查询词典 Their Own Desire

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

The fifteenth one is their desire to own their own business.

第十五之一是，他们渴望拥有自己的业务。

Addiction may make people be satisfied with the desire illusorily, the drug addicts are corroding their own bodies gradually during they are addicted to drugs , but we can say the desire constructed by the consumption is the toxicant to stimulate the body and the soul, although this kind of toxicant looks like gently and beautiful, and it hides deeply.

尽管这种毒剂看起来更为温柔美丽，并隐蔽得更深。

The Prince Bo o k 5 Ho w C itie s o r Prin c ip a litie s Wh ic h Live d u n d e r Th e ir O w n La ws b e fo re Th e y We re O c c up ie d Sh o uld Be Ad m in iste re d When those states that are acquired, as has been said, are accustomed to living by their own laws and in liberty, there are three modes for those who want to hold them: first, ruin them; second, go there to live personally; third, let them live by their laws, taking tribute from them and creating within them an oligarchical state which keeps them friendly to you.

But in republics there is greater life， greater hatred， more desire for revenge； the memory of their 34 第五章 Book 5 第五章如何治理那些被占领之前有着自己法律的城邦和君主国如果被占领的国家如前所述，习惯于遵循自己的法律，而且是自由的，那么，想把它们掌握住，有三种办法：第一种是将它们夷为平地；第二种是您御驾亲临，驻扎在彼处；第三种办法是由着那儿的居民沿用他们的法律，对他们收取贡赋，建立一个对您友好的寡头政府统治他们。

Younger Tibetan elites who have been educated and raised in urban China often come to first identify and then to perform their own Tibetan-ness through a contradictory process in which the misrecognition of Tibetans as a group, together with their own misrecognition as Han, is precisely what engenders their desire to become 'real' Tibetans, to inhabit and embody the category 'Tibetan'.

在中国的城市中长大和受教育的年轻藏族精英们常常会首先表明自己身份，然后通过一种自相矛盾的过程来展现他们自己的藏民族性。在此过程中，他们把藏族人误识为单一群体，再加上他们自己对汉族的误识，使他们产生了要成为&真正的&藏族、融入并体现&藏族&这一族群的愿望。

Younger Tibetan elites who have been educated and raised in urban China often come to first identify and then to perform their own Tibetan-ness through a contradictory process in which the misrecognition of Tibetans as a group, together with their own misrecognition as Han, is precisely what engenders their desire to become 'real' Tibetans, to inhabit and embody the category 'Tibetan'.

在中国的城市中长大和受教育的年轻藏族精英们常常会首先意识到自己身份，然后通过一种自相矛盾的过程来展现他们自己的藏民族性。在此过程中，他们曾错误地理解了藏族作为一个民族的意义概念，再加上他们自己也曾被误认为汉族，使他们产生了要成为&真正的&藏族、融入并体现&藏族&这一族群的愿望。

And "baptism of desire," which is received by those who, implicitly or explicitly, desire baptism but are prevented from receiving it sacramentally. Even those who through no fault of their own do not know Christ and his church may be counted as anonymous Christians if their striving to lead a good life is in fact a response to his grace, which is given in sufficient measure to all.

，和&洗礼的愿望，&这是所收到的那些谁，暗示或明确，欲望的洗礼，但均无法接受sacramentally &即使那些谁没有犯错，自己不知道基督和他的教会，可能被视为无名氏的基督徒，如果他们的努力导致一个良好的生活其实是在回应他宽限期，这是由于在足够的措施，向所有&。

Finally, the girl was rescued after Leon, re-return of the original School, and Leon's tree,"best friend" planted in the school environment so quiet growth, not only realize the long-cherished wish of the individual Leon - search a stable home, in fact, also embody the Girl of Leon desire to live on their own emotional sustenance and collectors, this flower Leon "best friend" is also a symbol of Leon Finally conjunction with the Girl into the most good friends, Flower has become the ultimate incarnation of Leon, as well as this law does not allow love to find a reasonable home - Love, it seems, such as tree flower as long once in a girl's heart, and now finally can it return to its own end, and Love the flower tree as if the same person, has been accompanied by once, and now finally can no longer always怀揣in the side but in the careful care of the drop after the peace of mind, to lay down their hearts during the Forever pain, and inner feelings are, therefore, after the baptism of the ominous clouds of life in more and more mature.

最后，女孩被莱昂救出以后，重新回归原来的学校，并将莱昂的那棵&最好的朋友&栽种在学校这样安静的环境中生长，这不仅实现了莱昂个人的夙愿——寻找一个安定的居所，实际上也体现了女孩对莱昂生活的愿望、对自己情感的寄托和收藏，花这个莱昂&最好的朋友&的象征也在最后与莱昂一并合并成女孩最好的朋友，花已经成为莱昂的最终化身，同时也为这段法律不允许的恋爱找到了一个合情合理的归宿——早恋似乎就如那棵花一样曾经长在一个少女的心中，现在终于可以让它回归自己的归宿了，早恋的人犹如那棵花一样，曾经一直陪伴过，现在终于可以不再始终怀揣在侧而是在小心翼翼的呵护之后安心的放下，放下这段心中永远的创痛，而内心的情感也因此在经过不测风云的人生洗礼中走向成熟。

Using the image of comparative literature on the theory and methodology, this paper cards Western image of the ancient Chinese before the Qing Dynasty and analyzes the characteristics of the traditional mode of thinking and collective imagination at the beginning. Then, connecting the above features, it focuses on the image of the United Kingdom in travel notes of the Qing Dynasty and analyzes the role and significance of the travel notes and the officials in the formation of "the image of the United Kingdom" in the Qing Dynasty. That is, travels text is a kind of cultural narrative, Travels with intertexuality completed the social collective imagination. As the Qing Dynasty Construction of the image, officials try to deviate from the traditional Chinese collective imagination. By virtue of British image of self-desire, they state their self-desire and reflect on their own culture.

本文借助了比较文学形象学的理论和方法论，首先梳理了清代前中国人眼中的&西方形象&，分析出中国古人看世界的文化心理和传统思维模式特点，接着结合上述特点解读清代游记中的&英国形象&，并分析出清代游记和清代使官在英国形象生成中的作用和意义：游记文本是一种文化叙事，游记的互文性写作完成清代人对英国的集体想象；清代使官作为形象的建构者，试图背离中国传统的集体想象，他们借助英国形象言说自我的欲望、反思自身的文化。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。