查询词典 The Tune

As a matter of fact, just by the side of the grey-tune tomb figure, a small life-painting of scenery-painting of nature of the painter hung on the wall has another sort of vision and that is the lyric scenery of academism we can usually see.

其实就在灰调子俑造型的旁边，墙上挂的画家的小幅风景写生却是另一番景象，那是我们通常能看到的学院化抒情风景，他有这个能力，但一旦进入创作表达，王东春却满腔热忱一根筋地进入"泥瓦匠状态"。

Second, most of the content of the assigned chorus piece were chosen to meet to the elementary students' musical abilities. The form was referred to as AB; two parts songs were usually selected; the meter signature was referred to as quarter note gets one beat and beats can be grouped in twos or fours, it remained stablely in the whole tune; the tempo of assigned chorus piece almostly based on "Moderato" and "Allegretto"; the tonality are combined with the major and minor scales and also present as the pentatonic scales, the minor scale were rarely used.

二 、九十二至九十六学年度国小合唱指定曲的内容，大部分与国小音乐能力指标相符：乐曲曲式明确，以二段式居多；编制以同声二部为主；拍号以单拍子的二拍、四拍为主，少有拍号变化；速度以中板、稍快板为主；调性不完全偏向大小调乐曲，仍兼顾调式乐曲，转调变化的不多，小调乐曲较少出现。

In the slow movement again Brain is a degree more expressive in his lyrical playing, but in both performances the glory of the horn's final tune is richly brought out; an echo here of the entry of the staircase motif in the final pages of Arabella.

在缓慢动作中再次大脑是一在他的抒情的演奏方面更表现但是在在两方面同样地表现中的光荣角的决赛的调试的度被完全带来；一楼梯中心思想的在最后的页的阿拉贝拉中的入口的这里回声。

All at once, in the thatch house across the clearing behind us came the sound of a recorder, playing a tune that twined over the village clearing, muted our talk on the bankside, and wandered over the river, dissolving downstream.

17-20 突然，我们身后空地旁的茅屋里，传出了录音机的声音，一首乐曲在村子的空地上缭绕，减弱了我们在河畔谈话的声音，然后又传到河面，顺流飘去。

H. All at once, in the thatch house across the clearing behind us came the sound of a recorder, playing a tune that twined over the village clearing, muted our talk on the bankside, and wandered over the river, dissolving downstream.

突然，我们身后空地旁的茅屋里，传出了录音机的声音，一首乐曲在村子空地之上缭绕，减弱了我们在河畔谈话的声音，然后又传至河面，随流飘去。

At the same time, to be in tune with the contemporary world, we should use the theory to guide us to understand accurately and solve properly the problem of our rural land system emerging on the road of the socialist construction.

另一方面，结合时代特征，在实践中进一步创造性地丰富和发展马克思主义农业合作制科学理论，并与时俱进地以之指导我们正确认识和妥善解决我国社会主义现代化建设道路中出现的农村土地制度问题。

In this paper, a self-adaptive algorithm is presented based on Poisson process analysis, which can adjust the revisiting pattern and revisiting frequency according to the estimated change frequency. This algorithm can also tune the parameters so that the estimated value will fall into the best applicable range of the estimator.

在此，基于泊松过程进行分析，对估测器的适用范围进行了讨论，根据估测结果的偏离值和有效性对估测公式进行参数调整，同时根据估测值的大小不断调整数据源的访问频率和次数，从而使数据源访问模式和估测器互相适应，使估测器在最佳估测范围内获得估测值。

Although, in general, the biquadratic term lowers the exchange bias, its role to the coercivity is duplex, i. e., we can tune the biquadratic term to enhance or reduce the coercivity.

一般而言，双二次项耦合的存在削弱了交换偏置，但是它对于矫顽场的贡献是双重的，为此，我们能够通过选择双二次项耦合强度来调节矫顽场的大小。

He pointed out clearly that the verse should revert its function of "blazoning forth the ethics" and "expressing the aspiration". He broke up the routine of late Tang and Five Dynasties which regarded the verse as the entertainment. He led the Sung tune to emphasize more on the "reason","quality" and "reality".

他明确地指出诗歌应该恢复"明道"、"言志"的功能，具有美刺的社会功用，使诗歌创作打破了晚唐五代诗歌娱情悦兴的惯例，促进了宋调向重"理"、重"质"，面向现实的方向发展。

We stand high and aim far, because of the lofty ideals and beliefs to win. We carry hearts in our bosoms, because of the pursuit of truth and caring society. We make innovation, because of the wisdom of heaven and progressive light. We absorb the latest and exclude the outdated, because of the call of life and tune of times.

我们志存高远，因为崇高的理想和必胜的信念；我们一腔热血，因为追求着真理和关爱着社会；我们开拓创新，因为智慧的天堂和进取的光芒；我们除旧布新，因为生活的召唤和时代的旋律。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。