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The invention relates to a middle-density pulp hydrogen dioxide dual-tower blanch method, which comprises:(1) washing and concentrating the pulp;(2) adding NaOH in 0.5-1.5%, sodium silicate in 0.5-3%, bitter salt in 0.05-0.5% and barium dioxide in 1.0-2.5%,, and adding slurry to 70-100Deg. C;(3) 1# blanch tower blanches, while the temperature is 70-100Deg. C, and the reaction time is 30-90mins;(4) 2# blanch tower blanches, while adds barium dioxide in 0.5-1.5% and some blanch agent, while keeps the temperature in 70-100Deg. C and the reaction time is 30-90mins;(5) adding water, and washing to attain blanch slurry.

本发明公开一种中浓纸浆过氧化氢双塔漂白方法，包括(1)纸浆洗涤浓缩；(2)加入绝干浆重量的0.5～1.5％NaOH、0.5～3％硅酸钠、0.05～0.5％硫酸镁和1.0～2.5％过氧化氢等，将纸浆加热至70～100℃；(3)1#漂白塔漂白：温度为70～100℃，反应时间为30～90分钟；42#漂白塔漂白：补加0.5～1.5％的过氧化氢及适量漂白助剂，保持温度70～100℃，反应30～90分钟；(5)加水稀释、经洗涤后得漂白浆。

First, to take ideology as a weapon was the starting point of the revolutionary drama-"the Left Drama"while to pay attention to human and the conflict between human and the society, which led to the probation of the connotation of the conflict consciously was the core of sub-current realism. Second, the main current realism had a strong revolutionary"proletariat"aim and political sense-objective sense while the sub-current realism focused on people and setting up characters. Third the main current realism laid too much emphasis on the sense of mission of its time which led to the tendency of formulizing and generalizing while the sub-current realism paid attention to the firm objectivity and to imitate life as their aesthetic ideal, and as a result the sub-current realism produced vigorous works. CHAPTER 4 Realistic Chinese modern drama experienced a hard and winding way of development. It was even worse after the People Republic of China was established.

本章还从三个基本方面入手，论述了主流的现实主义与非主流的现实主义内质的差异与不同的发展趋向，即作为一种武器的思想是主流的革命现实主义中&左翼戏剧&的出发点，与注重人与命运、人与现实的冲突，从而自觉追求冲突内涵的挖掘是非主流现实主义的核心；主流的革命现实主义中&普罗列塔利亚式&强烈的革命目的&目的意识论&与非主流现实主义的倾心于人物、注重人物塑造的审美原则；主流的革命现实主义所强调的时代使命感而产生的公式化、概念化倾向与非主流的现实主义所注重的客观性、以摹仿生活真实为审美理想而产生的具有生命力的话剧剧作。

This autofocus difference, though, really becomes noticeable when you try to focus while shooting video, and it's not just the Olympus camera, but the Olympus lens that perturbs the focus much more dramatically, while the 20mm Panasonic lens we tested was both tame and quiet while refocusing.

相比而言松下的20mm饼镜在对焦的时候就要安静和平和得多。

In a letter from the Secretary of War to the Director, Bureau of Budget, dated 9 March 1942, the Secretary submitted a proposed executive order establishing the Air Medal for award to any person who, while serving in any capacity of the Army of the United States, distinguishes himself by meritorious achievement while participating in an aerial flight The Secretary of War, in his request, stated The Distinguished Flying Cross is available only for heroism or extraordinary achievement while participating in aerial flight…It is desired not to cheapen the Distinguished Flying Cross by awarding it for achievement not bordering on the heroic.

&在由陆军部长致函处长，预算局，日期为1942年3月9日，秘书长提交了一份建议的行政命令，建立授予任何人的空中奖章谁，而服务在任何联合国军的能力国家，区分自己的优良成绩，而在空中飞行的陆军部长，在他的要求表示，&杰出飞行十字勋章的可用于英雄主义或不寻常的成就不仅参加，而在空中飞行参与。。。这是预期的不贬低杰出飞行十字勋章的授予的成就不是接壤的英雄。

After birth, everyone has his own fortune, some poor while some rich, some successful while some failed, some possess of many kids while some alone; however, despites the man's fortune, everyone would at last hit the road to death.

人出生后，每人的际遇都不一样，有的穷、有的富，有的顺利、有的挫折多难，有的子孙满堂、有的孓然一身，可是不论他的际遇如何，最终都要走到死的归宿。生有为，死也亏。

Fable (5)五 1 After birth, everyone has his own fortune, some poor while some rich, some successful while some failed, some possess of many kids while some alone, however, despites his fortune, he at last hits the road to death.

