查询词典 Ulysses

Mainly by using myth-archetypal criticism, cultural-historical criticism and Mikhail Bakhtin's carnivalesque theories, the thesis elaborates on the Dionysian revival with direct and indicative manifestations in Ulysses.

本文通过对神话原型批评理论、文化历史视角和巴赫金狂欢理论的运用，揭示了《尤利西斯》中酒神精神复兴的直接的和隐含的表现形式。

The second part indicates the Dionysian revival in the modern Irish context: the primitive Dionysian rituals, his carnival ecstasy, his sensual abandon and his pursuit of eternity all revive in Ulysses in the forms of bar cultures, the Irish folk humor, the characters'grotesque bodies and carnivalesque chronotope.

第二部分指出酒神原始的酣醉、乐曲和舞蹈等仪式上的复兴；酒神古老的仪式、狂喜、感官放纵和对永恒的追求演变成现代爱尔兰社会的酒吧文化、民间欢歌乐舞、&怪诞身体&和&狂欢时空体&。

And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book.

尽管训诂产业已经兴起，在过去75多年中，尤利西斯也不由自主可读的书。

The wounded kings, the son of Tydeus, Ulysses, and Agamemnon son of Atreus, fell in Nestor as they were coming up from their ships- for theirs were drawn up some way from where the fighting was going on, being on the shore itself inasmuch as they had been beached first, while the wall had been built behind the hindermost.

其时，几位宙斯养育的王者正朝着奈斯托耳走来，曾被青铜的枪械击伤，此时沿着海船回行，图丢斯之子、俄底修斯和阿特柔斯之子阿伽门农。他们的海船远离战场，早被拖拽上岸，停栖在灰蓝色的大海边。

The two Ajaxes, servants of Mars, Meriones, and the son of Nestor all wanted to go, so did Menelaus son of Atreus; Ulysses also wished to go among the host of the Trojans, for he was ever full of daring, and thereon Agamemnon king of men spoke thus:"Diomed," said he, son of Tydeus, man after my own heart, choose your comrade for yourself- take the best man of those that have offered, for many would now go with you.

两位埃阿斯，阿瑞斯的伴从，愿意同行，墨里俄奈斯请愿同往，而奈斯托耳之子更是急不可待，还有阿特柔斯之子、著名的枪手墨奈劳斯。坚忍的俄底修斯亦在请缨之列，决意潜入特洛伊人的营垒，胸中总是升腾着一往无前的豪烈。其时，全军的统帅阿伽门农开口说道：图丢斯之子，你使我心里充满欢悦。你可按自己的意愿，挑选你的伙伴，择取自愿者中最好的一位，从我们济济的人选。

Ulysses 's multivoiced narration, textual self-consciousness, mythic framework, and thematic focus on life in a modern metropolis situate it close to other main texts of the Modernist movement, such as TS Eliot's mythic poem The Waste Land (also published in 1922 ) or Virginia Woolf's stream-of-consciousness novel, Mrs.

尤利西斯'县multivoiced叙事，文字的自我意识，神话的框架，主题集中于生活在一个现代化大都市位于它附近的其他主要内容的现代主义运动，如艾略特的神话诗荒原（还出版于1922年）或弗吉尼亚伍尔夫意识流小说，达洛卫夫人（ 1925 ）。

The people were sorry for him, yet they laughed heartily, and one would turn to his neighbour saying, Ulysses has done many a good thing ere now in fight and council, but he never did the Argives a better turn than when he stopped this fellow's mouth from prating further.

望着他的窘态，人们虽然心头烦恼，全都高兴得咧嘴哄笑，目视身边的伙伴，开口说道：哈，真精彩！俄底修斯做过成千上百的好事，出谋划策，编组战阵，但所有的一切他封住了一张骂人的嘴巴，一条厥词乱放的舌头！

There are some "who live without any design at all, and only pass in the world like straws on a river: they do not go; they are carried,"―but as Homer makes Ulysses say,"How dull it is to pause, to make an end, to rest unburnished; not to shine in use― as though to breathe were life!"

有些人&活着没有任何计划，活在这个世界只是像河上漂流的草秆：他们并未行进；他们是随波逐流，&——正像荷马让尤利西斯代为说出的话，&停下、结束、休息而无作为，是多么无聊，虚应故事而一无表现——好像呼吸就是生命！&

A portrait of Ulysses S. Grant hangs in Obama's private office, where he often adjourns in the evening to work.

画像由尤利西斯格兰特挂在奥巴马的私人办公室，在那里，他经常在晚上暂停工作。

Ulysses; foregrounded linguistic features; stylistic way of reading

《尤利西斯》；前景化语言特征；文体学解读

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。