查询词典 The New World

As a soloist Pepe Romero has appeared in the United States, Europe, and many countries around the world with the Philadelphia, Cleveland, Chicago, Houston, Pittsburgh, Boston, San Francisco and Dallas Symphony Orchestras, as well as with the Orpheus Chamber Orchestra, the New York and Los Angeles Philharmonic Orchestras, the Boston Pops Orchestra, the Hong Kong Sinfonietta and the London Symphony Orchestra, the Academy of St. Martin-in-the-Fields, the Monte Carlo Philharmonic Orchestra, I Musici, the Zurich Chamber Orchestra, Philharmonia Hungarica, the Hungarian State Orchestra, the Spanish National Orchestra, the Spanish National Radio/Television Orchestra, L'Orchestre de la Suisse Romande, The New Moscow Chamber Orchestra, the Lausanne Chamber Orchestra, the American Sinfonietta and the Bournemouth Symphony.

作为独奏佩佩出现了美国，欧洲，和周围的费城，克利夫兰，芝加哥，休斯敦，匹兹堡，波士顿，旧金山和达拉斯交响乐团，以及与奥菲斯室内乐团世界上许多国家，在纽约和洛杉矶爱乐乐团，波士顿流行乐团，香港小交响乐团和伦敦交响乐团，圣马田点上，领域，蒙特卡洛爱乐乐团，三大奖得主，苏黎世室内乐团，爱乐乐团Hungarica，匈牙利国家交响乐团，西班牙国家管弦乐团，西班牙国家广播电台/电视乐团，欧莱雅管弦乐瑞士罗曼，新莫斯科室内乐团，洛桑室内乐团，美国交响乐团和伯恩茅斯交响乐团。

As the fast development of the economy and technology, the 21th enterprises facing the new non-consistency competition environment, including the unstopped tendency of world economy globalization, the speedy developed innovation of technology, and the highly changed desire of the otherness client etc. those set a new standard for the management and operation of the Chinese enterprises.

随着信息经济和技术突飞猛进的发展，21世纪企业面临着&非连贯性&的新竞争环境，包括锐不可挡的经济全球化趋势、飞速发展的技术变革和创新、以及迅速变化的差异化顾客需求等；这些都给中国企业的管理和运作提出了新的要求，国内各行业也相应采取了许多具体措施。

17Th century, the European immigrates when the new continent inputs North America, and had found the broad development space in the North America mainland, thereupon, puritanism culture then disassimilation for US'S Caucasian culture This kind of culture played the vital role in the America nationality forming process, the American mainstream values origin has all been possible to go upstream to North America colonizes a time series world the puritanism belief Based on the puritanism culture, the American while successfully has created new continent, constructed constructs uniquely its has filled the vitality the American culture, in which is seeping 创业者 going all out, optimistic was upward and the attenion actual effect spirit, this was "the American spirit".

17世纪，欧洲人移民新大陆时输入北美，并在北美大陆找到了广阔的发展空间，于是，清教文化便异化为美国的白人文化。这种文化在美利坚民族形成过程中起了重要作用，美国人主流价值观的渊源都可上溯到北美殖民时代一统天下的清教信仰。依据清教文化，美国人在成功地创造了一个新大陆的同时，建构了其独特的充满生机的美国文化，其中渗透着创业者的锐意进取，乐观向上和注重实效的精神，这就是&美国精神&。

We managed to point out the orientalized and assimilated historical process by the study of their encounter, intercourse, combination and unification.The cultural origin and esthetical significance composed the logical elements with which to recur the historical encounter of Pratipad and New Taoism, and project their respective esthetical character and inherent inconsistency. We emphasize the intercourse between Pratipad that came on to in Wei-Jin era and Buddhist and metaphysics esthetics on the basis of Pratipad category, just for the lasting appeal and predilection of the latter could set off the existent significance of Madhyamika Prajna System. Here we do a summarize intent upon illuminating no other than the intercourse with which to lead Chinese Esthetics to a bran-new world.

