查询词典 a pile of

The article introduces and regards cement as the main pharmaceutical of the solidification pharmaceutical, through the purpose-built deep layer mix machinery, mix solidification pharmaceutical and ground soil by force, make the soft soil harden into a treatment method of ground with globality, water and stability and body of a pile of certain intensity.

1深层搅拌法概述深层搅拌法是用于加固饱和软粘土地基的一种方法，它是利用水泥、石灰等材料作为固化剂的主剂，通过特制的深层搅拌机械，在地基深处就地将软土和固化剂强制搅拌，利用固化剂和软土之间所产生的一系列物理化学反应，使软土硬结成具有整体性、水稳定性和

Play the piano pick flowers pick up a wallet go out for a picnic a pile of books have / take pity on sb.

演出，表演亲自，当面给某人照相弹钢琴摘花捡钱包去野餐一堆书

Though others may think that you look a bit of neuropathy as talking to yourself in the mirror or writing a pile of thick letters and diaries to whomever and wherever you sent, but definitely you are sure to feel relieved after such kind of self-venting.

尽管在旁人看来，你对镜子自言自语有点神经病的模样，或是你写厚厚一叠寄往何方何人的信和日记，但你肯定会在经过这场自我宣泄后感到内心如释重负，轻松了许多。

An accidental happening event is not like what is on the stage, it could be done in the super market or on a busy motor-way, or under a pile of rubbish, or appears in the friend's kitchen, it could happen very quickly or one after another, the duration of time could be more than a year.

一个偶发事件，并不象舞台演出，它可以在超级市场里出现，可以出现在奔驰的公路上，可以在一堆破乱下出现，也可以出现在朋友的厨房里，或者是立即出现，或者是相继出现。

I tried to run, but I tripped over a basket of luffas, crashed through a moisturizer display, and fell into a pile of potpourri sachets.

我就使劲跑，但我绊倒了一篮丝瓜，撞倒了以润肤霜的展台，还掉进了一堆混杂的香袋中。

Good flour will be added with salt grass burning ash and alkaline ash, and repeated rubbing, the spell of thin dough, sprinkle a layer of powder, into a pile of three fingers wide, thin knife cut , and gently shaking loose, easy to twist into a twist, neatly placed.

将上好的面粉用盐水加用灰草烧成的灰碱和好，反复揉搓后，拼成薄薄的面皮，撒一层豆粉，折成三指宽的一叠，用刀细细切过，轻轻抖散，松松地拧成一绞，摆放整齐。

The language is precise and often figurative ("bogged down in a Sargasso sea of information overload,""a pile of useless discoveries," and "specialists drive us forward in a series of thrusts, while generalists make sure we are still on the jousting field").

它的语言精确而且经常使用比喻手法（"陷入信息过载的海洋"，"一推无用的发现"，和"专才以一系列的推动力使我们前进，而通才确保我们仍在比赛场"）。

Should the moon refuse to make its appearance And the star to twinkle Let's use the fire in our hearts To kindle the night And turn it into a nightful of joy The fog is like the lamb gone astray Popping out its head uneasily from the black curtain of night The frame reflects The glow on your face Let's fan hard Fan out the dancing sparks Fan out the fragrance of the meat When the night is deep When the stars have gone to sleep in the misty smoke Let's sing that old and unforgotten song Exchange simplicity with our eyes Transmit sincerity with our hands Till the sorrow and unhappiness of the day Has burnt into A pile of wordless ashes And our melancholy Barbecued Into the charred chicken wing in our hands Tonight, we drink no wine But we are drunk Drunk in the lost memory Drunk in the joyous occasion

假如月光不来假如星子们不肯睁开眼睛我们就用心中那团熊熊的火把夜燃烧起来把夜，烧成许多不寐的狂欢雾象一只迷途的羔羊不安地从夜的黑幕中探出头来火光，却映照出你脸上一片璀璨的红霞我们就用力扇吧扇出满天飞舞的星辰扇出阵阵扑鼻的肉香等到夜已深沉，等到星子们也在朦胧的烟火中沉沉睡去我们就唱起那首古老而难忘的歌以眼瞳交换纯朴以手心传送赤诚直到日间的烦恼与不快都己烧成一堆无言的灰烬忧郁——也烤成手上一只焦黑的鸡翅今夜，没有酒但我们俱己迷失迷失在失去的记忆里迷失在忘我的欢腾中

Wreathe with fold-watt round of the Abolition of the paper consists of a pile of paper and some metal with interspersed connect button to connect, the whole works a cylindrical.

用褶皱的废止裹住瓦轮纸构成，一个个纸桩用穿插及一些金属连接键连接，整个作品呈现圆柱状。

Being at the bottom of it,eaten by any of vivid lips and flashy teeth,and,even, giving up a whisper of groan,while waiting for many a pile of time's earth to burry me under the roof.

处在最底层，被一切鲜艳的红唇和闪亮的玉齿所吞噬咀嚼，甚至放弃任何一丝低弱的呻吟，等待那堆时间的荒土将我埋葬在这房屋的穹顶之下。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。