查询词典 Zora

Zora Neale Hurston is regarded as the pioneer of Afro-Americans female literature.

赫斯顿堪称美国黑人女性文学的先驱。

The thesis focuses on the analysis of these symbols and images in order to illustrate how Zora Neale Hurston makes the protagonist explore the spiritual journey to quest for voice and self.

本文以婚姻为主线，旨在分析这些意象和象征，以昭示佐拉·尼尔·赫斯顿是如何运用他们来阐明主人公珍妮摆脱男性和白人的压迫，追求并实现自我价值的一生。

In the 1960 s, the counterculture revolution continued to show disdain for any literature that was not overtly political, and Zora Neale Hurston's writing was further ignored.

在1960年s时，反革命继续傲视任何文学这不是公然政治和佐拉尼尔赫斯顿的书面进一步忽视。

Zora Neale Hurston (1891-1960) and Alice Walker (1944-) are claimed to be two of the most famous black women writers in the American literary history.

佐拉·尼尔·赫斯顿和艾丽丝·沃克是美国文学史上著名的黑人女作家。

Their Eyes Were Watching God is Zora Neale Hurston' s best known novel, In this novel, she breaks down the stereotype of inferior black woman and creates new black woman images. This novel establishes the framework for contemporary black feminist literary tradition.

他们的眼睛望着上帝》是赫斯顿最具有代表性的作品，在这部小说中，赫斯顿打破了卑贱的黑人妇女形象，塑造了全新的黑人女性形象，为当代黑人女性主义文学传统奠定了框架。

More specifically, and due in large part to Alice Walker's essay, Zora Neale Hurston is often viewed as the first in a succession of great American black women writers that includes Alice Walker, Toni Morrison, and Gloria Naylor.

更具体地说，主要是因为艾丽斯沃克的论述，佐拉尼尔赫斯顿是通常被看作是第一次在继承伟大的美国作家黑人妇女，其中包括艾丽斯沃克，托妮莫里森，和Gloria勒。

He loved drama and plays, and founded theater companies in both New York and Los Angeles. Hughes wrote his first play, Mule Bone, with Zora Neale Hurston in 1930 and kept writing for the stage the rest of his life.

他热爱舞台剧及戏剧并在纽约及洛杉矶成立剧场公司。1930年时，休斯与赫斯顿一起编写了他的第一本剧本「Mule Bone」，从此他就不停的为舞台剧编写剧本。

Janie's Journey: Language, Body and Desire in Zora Neale Hurston's Their Eyes Were Watching God

中文题目：詹妮的旅程：佐拉。尼尔。贺丝登《他们眼望上苍》中之语言、身体和欲望

In the journey from the passive stereotype to a more positive, more complex view of the black woman as she appears in American literature, Zora Neale Hurston's work is transitional. It marks the beginning that the black woman image goes from stereotype to character.

在对黑人妇女形象的描写由被动的固有模式走向更为正面、更为复杂，以其真实的面貌展示于美国文学的历程中，佐拉·尼尔·赫斯顿的作品具有过渡性的作用，它标志着黑人妇女形象由固有模式转向个性化的开始。

Zora Neale Hurston; the black woman in US; identity; racism; genderism

佐拉·尼尔·赫斯顿；美国黑人女性；身份；种族主义；性别主义

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。