人生下来后，每人的际遇都不一样，有的穷、有的富、有的顺利、有的挫折一大堆、有的子孙满堂、有的孓然一身，可是不论他的际遇如何，最后都要走到死的归路。生有为，死也亏。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

Write the words lunatic, can not make real lunatic behavior but I revel in semi-sober among Banfeng like to drink a small wine Lose Tune acts can still uncertainty in the minds of state Banfeng, I think all too normal surrounding normal that I insisted another self-editing can put them familiar with it and let me be very difficult, Just as the executive and said "I have not drunk" embarrassment may not be the same dilemma lies in ourselves, but cause problems for others how to bring a half-drunk to also read "I have not drunk" person to dispose of properly - I thought that "I have not drunk" means edit out a normal ourselves, They will also agree that the normal I can this is not the side they will fight back "I know you did not get drunk", While supposed to give you a bath, or you make tea, shrub like vinegar in a meet each other, I think they recognize I did not get drunk They also want recognition I did not get drunk while I can really wake While walking, but already half-drunk, with Pan Feng.

现在不在执拗的认定，一个人一辈子只爱一个人是值得称许的，童话里王子永远只爱一个人那是童话，要保留纯净，现实是，公主和王子都已经慢慢长大，人和人之间渐行渐远，城堡已经凋敝，粉红的玫瑰早就开始败色，一个人为另一个人守是心里留着她的位置，凭谁也取代不了，后来的影象与先人也不要重叠，各有位置才好。如何的依依不舍都将离去，你能了解吗，我非常羡慕那些能我们的王挖土守城的人，是的，他们的确非常辛苦，但是当他们从天没亮做到夜晚，觉得非常辛苦的时候，他们能回家，他们有家可归，而我必须要远涉千里去赴那死亡的盛宴。

Applied with test of potted plant and measurement absorbency for study response of the contents of photosynthetic pigments of slash pine's half-sib under water stress. There are 7 families comparison with general slash pine. The contents of photosynthetic pigments are mensurated under feebleness water stress while soil water content is 55% to 60% and moderate water stress while soil water content is 35% to 40% and heavy water stress while soil water content is 20% to 25%. The test result indicate that either water grads or families of chlorophyll and chlorophyll a and chlorophyll b and Chla/Chlb and carotenoid and Caro/Chl are mighty notable difference. The Chl and Chla and Chlb and Chla/Chlb little drop from normal soil water to initial water stress. Then drop obvious with increased water stress. The Caro and Caro/Chl little drop firstly from normal soil water to initial water stress,then up in metaphase water stress,after drop in evening water stress. The Chl and Chla and Chlb and Chla/Chlb and Caro of slash pine'half-sib are over general slash pine. The Chl and Chla and Chlb and Chla/Chlb and Caro of 464 and 1027 are over average value of slash pine's half-sib under water stress. The Caro/Chl of 609 and 46 are over average value of slash pine's half-sib under water stress.

为研究湿地松半同胞家系光合色素对水分逆境的响应，采用盆栽试验和吸光度测定方法，以湿地松普通种子为对照，测定了七个湿地松优良半同胞家系在弱度水分胁迫（土壤相对含水量为55%~60%）、中度水分胁迫（土壤相对含水量为35%~40%）和强度水分胁迫（土壤相对含水量为20%~25%）条件下的光合色素，对湿地松优良半同胞家系在不同水分胁迫条件下的光合色素进行了研究，结果表明：无论是不同水分梯度还是不同家系水平，Chl、Chla、Chlb、Chla/Chlb、Caro、Caro/Chl均有极显著差异；从正常水分至水分胁迫初期Chl、Chla、Chlb、Chla/Chlb稍微下降，后随着水分胁迫程度的加深下降较快，从正常水分至水分胁迫初期Caro、Caro/Chl先稍微下降，胁迫中期上升，胁迫后期下降；所有半同胞家系的Chl、Chla、Chlb、Chla/Chlb、Caro高于普通种，在水分胁迫条件下家系464、1027的Chl、Chla、Chlb、Chla/Chlb、Caro高于家系的平均水平，家系609、46的Caro/Chl值高于家系的平均水平。

The rules of fluid rate with different technical parameters: the increase of electromagnetic force causes the increases of the fluid rates at S/L interface and free surface, the decrease of skin depth, the increase of electric current density which will make the fluid at free surface flowing faster, while it doesnt affect the fluid rate at S/L interface. When the height of melt increases, the both of fluid rates will increase too. The increase of the width-thickness ratio augments the fluid rates along the wider edges at S/L interface evidently, while the rates along the narrow edges will have little change, and the rate at free surface has little change too. The increase of overheat degree minishes the range of mush zone, while the fluid rates at S/L interface and free surface will increase evidently.

流速的大小随各种不同工艺因素的变化呈现出一定的变化规律：随电磁力的增大，固液界面以及自由表面处的流速都会增大；集肤层渗入深度变薄，电流密度增大，会导致自由表面上流动的加强，但对固液界面处的流动速度影响不大；熔区高度的增加，也会使固液界面及自由表面处的流动增强；宽厚比增大时，固液界面上沿宽面方向的流动显著增强，但窄面方向流速变化不大，同时自由表面上流速变化也较小；过热度及温度梯度的增大，使糊状区减小，导致固液界面及自由表面处的流速显著增大。

You think you're a big shot.

你认为你是一个大人物？

All states are equal, and none can receive special treatment from the federal government.

所有的州都是平等的，任何州都不能获得联邦政府的特别待遇。