查询词典 Ulysses

He was sitting at supper when the nurse of Ulysses, whose name was Eurycleia, brought in the baby, and set him on the keens Autolycus, saying, Find a name for your grandson, for he is a child of many prayers.

吃晚饭的时候，尤利西斯的保姆----欧律克勒亚就把婴儿抱了过来，放在奥托吕科斯腿上说：&请你为您的孙儿起个名字吧，他是在许多人的祈祷下出生的。&

In Ulysses, Joyce intends to 前一单元sent a microcosm of the whole human life by providing an instance of how a single event contains all the events of its kind, and how history is recapitulated in the happenings of one day.

尤利西斯，乔伊斯有意派遣前一单元的一个缩影整个人生来说，如何提供一个单一事件包含所有同类事件，并重申了历史是如何发生的一天。

He recks not of the dismay that reigns in our host; our most valiant chieftains lie disabled, brave Diomed son of Tydeus is wounded; so are Ulysses and Agamemnon; Eurypylus has been hit with an arrow in the thigh, and I have just been bringing this man from the field- he too wounded- with an arrow; nevertheless Achilles, so valiant though he be, cares not and knows no ruth.

军中滋长的悲戚之情，他哪里知道！全军最勇敢的战将都已卧躺船边，带着剑伤或枪痕。图丢斯之子、强健的秋俄墨得斯已被羽箭射伤，俄底修斯则身带枪痕，著名的枪手阿伽门农亦然；欧鲁普洛斯大腿中箭，还有我刚从战场上带回的马卡昂，已被离弦的羽箭射伤。

As hounds and lusty youths set upon a wild boar that sallies from his lair whetting his white tusks- they attack him from every side and can hear the gnashing of his jaws, but for all his fierceness they still hold their ground- even so furiously did the Trojans attack Ulysses.

像一群猎狗和精力充沛的年轻人，围住一头野猪，猛扑上去，而野猪则冲出茂密的灌木，它的窝巢，在弯翘的颚骨上磨快了雪白的尖牙利齿，狗和猎人从四面冲来，围攻中可以听到獠牙咋咋的声响――然而，尽管此曾来势凶猛，他们却毫不退让。

Ulysses in the course of his life saw many rich countries, and great cities of men, but, wherever he was, his heart was always in the little isle of Ithaca, where he had learned how to row, and how to sail a boat, and how to shoot with bow and arrow, and to hunt boars and stags, and manage his hounds.

在尤利西斯的一生中，曾看到过许多富裕的国家和伟大的城市，但是无论他在哪儿，他的心总停留在伊萨卡小岛上。在这里，他学会了划船，驾驶船只，学会了如何用弓和箭射击，如何追捕野猪和牡鹿以及如何掌控猎犬。

Pure diegesis and parody are two narrative modes employed in Ulysses .

《尤利西斯》运用了本真和戏仿两种叙述模式。

Homers epic, Tom Jones and Ulysses are representatives of the three important stages in the history of western literature.

荷马史诗、《汤姆·琼斯》和《尤利西斯》代表了西方叙事文学史上三个重要的发展阶段。

On productions at the National Theatre, Skini and Nea Skini theatres, Aplo Theatro, Epochi theatre, Amphitheatro, etc., of plays by Shakespeare, Goldoni, Griboyedof, Turgenief, Chekhof, Gorki, O'Neill, Tennessee Williams, Arthur Miller, Pinter, Mammet, Orton, Aristophanes, Hourmouzis, Loula Anagnostaki, G.Dialegmenos, Euripides etc.At the cinema: Since 1983 she has been a permanent collaborator with Theo Angelopoulos, composing music for his films Voyage to Cythera, The beekeeper, Landscape in the Mist, The Suspended Step of the Stork, Ulysses' Gaze and the Cannes Festival Golden Palm award-winning film, Eternity and a Day. She has also composed music for films by Dimitris Mavrikios, Takis Kanelopoulos, Tonia Marketaki, Christoforos Christofis (Wandering / Rosa), Lefteris Xanthopoulos, Giorgos Koras Margarethe von Trotta (L' Africana), etc.

然后她回到雅典，上电台，办民族音乐试验室，1979年被她视为命运的转折点，她开启了电影作曲的职业生涯，合作者是希腊诗人兼新电影流派的导演Chistoforo Chillstofis，1982年Eleni Karaindrou因前者的影片&芳名罗莎&在塞瑟隆尼基电影节上获得原创音乐奖，颁奖人正是评审团主席Theo Angelopoulos，他们的合作也由此开始，以后的九年可谓硕果累累，两个人物以类聚，谁都没有辜负了彼此间的厚望。80年代安氏创作了他的&漂泊&三部曲，当首篇&塞瑟岛之旅&告竣之后，安氏在访谈录中称赞Eleni正是他所需要的那种博采众长且深具古典音乐实力的最佳搭档，Eleni不仅创作电影音乐，而且也涉足希腊的先锋戏剧，她的第二个丈夫就是一位戏剧导演，Eleni迄今已为35部剧本谱写了音乐。

It has already come third in the Lettre Ulysses prize for Reportage, winning ?

报道说，《燃烧的巴格达》已在柏林《Lettre》杂志举办的著名的&尤利西斯&报告文学大奖中荣获3等奖，并获奖金1.4万英镑。

On July 3, 1790, a group of classical names was officially bestowed by the Land Office in New York City upon twenty-five unsettled town-ships in western New York state: Lysander, Hannibal, Cato, Brutus, Camillus, Cicero, Manlius, Aurelius, Marcellus, Pompey, Romulus, Scipio, Sempronius, Tully, Fabius, Ovid, Milton, Locke, Homer, Solon, Hector, Ulysses, Dryden, Virgil, Cincinnatus.11 Nearly a century and a half of ridicule has not sufficed to remove these names; and it is probably safe to predict that, likethe many pre-Celtic toponyms still in use in France12 and England, they will persist-modified in form, to be sure even when the English tongue itself has become one of the dead languages.

在1790年7月3日，古典名小组正式赐予20由纽约市国土局5个悬而未决的镇在纽约州西部的船舶：莱桑德，汉尼拔，卡托，勃鲁托斯，卡米勒斯，西塞罗，曼利乌什，奥勒留，马塞，庞培，罗慕路斯，西庇阿，森普罗，塔利，法比尤斯，奥维德，弥尔顿，洛克，荷马，梭伦，赫克托，尤利西斯，德赖登，维吉尔，Cincinnatus.11近一世纪的嘲笑有一半没有足以消除这些名字，并很可能是安全的预测，总量达747多前仍然在France12和英国使用凯尔特地名，他们将坚持在形式的修改，以确保即使在英语母语本身已成为死的语言之一。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。