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Sun Zi found that the world is always moving and changing, therefore the action of people should comply with the principles of changes, and make a motile use of them.

孙子认为事物总是处于变化之中,人的行动应当符合事物变化的规律并能动地利用规律。

New ideas this dissertation brings forth are as follows: 1 in the history technological cultures, man stepped into the technological epoch twice; 2 in ancient times, technology and poetry bore cognateness and identity; 3 discourse paradigms and value systems about poetry and technology of ancient China are first reconstructed; 4 the recognizable paradox and absurdity are first articulated when ancients combine simplicity, beauty and technology into one; and 5 the Taoist thinking on crime and punishment in the technological era is systematically combed out, and Zhuang Zi's metaphor about the death of muddiness is therefore interpreted.

此外,本文的研究作为中国文化系统内的跨类比较研究,研究的楔入点和研究行走于其中的空间具有独特的意义和价值,它在广义上可以视为是比较文化和比较诗学在研究视角、研究方法上的创新性探索。最后,本文在具体学术问题上的创新对于中国古代科技思想、诗性生存、诗学等领域的研究,都是一定意义上的学术突破,它至少可以引起相关的学术争论,从而起到推动学术发展的作用。

Baking shoes and socks around the needfire, we had a chat, so I just knew in the way we came back, Liang Zi dropped into the river and all of clothes in his backpack were wet, Ye Lv helped him a lot; Mao Yao slid from another scree of slope, it was lucky that there was no any cliffs, and Zhan Lang saved her.

围着篝火烤鞋子和袜子,谈着天说着地,大家在交流回来时路上的经历时,才知梁子在过河时跌入水中将包内的衣服都浸湿了,好在野驴大 G 相助一把才将损失降低;毛丫也从另一碎石坡上滑下,所幸没有悬崖,后被战狼所救得以安全回来。

We Baked shoes and socks around the needfire, we had a chat, so I just knew in the return journey, Liang Zi dropped into the river and all of clothes in her backpack were wet, Ye Lv helped her a lot; Mao Yao slid from another scree, it was lucky that there was no any cliffs, and Zhan Lang saved her.

围着篝火烤鞋子和袜子,谈着天说着地,大家在交流回来时路上的经历时,才知梁子在过河时跌入水中将包内的衣服都浸湿了,好在野驴大 G 相助一把才将损失降低;毛丫也从另一碎石坡上滑下,所幸没有悬崖,后被战狼所救得以安全回来。

I am a netizen said: Yan Zi, it is not my idol is my belief.

我一个网友这样说:"燕姿,不是我的偶像,是我的信仰"。

In 2006, Jin Zi was introduced to Europe and had 26 performances in 21 cities, such as Canne, Saint Louis in France and Neuchatel in Switzerland. This is unprecedented in that the first traditional art group tapped the international culture market with a commercial tour mode.

2006年,《金子》赴欧,在法国戛纳、圣-路易斯以及瑞士诺沙戴尔等21个城市演出26场,开创了传统文艺院团以商业巡演模式探索国际文化市场的先河。

It is very reasonable to assert that Tao of Lao Zi did not come out of nihility or imagination.

完全有理由这样说,老子的道并不是无中生有、凭空产生的。

However, Chi Zi-jian's nouvelle All Nights in the World chooses it as the narrative theme, which makes us understand the literary value of the narration of death.

迟子建的中篇小说《世界上所有的夜晚》却选择了死亡叙事,让我们领略了死亡叙事的文学价值。

S 揘ew Year? s Sacrifice?, this novel embodies 搇ife is all painful? because Sister Xianglin suffers a lot in her life; Juan Sheng in 揗ourn the Dead? leads a life devoid of meaning both before and after the death of Zi Jun, and he can? t escape from his emptiness; Lun Xun conveys his strong emotions and cries out against injustice in his novel 揗edicine? by way of making the ghost? s presence felt;揕oners? reflects inner loneness and pain, and manifests the creed of Buddhaism: Life is death, death is life;揥eeds? and 揅all to the Arms? sighs with feeling for life? s emptiness however, it also stronglyresists life? s emptiness. XuDishandwellson life? s emptiness in his book 揘atural Moutain and Rain?

鲁迅的《祝福》中满篇弥漫着佛教的袅袅轻烟,祥林嫂的遭遇使她受尽了人生的苦难,体现了佛教所宣扬的"人生皆苦";在《伤逝》中,涓生在子君活着和死后都始终感到人生的空虚,无法摆脱;小说《药》结尾处借用佛教显灵的艺术手法抒发作者的情感,为革命者鸣不平;《孤独者》更是体现了内心的孤独和痛苦,表现了佛教生即死、死即生的轮回观点;《野草》、《呐喊》既感叹人生的虚无,又强烈地反抗虚无。

The eight methods from the vassal to traitor minister: one is sleeping, second is beside, third is blood, fourth is extend weakness, fifth is dupe people, sixth is popular, seventh is overbear, eighth is all sides -------------Haifei zi ?

凡人臣之所道成奸者有八术:一曰同床,二曰在旁,三曰父兄,四曰养殃,五曰民萌,六曰流行,七曰威强,八曰四方----韩非子

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。