查询词典 The Listener

But as the tracks unfold, the listener feels as though the musical journey is going to many different places, including a soulful stop in "Marrakesh," which includes passages from many of Govi's more exotic stringed instruments, and the "Road to Istanbul," where the oud and steel strings lead and the sitar follows.

这张专辑就像一曲颂歌，是他长期投身东方音乐的结晶，是他在印度居住九年后的第一部作品。然而，在音乐进行下去的时候，听众会感到随着音乐游历在许多各种不同的地点。这张专辑中包括了充满热力的"Marrakesh"，这是Govi将许多外国乐器连串演奏的章节；在"Road to Istanbul"中，起先出现的是五德琴与钢弦的演奏，而后是锡塔琴演奏的曲调。

For a raga to truly colour the mind of the listener, its effect must be created not only through the notes and the embellishments, but also by the presentation of the specific emotion or mood characteristic of each raga.

要让一曲RAGA真正为听众的心灵渲染上色彩，其效果必须不仅仅通过创造华丽的音符，每曲RAGA更需要表达某种特殊的情感或心绪。

One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow; And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter Of the January sun; and not to think Of any misery in the sound of the wind, In the sound of a few leaves, Which is the sound of the land Full of the same wind That is blowing in the same bare place For the listener, who listens in the snow, And, nothing himself, beholds Nothing that is not there and the nothing that is.

若想敬仰松树枝干层层为霜雪覆盖，你得具备冬天的头脑。在寒冷中持久凝视，那冰雪蓬松的刺柏丛林，那闪烁在远处腊月阳光下的迷漫云杉。不要去想那风声和树叶夹带着的凄凉。这声音是风地里的声音，这风是为在空地上的你而吹。在雪里聆听的人儿啊，听着与己无关的事儿，那儿不存在的东西看见，眼里只有现存的一片空旷。

This study first explores the feeling of the listener from the point of view of Philosophy-aesthetics and therefore establishes the aesthetic foundation for the research of soundscape.

本研究成果之一的"听能形成"是建立声音感性的训练和教育系统，是建立正确的声音意识，培养对声音感性的有效方法。

However, in a song such as That's Right/Jiu Shi, the trippy music starts off as contemporarily as Twitter before the entrance of the traditional guzheng, crunchy rock guitar and Ember's gorgeous jazzy vocals delight the listener to a Zen expression of minimalist lyrics:"This is exactly the kind of music…..this is exactly who I am."

比如在That's Right这首歌中，一开始是梦幻般的像Twitter那样现代派的音乐，而后是传统的古筝，随之相伴而来的是摇滚吉他和子玉那美妙而具有Jazz风格的歌声，用毫不夸张的抒情格调，带来的是禅宗式的愉悦：这正是我要的音乐。。。。。

Chains were rattling, fierce and stern voices uttered threats, and the scourge resounded at their command. All these noises deepened and became substantial to the listener's ear, till she could distinguish every soft and dreamy accent of the love songs that died causelessly into funeral hymns. She shuddered at the unprovoked wrath which blazed up like the spontaneous kindling of flame and she grew faint at the fearful merriment raging miserably around her.

镣链咔咔作响，有人发出恶毒的威胁，鞭子在他们的命令下不停抽打，所有的噪音听起来越来越大，越来越响，直到她听到柔美梦幻的情韵都无缘变成葬礼上的挽歌，莫名的愤怒如自燃的火苗般爆发，让她战栗不已；而她身边狂暴的可怕笑声又让她魂不附体。

The key indicators will be the amount of strain caused to the listener, the amount of speech which is unintelligible and the noticeability of L1 influence.

主要特征包括发音对于考官造成理解困难的程度以及母语影响的程度。

The one saunters, the other grovels. And to the surprise of the listener, Jesus says God responds to the man with the dirty face, and rejects Mr. Clean.

但，出乎听众意料之外的是，耶稣说上帝回应那个面容污秽的税吏，却拒绝了乾净的法利赛先生。

It is noted as one of the longer and more difficult cadenzas in the classical piano repertoire, taking the listener all the way to the climax.

在古典钢琴演奏曲目中，这段华彩乐段以更长更难而著名，一路将听众带到高潮。

Firstly, we need to understand what is meant by the Buddha's saying that his long, profound sutras are both an elixir and a poison: such sutras as the " prajnaparamita " sutras, which emphasize Emptiness ( shunyata -or open paciousness) and the lack of a particularised inherent nature in every phenomenon, can easily be misunderstood as proclaiming a form of nihilism and thus can have a depressing, poisonous effect upon the listener, if the true meaning (that of limitless freedom and innermost stillness and tranquility within each phenomenon) is not grasped.

首先，我们需要理解佛所说的他的漫长的，深奥的佛经即使妙药也是毒药；这样的佛经就如般若经，他强调空性但是缺乏每个现象具体的内在性质，这很容易被误解为宣扬形式上的虚无主义并且对听者来说有一个令人忧郁的，有毒的效果，如果真实的意义（由于无限的自由和在每个现象的内心的寂静和平静）是不能掌握的。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。