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My second conclusion brings us back to Davos Man, a term of art coined by the late Samuel Huntington to describe a member of a new global elite, liberated from national loyalties and contemptuous of national boundaries - a kind of ruthless cosmopolitan.

我的第二个结论使我们又回到"达沃斯人"，一个有艺术性的术语。它由已故的塞缪尔亨廷顿提出，用于描述一群新的全球精英——他们摆脱了对国家的"忠诚"，藐视国家边界，属于一种无情的世界政治家。

As a family of stringed musical instrument of a guitar is a kind of a root through the toggle above the strings of sounds are playing string instruments.

作为乐器家族中弦乐器的一员，吉他是一种通过拨动上面一根根的琴弦发出声音的有弦的演奏乐器。

These images record simple gestures and actions, such as crushing a lemon, pouring milk, waving or devouring and aim at engendering a kind of poetic archetypes that lead the viewer to a state of detachment and impartial joy, to a moment when absolute fragility coincides with infinite joy and ecstasy, to a moment of autonomy and freedom.

这些图像记录着简单的行为，比如踩扁一个柠檬，浇注牛奶，挥手或吞噬的动作，它们创造出一种诗意的原型，引导观看者达到一种超脱的幸福状态，达到极端脆弱和无限幸福并存以及独立和自由在瞬间存在。

To a certain extent. Fang Zhenning is a fetishist. A lot of what he shoots is modern architecture-humanity's greatest achievement since the industrial age. it is no longer simply buildings. but symbols of the modern age. but his lens peels from actual objects all their normal characteristics-weight. bulk. smell. time. continuity and meaning-and through enlargement. intercepting details creates a kind of concrete abstraction. allowing the actual object to exist in another state.

在某种程度上，方振宁是一个拜物教徒，他拍摄的多是现代建筑物——工业时代以来人类最庞大的创造，它们已不是单纯的建筑，而是现代性的象征物，但是他的镜头把实际物体通常的特性——重量、体积、气味、时间、连续性以及意义——剥下，以放大、截取细部的方式造成一种具像的抽象性，让实际物体以另一种状态存在。

The present WTO agreements consist of approximately 150 articles related to special and differential treatment, and these articles fall roughly into three categories'.(1) articles aimed at giving more trading opportunities to developing members;(2) articles demanded a guaranty of developing countries' interests;(3) a kind of flexibility applied to developing countries in promise-making, action-taking and policy-implementation;(4) to permit developing countries to have a more flexible time-table;(5) to provide technical assistance and capability building-up to developing countries;(6) to exercise a more favorable treatment to the least developed countries.

在现行的WTO协定中包含了近150个特殊和差别待遇条款，这些条款大体分为6种类别：（1）旨在增加发展中成员贸易机会的条款；（2）要求发达国家保障发展中国家利益的条款；（3）发展中国家被赋予在承诺、行动和使用政策工具方面的灵活性；（4）允许发展中国家享有更为灵活的实施时间表；（5）对发展中国家提供技术援助和能力建设；（6）对最不发达国家实施更优惠的待遇。

Also have a netizen to " hill Nai " the sends a handwritten letter to unfamiliar netizen think of a way that offer states approve of is mixed yearning, mention the address oneself and full name to be open on the net nevertheless, the netizen was hit retreat a kind of drum used in Chinese operas, think to reveal individual information so, too insecure.

也有网友对于"山奈了"提出的给陌生网友寄一封手写信的想法表示赞同和向往，不过一提到把自己的地址和姓名公开在网上，网友就打起了退堂鼓，认为这样暴露个人信息，太不安全。

The content fluid department of our country still is actually among a process that remains to mature, what we need to build the week transition of a few major is straight distribute a system, avoiding is a kind of memory model, because very much business is done,deserving to send more is through producing the business with agency, our business shop more is the action of memory, electronic business affairs can help us be built quickly with speed / the week transition that time is core distributes a system continuously, solve our inventory problem quickly.

我国的物流体系实际上还在一个有待成熟的过程当中，我们需要建立一些专业的周转型的直配体系，避免是一种存储型的，因为有很多企业做配送更多是通过和经销商发生生意，我们的商铺更多是存储的作用，电子商务可以帮助我们快速的建立以速度/时间为核心的周转型直配体系，快速解决我们的库存问题。

There is a kind of monkey trap used in Asia, a coconut is hollowed out and attached by a rope to a tree or stake in the ground, at the bottom of the coconut a small slit is made and some sweet food is placed inside, the hole on the bottom of the coconut is just big enough for the monkey to slide in his open hand, but does not allow for a closed fist to pass out, the monkey smells the sweets, reaches in with hand to grasp the food and is then unable to withdraw it, the clenched fist won't pass, through the opening, when the hunters come, the monkey becomes frantic but cannot get away, there is no one keeping that monkey captive, except the force of its own attachment, all that it has to do is to open the hand, but so strong is the force of geed in the mind that is a rare monkey which can let go, it is the desires and clinging in our minds which keep us trapped, all we need to do is to open our hand, let go of our selves, our attachment and be free.

在亚洲某些偏远地区﹐流传著某种传统捉猴子的陷阱﹐他们把椰子挖空﹐然后用绳子绑起在树上或固定在地上﹐椰子上留了一个小洞﹐洞内放了一些美饵﹐洞口大小恰好只能让猴子空著手伸进去而无法握著拳伸出来﹐於是顽猴闻香而来﹐将手伸进去抓拿美食﹐而后理所当然的﹐手便伸不出来﹐紧握的拳头伸不出洞口﹐当猎人到来时﹐羣猴惊慌失措﹐但﹐就是逃不掉﹐并没任何人捉著猴子不放﹐它﹐只是被本身的执著所俘虏﹐它只需将紧握的手拳头松软放开便可伸出来﹐但是﹐就是内心中贪恋的欲念所致﹐鲜有顽猴能放下﹐因内心中的欲望与执著﹐使得我们一直受縳﹐面对这逆境﹐我们唯一要做的﹐只是将双手释然放下﹐放下自我执著的坚持﹐就能消遥自在了。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Contact found in 80 works will impose upon space and the norm of thinking seems to exist faults and barriers, ahead of fashion conscious consumers continue to derive more imaginative ideas to make their work a kind of weightlessness a sense of unconscious, self-desire expansion and to meet the Gengrang has become such a vague sense of, when hidden, at times, a lot of 80, after describing himself as an artist is not weight of objects, flying freely in the air, floating, this subjective state of consciousness driven by the description of means that the objective mental states, disorders and emptiness, extreme inflation and a good self-concept of a serious departure from the idealism and sense of reality, greatly outstrips reality, a feeling based on fantasy or fantasy thinking.

在我们接触的作品中会无形中发现80后的思维空间与常态似乎存在着断层和隔阂，超前时尚的消费意识不断派生出更有想象力的观念使他们的作品有种无意识的失重感，自我欲望的膨胀和满足更让这样的意识变得虚无飘渺、时隐时现，很多80后艺术家将自己描述成没有重量的物体，在空中自由自在的飞行、飘浮，这种主观意识状态驱使下的描述，意味着客观精神状态的失常和空虚，极度膨胀和自我良好的唯心意识观严重背离了现实，凌驾于现实之上的感觉建立在空想或幻想的思维中。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。