity vector figure and the density distribution figure with different situations would be showed and observed, the reconnection growth rate figure is to be presented also, and the physical explanation involved will be made consequently.

在具体的处理方法上，文章在原有二维MHD流体理论基础上加入第三方向的分量，并且在电流片两侧加入入流扰动，通过改变其大小，距离电流片的位置，等离子体中的粘滞系数和等离子体电阻率，从而观察不同扰动情况下磁场重联的磁场位形、流场位形或者密度分布，绘制出磁场重联增长率在不同入流扰动下的图像，并分析其中的物理过程。

This contributes to the rigidity of the bearing and a precise radial guidance of the shaft. For special applications, full-complement cylindrical roller bearings are employed. The cylindrical roller bearing designs are shown in Figures 1.20 and 1.21.The designs of cylindrical roller bearings are distinguished by the arrangement of the lips. Design NU (Figure 1.21b) has two lips on the outer ring, the inner ring being lipless. In design N (Figure 1.21a), the inner ring has two lips, the outer ring has none. Cylindrical roller bearings of designs NU and N are applied as floating bearings because the rollers can freely shift on the lipless ring in the axial direction. Cylindrical roller bearings NJ (Figure 1.20) have two lips on the outer ring and one on the inner ring; they can take up axial forces in one direction. Design NUP (Figure 1.21d) is installed as a locating bearing to sustain frequently reversing axial forces.

这可以提高轴承的刚度，和主轴精密的径向引导，对于特别的运用，密排的圆柱滚子轴承被运用，圆柱轴承的图样在图。20和1.21展示圆柱滚子轴承图样由挡边的不知来区分，图样NU(图1.21b)在外圈有两个挡边，内圈无挡边，在图样N中内圈有两个挡边，外圈无挡边，图样NU和U所示的圆柱滚子轴承可制作浮动轴承因为滚子能够在轴向无挡边环上自由的移动，圆柱滚子轴承NG在外圈上有两个挡边，内圈上有一个，它们能够在某个方向上承受轴向力，图样NUP（图1.21d）被用来安装在一个保持经常扭转轴向力的固定轴承上。

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Currently among all kinds of books on piano extemporization improvisation, the whole music playing structure is the most concerned, but it still lacks of the in-depth analysis in theory. Especially regarding to the theory on figure of accompaniment, most people are still focusing on the several fundamental forms and seldom go deep into the disciplinarians that could developing the playing skills to upper level.

而目前在钢琴即兴伴奏方面的书籍中，注重整体配弹的较多，但缺乏深入细致的理论研究，特别是关于伴奏音型的论述，大多停留在几种基本的形态上，很少有对伴奏音型的拓展进行深入的研究。

The use of the web to spread fears that flicking the switch on the LHC could create a Black Hole that could swallow up the Earth particularly concerned him, he said.

他说，使用互联网散布恐慌说启动LHC会生成一个可能吞噬地球的黑洞的做法让他感到忧虑。

Not a single word have I written down.

我一个字也没有写下来。