查询词典 Ulysses

Ulysses from some way off saw him and said, This, Diomed, is the man, and these are the horses about which Dolon whom we killed told us.

俄底修斯眼快，看到此人的位置，并把他指给狄俄墨得斯：看，狄俄墨得斯，这便是我们要找的人，这些是他的驭马，即多隆――那个被我们砍掉的人――给我们描述过的良驹。

Diomed answered, If you bid me take the man of my own choice, how in that case can I fail to think of Ulysses, than whom there is no man more eager to face all kinds of danger- and Pallas Minerva loves him well?

然而，啸吼战场的狄俄墨得斯答道：如果你确实要我挑选同行的伙伴，那么，我怎能拉下神一样的俄底修斯？

He fell heavily to the ground and Ulysses vaunted over him saying, O Socus, son of Hippasus tamer of horses, death has been too quick for you and you have not escaped him: poor wretch, not even in death shall your father and mother close your eyes, but the ravening vultures shall enshroud you with the flapping of their dark wings and devour you.

他随即倒地，轰然一声；神勇的俄底修斯开口吹嚷，喊道：索科斯，聪明的驯马者希帕索斯的儿子，死亡追上并放倒了你；你躲不过它的追击。可怜的东西，你的父亲和尊贵的母亲将不能为你合上眼睛；利爪的兀鹫会扒开你的皮肉，双翅击打着你的躯体！

Since 1991, she has collaborated with the internationally acclaimed record company ECM and its creator, Manfred Eicher, releasing 5 albums, 4 of which contain music for films (Music for Films, The Suspended Step of the Stork, Ulysses' Gaze, Eternity and a Day) and the last one, Trojan Women, containing music for Euripides' Trojan Women as was put on in Epidaurus theatre (2001 by director Antonis Antypas with translation by K.X.

其中的音乐包括了安哲罗普洛斯的"雾中风景"，"养蜂人家"以及"Cythera之旅"的电影配乐。这张在一九九一年秋天由ECM公司发行的唱片，改变了乐评家及听众的想法——电影音乐可以依电影意象加以扩大，并超越电影原声带的传统。

Meanwhile Ulysses reached Chryse with the hecatomb.

俄底修斯的木船。载着神圣的牲祭，已经驶人克鲁塞海面。

First he asked Nestor and King Idomeneus, then the two Ajaxes and the son of Tydeus, and sixthly Ulysses, peer of gods in counsel; but Menelaus came of his own accord, for he knew how busy his brother then was.

两位埃阿斯，图丢斯之子狄俄墨得斯，还有俄底修斯，来者中的第六位，和宙斯一样精擅谋略的壮勇。啸吼战场的墨奈劳斯不邀自来。心中明白兄长的心事重重。

Joyce discovers the initial mode of the writing style of interior monologue of the stream of consciousness,and exploits it in ULYSSES.

内心独白是演绎意识流程的一种特殊语体。

In Ulysses, Joyce uses interior monologue extensively, and instead of employing one narrative voice, Joyce radically shifts narrative style with each new episode of the novel.

在尤利西斯乔伊斯广泛使用内心独白，而不是雇用一个叙事的声音，从根本上转变乔伊斯叙事风格与每一个新的小说集。

This study attempts to analyze the contrast between traditional studies of Joyce's interior monologue and dialogic critique, and to elucidate the interweaving of varied social contexts in the monologue of Ulysses in relation to Bakhtin's theory of dialogism.

本文试图比较优利西斯独白的传统评论与利用巴赫丁的对话论来探讨独白两者之差异，并且阐明优利西斯独白中，个体和各种社会话语之对话活动。

The free indirect speech is the main narrative voice Joyce used in his early texts to represent characters'mental activity, while in Ulysses, he creates interior monologue to display characters'consciousness and unconsciousness.

从19世纪后期开始，欧洲文学界在对传统全知叙述进行反思的基础上，兴起了对叙述的中立性和客观性的全面追求，乔伊斯多数作品所用的内部聚焦便是当时出现的新的叙述手法。

I was up all night because I was in pain, she said.

我整夜，因为我在疼痛，她说。

A crow caws /craoks.

乌鸦叫。 51-论文网