查询词典 abstractedness

Simplicity,and as it were abstractedness of our feelings in youth,thatidentifies us with

自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因

Abstractedness of our feelings in youth,thatidentifies us with

我们一厢情愿，痴心妄想，竟把自己在世上的暂时栖身，当作

It is the simplicity, and as if it were abstractedness to our feelings in youth, that identifies us with

我们看到四周一派新天地--生机盎然，变动不居，日新月异；我们觉得自己活力充盈，精神饱满，可与宇宙并驾齐驱。

It is the simplicity,and as it were abstractedness of our feelings in youth,thatidentifies us with nature ,andour experience being

由于年轻人天真单纯，可以说是茫然无知，因而将自己跟大自然划上等号；并且，由于经验少而

Simplicity,and as it were abstractedness of our feelings in youth,thatidentif ies us with

自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因

Simplicity,and as it were abstractedness of our feelings inyouth,thatidentifies us with

自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因

Simplicity,and as it were abstractedness of our feelings in youth,thatidentifies us with nature ,andour experience being slight and our

而且，眼前也无任何迹象可以证明，在大自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。

It is the simplicity,and as it were abstractedness of our feelings in youth,thatidentifies us with nature ,and(our experience being slight and our passions strong)deludes us into a belief of being immortal like it.

而且，眼前也无任何迹象可以证明，在大自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因而将自己

It is the simplicity,and as it were abstractedness of our feelings in youth,thatidentifies us with nature ,andour experience being slight and our passions

而将自己跟大自然划上等号；并且，由于经验少而感情盛，误以为自己也能和大自然一样永世长存。我们

T. j/ T$ X simplicity,and as it were abstractedness of our feelings in youth,thatidentifies us with

自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。