本文以阐发般若范畴的文化渊源、美学蕴涵为理论探讨的逻辑基础；通过历史地再现般若学与玄学两面展开的理论境遇，凸现它们各自不同的美学品格与内在矛盾；而作为两晋际兴盛起来的般若学和基于般若学范畴展开的佛玄美学对话，是本文理论探讨的重要内容，惟其佛玄美学建构的丰富韵致与理论偏颇，才映衬了中观般若体系生成的美学意义；本文以中观般若体系具有的深在美学蕴涵及其对中国美学特出的范型意义为归结，指出正是中观般若体系实现了般若美学蕴涵与中国美学蕴涵的真正交融，这种交融从体系型态上把中国美学引向了新的生成之路。

And see no end to the landscape,new objects presenting themselves as we advan ce;so,in the commencement of life,we set no bounds to our inclinations.nor to the unrestricted opportunities of grastifying them.we have as yet found no obs tacle,no disposition to flag;and it seems that we can go on so forever.we look round in a new world,full of life,and motion,and ceaseless progress;and feel in ourselves all the vigour and spirit to keep pace with it,and do not foresee from any present symptoms how we shall be left behind in the natural course o f things,decline into old age,and drop into the grave.it is the simplicity,and as it were abstractedness of our feelings in youth,thatidentifie s us with nature ,and(our experience being slight and our passions strong)delu des us into a belief of being immortal like it.our short-lives connexion with existence we fondly flatter ourselves,is an indissoluble and lasting union-a h oneymoon that knows neither coldness,jar,nor separation.as infants smile and s leep,we are rocked in the cradle of our wayward fancies,and lulled into securi ty by the roar of the universe around us0we quaff the cup of life with eager h aste without draining it,instead of which it only overflows the more-objects p ress around us,filling the mind with their magnitude and with the strong of de sires that wait upon them,so that we have no room for the thoughts of death.

此时，但觉好风光应接不暇，而且，前程更有美不胜收的新鲜景致。在这生活的开端，我们听任自己的志趣驰骋，放手给它们一切满足的机会。到此为止，我们还没有碰上过什么障碍，也没有感觉到什么疲惫，因此觉得还可以一直这样向前走去，直到永远。我们看到四周一派新天地——生机盎然，变动不居，日新月异；我们觉得自己活力充盈，精神饱满，可与宇宙并驾齐驱。而且，眼前也无任何迹象可以证明，在大自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因而将自己跟大自然划上等号；并且，由于经验少而感情盛，误以为自己也能和大自然一样永世长存。我们一厢情愿，痴心妄想，竟把自己在世上的暂时栖身，当作千古不变、万事长存的结合，好像没有冷淡、争执、离别的密月。像婴儿带着微笑入睡，我们躺在用自己编织成的摇篮里，让大千世界的万籁之声催哄我们安然入梦；我们急切切，兴冲冲地畅饮生命之杯，怎么也不会饮干，反而好像永远是满满欲溢；森罗万象纷至沓来，各种欲望随之而生，使我们腾不出工夫想死亡。

Dongpeng has "casting the brand with quality, promoting the brand with science and technology, promulgating the brand with public praise" as its tenet, introduces the most advanced equipment and technology in the world. Through independent research and development, it has won 192 national patent technologies, successfully developed a number of new technologies to fill the gaps in this industry; successfully launched the new products, such as vitrified tiles of "Soluble Salts","Super White,""Double Charge,""Fly Sky Stone","Sand stone","Corallite", which are popular to consumers and have launched a decorative trend of "all yellow" and "all white" in China; it has taken a lead to launch the products such as "Carrara","Navona"; antique tiles of "Zodiac","Pininfanina","Bayadela". At the same time, it has integrated modern high-tech products with oriental ceramic culture, melted into the artistic life of the people, created the flexible spaces such as cultural home space, fashionable commercial space, entire kitchen bath space, exhibition space for industrial products, hanging space of external walls and entire bath sanitation living space, etc., which leads the trend of this industry.

东鹏以品质铸就品牌、科技推动品牌、口碑传播品牌为宗旨，引进世界最先进的设备及技术，经自主研发，先后获得国家专利技术192项，成功研发了多项新技术填补了行业空白；成功推出玻化砖&金花米黄&、&天山石&、&银河石&、&飞天石&、&砂岩石&、&珊瑚玉&&金碧辉煌&等受消费者推崇的新产品，掀起全国&一片黄&与&一片白&的装饰潮流；领先推出代表中国乃至国际顶尖技术的&卡拉拉&、&洞石&、&纳福娜&洞石等产品；仿古砖&花样年华&、&宾利法尼亚&、&芭雅黛拉&等产品，同时把现代高新技术产品和东方陶瓷文化结合起来，开发了具有民族文化的&艺术壁画&，融入人们的艺术生活，缔造了家居文化空间、时尚商用空间、整体厨卫空间、工业品展示空间、外墙干挂空间及整体卫浴生活馆等灵性空间，引领着行业潮流。

