查询词典 Venice

Then in which deeper abysm exists the beauty form which Gustav achieved Death in Venice ?

那让Gustav在Venice获得死亡的美，是在哪一个更深的渊薮中呢？

Those same characteristics are abundantly evident in less well-known movies that should not be overlooked. Mr. Ledger was hilarious and eccentric in Catherine Hardwicke's "Lords of Dogtown," playing a shaggy old-timer on the Venice Beach surf-and skateboard scene, and affably mischievous in Terry Gilliam's "Brothers Grimm," alongside Matt Damon.

这些特殊的特质在不应该被忽略却鲜为人知的电影中表现出来，希斯在Catherine Hardwicke 执导的电影《冲破颠峰》中诠释一个可笑古怪的人物就是一个例子，电影里在Venice 海边滑水的场景中，他成为了一个毛发过盛、过时的老掉牙人物，却又在Terry Gilliam执导的《神鬼克星》，和Matt Damon 一起成为一个淘气可亲的角色。

Girolamo de Fornariis subjected to examination the polemic of Pomponazzi with Augustin Nifi (Bologna, 1519); Bartolommeo de Spina attacked Cajetan on one article, and Pomponazzi in two others (Venice, 1519); Isidore of Isolanis also wrote on the immortality of the soul (Milan, 1520); Lucas Bettini took up the same theme, and Pico della Mirandola published his treatise (Bologna, 1523); finally Chrysostom Javelli himself, in 1523, composed a treatise on immortality in which he refuted the point of view of Cajetan and of Pomponazzi Chrysostomi Javelli,"Opera", Venice, 1577, I-III, p.

吉罗拉莫德fornariis受到考试论战的蓬波纳齐与奥古斯丁nifi （博洛尼亚， 1519 ）； bartolommeo德脊柱攻击cajetan对一的文章，和蓬波纳齐在另外两个（威尼斯， 1519 ）；伊西多尔的isolanis也写就了不朽的灵魂（米兰， 1520 ）；卢卡斯bettini了同样的主题，和微微的梅兰多拉发表论文（博洛尼亚， 1523 ）；终於金口javelli自己，在1523年，组成一伤寒论神仙在他反驳的角度来看， cajetan和蓬波纳齐（ chrysostomi javelli ，"戏曲"，威尼斯， 1577年，我第三次，第52页）。

Whilst no documentary evidence exists to support the theory that Caldara was a pupil of Giovanni Legrenzi during his time in Venice, it is clear that his musical training, his experience of performances in the innovative musical climate of Venice and the composition of music in three of the genres that were to dominate his compositional output ie opera, oratorio and cantata provided Caldara with a sound basis for his future musical career.

虽然没有文件证据支持的理论，卡尔达拉是在他在威尼斯的时间乔瓦尼莱格伦齐的学生，很明显，他的音乐训练，他的经验在威尼斯音乐创新的气候表演和音乐组成的三该类型的是他的成分占主导地位的输出，即歌剧，清唱剧和大合唱提供了一种对他未来的音乐生涯的良好基础卡尔达拉。

And i truly love you ,more than the Moor of Venice ever loved .

我真的爱你，比Moor或Venice更爱你

The text analyzed and researched its emotion representability from three aspects: Firstly, tracing the source of Carnival of Venice; Secondly, appreciating Carnival of Venice according to the technical characteristic of flute; Thirdly, apprehending the emotions of Carnival of Venice's main titles.

本文尝试从三个方面展开长笛作品《威尼斯狂欢节》情感表现力的分析研究：第一，《威尼斯狂欢节》乐曲溯源；第二，从长笛的技术性特点赏析《威尼斯狂欢节》；第三，《威尼斯狂欢节》主题旋律的情感体会。

This courting behavior has been photographed thousands of times at the Venice rookery.

在Venice鸟巢这追求讨好的行为已经被照相机拍摄了数千次了。

Bridge of Sighs in Venice extreme is the Municipal Palace, as well as the Republic of Venice, then the Court and the Governor's House seat Bridge of Sighs in Venice subguadratic is then repeated the prison, which is a closed Shilou.

叹息桥的左端是威尼斯的市政宫，也是当年威尼斯共和国法院和总督府的所在地，叹息桥的右端是当年威尼斯的重犯监狱，那是一个封闭的石牢，粗粗的铁栏杆封闭着一个不见天日的地狱，据说进了这个监狱，几乎没有人能够活着出来。

The Mishnah is extant in many editions, although only the earlier ones can be mentioned here: first edition, Naples, 1492, fol., with the Hebrew commentary of Maimonides; Venice, Justiniani, 1546-50, fol.; Venice, 1549, 4to, with the commentary of Obadiah Bertinoro; Riva di Trento, 1559, fol., with the commentaries of Maimonides and Obadiah; Sabbionetta and Mantua, 1559-63, 4to; Venice, 1606, fol., with the same two commentaries.

该mishnah是尚存在许多版本，虽然只有早前好的可在此提及：第1版，那不勒斯， 1492年，接下来，与希伯来文的评论中的迈蒙尼德；威尼斯，胡斯蒂尼亚尼， 1546年至1550年，接下来；威尼斯， 1549年， 4to ，与评俄巴底亚书bertinoro ； riva迪特伦托， 1559号决议，接下来，与评论的迈蒙尼德和俄巴底亚书； sabbionetta和曼图亚， 1559年至1563年， 4to ；威尼斯， 1606 ，接下来，用同样的两个评论。

The Mishnah is extant in many editions, although only the earlier ones can be mentioned here: first edition, Naples, 1492, fol., with the Hebrew commentary of Maimonides; Venice, Justiniani, 1546-50, fol.; Venice, 1549, 4to, with the commentary of Obadiah Bertinoro; Riva di Trento, 1559, fol., with the commentaries of Maimonides and Obadiah; Sabbionetta and Mantua, 1559-63, 4to; Venice, 1606, fol., with the same two commentaries.

该米示拿是现存的许多版本，但只有以前的可以在这里提及：第一版，那不勒斯， 1492年，奥德耶克。与希伯来文评迈蒙尼德；威尼斯， Justiniani ， 1546年至1550年，奥德耶克。；威尼斯， 1549年， 4to ，以评俄巴底亚Bertinoro ；里瓦娣特伦托， 1559奥德耶克。与评论迈蒙尼德和俄巴底亚； Sabbionetta和曼图亚， 1559年至1563年， 4to ；威尼斯， 1606年，奥德耶克。，同两评注。

In this section we look at the theory behind the techniques used in rotary polishing and the effects that they have on paintwork and the results achieved.

在这里看抛光剂使用背后的理论，到底是怎么一回事，我们如何用好的抛光机和好的使用技巧来达到好的效果。

I'll dig like a psychotic rodent if I have to.

那我就帮你挖到中国去。