查询词典 The Tune

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当夜色如一袭朦胧的面纱，模糊了匆匆的行人，模糊了河畔涓涓的诗情，当贫瘠之家在暗淡的天空下迷失了自己，直耸如云的烟囱衍变成遗世独立的钟鼓，当富裕之家成了晚间的宫殿，当整座城市悬挂在天堂之间，梦幻的仙境就在我们眼前——而那羁旅之人也正急速地往家的方向赶去；工人和文人，明智者和快乐者停下了思维，他们不再有看的欲望。而自然，又一次哼起了调子，仅对着艺术家唱起了她独有精美的歌，艺术家就像她的儿子和主人——爱着她的儿子，了解她的主人。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当夜幕为如诗的河岸披上一层面纱，破旧的房屋消失在昏暗苍穹中，高耸的烟囱如同一座座钟楼，仓库成了瑰丽的宫殿，整个城市悬置在天堂，如幻仙境尽收眼底——仓促的人们总是行色匆匆。无论是庄稼汉还是知识分子，聪明人或者乐天派，都看不见也懂不到。这个时候，自然哼着优美的曲子，把最完美的旋律只给了艺术家一人。艺术家就是她的儿子和主人——他像儿子一样爱她，同时又如主人一般了解她。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

夜幕降临，为河畔蒙上了一层轻纱，如诗般美丽、神秘。而那些毫不起眼的建筑物们则隐没在这昏暗的天空中，乍看之下，高耸的烟囱好似一座钟楼，破旧的仓库宛如宫殿般矗立于夜色之中。此时此刻，整个城市悬浮于半空中，如同仙境般展现在我们面前——接着，行人加快了回家的脚步；而工人、知识分子、智者抑或逍遥之人则驻足而望，停下了思考，故而，他们听不到自然那美妙绝伦的声音。大自然只为艺术家展现了歌喉，因为艺术家是她的孩子，她的主人——之所以这么说，因为孩子爱他的母亲，而主人则理解他的属下。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当暗夜迷雾给河滨披上诗般的轻纱薄衣，可怜的建筑在暗淡的天幕下迷失自我，高耸的烟囱变成了钟楼，货栈成了伫立在夜间的宫殿，整座城市游荡在天际，仙境就在眼前---流浪者正朝家的方向疾去；工人与雅士，智者与享乐主义者，不再了解，正如他们已不再对之投以目光。而大自然，曾只为艺术家---自然之子，自然之主---一开金嗓，仙乐悠扬。艺术家作为自然之子，深爱其母；艺术家亦是自然之主，对自然的理解不在话下。

Tune-up was simple: The transmitter was peaked up, then the duplexer was first adjusted by watching the spark gap (with the receiver disconnected; it was too easy to fry the receiver pre-amplifier), then the receiver was tuned up, usually on a handy neighboring target.

接着调整接收器，通常都是随便找个附近的目标。

China art song pays great attention at the same time with our country's national language, the national makings and the national emotion expression agrees with, chinese poetry literature, chinese folk song tune sentiment fusion, on the other hand, foreign art songs from the performance of the approach, which has formed a chinese national and the characteristics of foreign-style in the form of rich and colorful.

中国艺术歌曲一方面注重与我国的民族语言、民族气质和民族情感表达相契合，将中国诗歌文学、中国民歌曲情融合，另一方面则借鉴外国艺术歌曲的表现手法，从而形成了具有中国民族特色和外国风格的丰富多彩的形式。

To tune to this tuning on a standard six string guitar the low E string is lowered to a B; the A string is lowered to a D, the D string is left the same, the G string is lowered to a D, the B string is raised to a D, and the high E string is lowered to a D.

在一般吉他上调这个调弦低音E要调低成B，A弦调低成D，D弦保留，G弦调低成D，B弦调高到D，最高弦E调低到D。

Write the words lunatic, can not make real lunatic behavior but I revel in semi-sober among Banfeng like to drink a small wine Lose Tune acts can still uncertainty in the minds of state Banfeng, I think all too normal surrounding normal that I insisted another self-editing can put them familiar with it and let me be very difficult, Just as the executive and said "I have not drunk" embarrassment may not be the same dilemma lies in ourselves, but cause problems for others how to bring a half-drunk to also read "I have not drunk" person to dispose of properly - I thought that "I have not drunk" means edit out a normal ourselves, They will also agree that the normal I can this is not the side they will fight back "I know you did not get drunk", While supposed to give you a bath, or you make tea, shrub like vinegar in a meet each other, I think they recognize I did not get drunk They also want recognition I did not get drunk while I can really wake While walking, but already half-drunk, with Pan Feng.

现在不在执拗的认定，一个人一辈子只爱一个人是值得称许的，童话里王子永远只爱一个人那是童话，要保留纯净，现实是，公主和王子都已经慢慢长大，人和人之间渐行渐远，城堡已经凋敝，粉红的玫瑰早就开始败色，一个人为另一个人守是心里留着她的位置，凭谁也取代不了，后来的影象与先人也不要重叠，各有位置才好。如何的依依不舍都将离去，你能了解吗，我非常羡慕那些能我们的王挖土守城的人，是的，他们的确非常辛苦，但是当他们从天没亮做到夜晚，觉得非常辛苦的时候，他们能回家，他们有家可归，而我必须要远涉千里去赴那死亡的盛宴。

The deserted factories take on another cloak in memory, gray, fogged and devastated in dust and soot. The hell-like tune like the last day tells the excess of the paintings, but in a spiritual form. The scenes are just leftovers of the past, or detainment of the past.

废弃的老工厂对于过去的记忆，还有着另一种形态，那就是烟雾弥漫，粉尘覆盖也涂抹了一切，被过多的煤烟所熏染的事物都有着一层灰色的调子，画家被这种苍老深深抓住了，因此，在画面上我们有时看到地狱一般的色调，有着末日来临之前的预兆，这也是图像的剩余，是一种精神的形式。

One such vehicle is larning to focus on some of the things you have learned to tune out——to notice and take joy in the budding of new leaves in the spring, to wonder at the beauty of the sun rising eah morning and setting night, to take comfort in the smile or touch of another person, to watch with amazement the growth of a child , and to share in children's wonderful " uncomplexes ", enthusiastic and trusting approach to living.

其中一个方式就是学会把注意力放在你熟视无睹容易忽略的事情上，比如带着喜悦去欣赏春天萌芽的绿叶，赞叹每天早上旭日东升和晚上夕阳西下的美丽，在别人的微笑或爱抚中得到安慰，带着惊叹之情去观察一个孩子的成长，分享孩子对待生活的那份单纯，热情和信任。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。