The main customer has the Hilton Hotel management companies, holiday groups, New World Hotel Management Company, Cheung Kei Hotel Management Co., Ltd., Guanlan Golf Club, and the Philippines and so on Seaview Hotel Management Company, the Company in order to better serve the customer in the network to provide information, develop environmentally friendly products, the new set up more than 500 square meters near the luxury of large exhibition halls, the Acting hotels, guesthouses dedicated hall supplies, floor cleaning equipment and supplies, room and catering essential goods and ensure that customers can one-stop type of procurement. Products mainly produces the following: grass cloth products: bed linen, quilt, pillow case, kapok pillows, down pillows, air-conditioning was, down quilts, quilts, protection pads, blankets, washcloth, towel, and towels, towel, bathrobe, shower curtain , tablecloth, aprons ...... day-to-day supplies: dental equipment, soap, comb, shampoo, bath liquid, conditioner, moisturizer, shower cap, slippers, matches, shaver, cotton, nail file, ball pens, trash bags, tissues ......

主要客户有希尔顿酒店管理公司、假日集团、新世界酒店管理公司、祥祺酒店管理有限公司，观兰高尔夫球会、以及菲律宾海景酒店管理公司等等，本公司为了更好地服务于客户，在网络上提供信息，开发环保式产品，新设近500多平方米的豪华大型展厅，代理酒店、宾馆专用大堂用品、楼层清洁设备及用品、客房及餐饮必备品，确保客户能一站式采购。

In order to improve the stability and reliability of the models, especially in the marine platform drilling rig in order to meet the high standards and strict power requirements, CPC Jinan Diesel power demands in accordance with domestic oil market situation and the company markets products in the oil field use, decided to 4012 Long-stroke diesel engine is fully optimized and updated, and comprehensively improve the models of economy, adaptability, especially in reliability to achieve new breakthroughs to make it into a completely independent intellectual property rights, high reliability, power, good , fuel consumption is low, high degree of automation of the diesel engine, making it the leading, world-class level, can completely replace the current oil market, the corresponding power of China's imports of aircraft-grade new model.

为了提高该机型的稳定性和可靠性，特别是为了满足海洋平台对钻机动力的高标准严要求，中油济柴根据国内石油市场动力需求现状和公司产品在油田市场的使用情况，决定对4012型长冲程柴油机进行全面优化和更新，全面提高该机型的经济性、适应性，尤其在可靠性方面实现新的突破，使其成为具有完全自主知识产权的、可靠性高、动力性好、油耗低、自动化程度高的柴油机，使其成为国内领先、具备世界一流水平、可完全替代目前我国油田市场上相应功率档次进口机的新机型。

CERATIP KYOCERA, is cutting tools is Japan KYOCERA KYOCERA company in the world's most advanced precision ceramic technology as the core of the new generation of turning, milling and CNC machining centers on the use of cutting tools manufacturers, the company specialized in diligently unremitting spirit of innovation, and advanced technology, the application of the material in the different needs of customers, with more and more durable of the target, developed a new generation of pottery and porcelain, metal ceramics, the metal ceramic coatings, carbide and carbide coating, diamond and CBN, and other types of tools, the main products are inside and outside the turning tools, small parts processing cutting tool, cutting tool, cutting tool, drilling, thread milling cutter, plane, end milling machining tool with etc.

京瓷CERATIP尚乐特刀具是日本KYOCERA公司以世界最领先的精密陶瓷技术为核心的新一代车削、铣削及数控加工中心上使用的可转位刀具的专业刀具生产厂商，公司以努力不懈的创新精神，加上最先进的材料技术的应用，针对客户的不同需要，本着的目标，开发了新一代的陶瓷、金属陶瓷、金属陶瓷涂层、硬质合金及硬质合金涂层、金刚石及立方氮化硼等各种类型的刀具，主要产品有内、外园车削刀具、小零件加工刀具、切槽、切断刀具、车螺纹刀具、钻孔刀具、平面铣削加工刀具、端铣刀具等等。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a profound impact.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远的影响。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。