查询词典 The Glass Menagerie

This thesis is to probe into the mature of the dramatic technique through meticulous study on the symbolic and expressionistic writing techniques and the interrelations of them in The Glass Menagerie and A Streetcar Named Desire.

文章通过详细地比较《玻璃动物园》和《欲望号街车》中象征主义和表现主义创作手法的运用及其交融的程度，来考察其&诗化现实主义&的创作方法的成熟这一特定阶段。

In his play The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, Cat on a Hot Tin Roof, owing to Tennessee Williams's own life experience in the South, he portrayed a group of young women of the South, who are lonely, chill, coward and abnormal state of mind, and he demonstrated that these women, called the last aristocrats, could not adapt to the changes of the regime, and he also showed us the conflict between the old South culture and the modern culture as reflected in the women characters.

在他的作品《玻璃动物园》《欲望号街车》《夏天和烟》《热铁皮屋顶上的猫》等著作中，他以本人南方为背景，以细腻、委婉而有饱含同情的笔触刻画了1群孤独、失意、怯懦而心灵扭曲的女性形象，揭示了这批旧南方遗留下来的&最后贵族&在社会制度更迭时无所适从的心理。

In his play The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, Cat on a Hot Tin Roof, owing to Tennessee Williams's own life experience in the South, he portrayed a group of young women of the South, who are lonely, chill, coward and abnormal state of mind, and he demonstrated that these women, called the last aristocrats, could not adapt to the changes of the regime, and he also showed us the conflict between the old South culture and the modern culture as reflected in the women characters.

在他的作品《玻璃动物园》《欲望号街车》《夏天和烟》《热铁皮屋顶上的猫》等著作中，他以本人南方为背景，以细腻、委婉而有饱含同情的笔触刻画了一群孤独、失意、怯懦而心灵扭曲的女性形象，揭示了这批旧南方遗留下来的&最后贵族&在社会制度更迭时无所适从的心理。

Such dramatic tragedy as The Glass Menagerie is to explore the existential conditions of the characters, which is a reflection of human existential conditions.

像《玻璃动物园》这样的悲剧旨在探索人物的生存状况，这也是人类生存状况的一种集中反映。

Almost all performances of The Glass Menagerie have followed the Acting Edition of the play, created to reflect the dialogue and staging of the first production.

几乎所有的性能玻璃动物园已跟随代理版的发挥，建立以反映对话和分期中的第一个生产。

In the analysis, the author also makes a comparison between the two plays to give evidence to the statement that A Streetcar Named Desire is much better than The Glass Menagerie in its use of plastic form.

最后，作者得出结论，在《玻璃动物园》和《欲望号街车》两部剧作中，田纳西·威廉斯充分利用造型戏剧技巧，更好地展现了人物的心理和剧作的主题。

Ibsen and Chekhov by the usual symbolism,"The Glass Menagerie", the name itself, i.e. that it a deeper symbolic meaning.

易卜生和契诃夫所惯用的象征主义《玻璃动物园》，剧名本身即已指出了它深一层的象征意义。

This paper analyzes the three characters in The Glass Menagerie:Amanda,Tom and Laura on the basis of the Doctrine that One Should Be Carefree and Able to Adapt Oneself to the Existing Environmentof Chuang Tzu,and concludes that Laura who enjoys a spiritual freedom,remains true to herself.

研究普遍认为，威廉斯的名剧《玻璃动物园》中描述了一群失败者，一群挣扎在社会边缘的逃避者、孤独者和梦幻者。而本文将利用庄子思想对该剧人物进行相反解读：三人在通往心灵转化的道路上代表了三个不同的层次，而劳拉正视真我，是拥有精神自由的女庄子。

His father was a salesman at the age of 16 when Williams published his first novel,.1930, he was entered the University of Missouri in Colombia, in 1932, after dropping out of school had been a worker .1936-1937 years, he was studying at Washington University in St. Louis, where he published his first screenplay .1937, he graduated from college in Iowa, the same year, first published short stories .1940 signed Williams, the Drama Society staged in Boston, his "angel of the battle", performing failure .1944 "The Glass Menagerie" in Chicago, after the performance, he became a professional writer .1983 2 On 25, he was found dead in New York, a hotel, according to the autopsy report was wrong Tunyao cap suffocation.

他的父亲是推销员，威廉斯在16岁时就发表了他的第一篇小说。1930年他进了哥伦比亚的密苏里大学，1932年辍学后当过工人。1936—1937年间，他在圣路易斯华盛顿大学学习，在那里发表了他的第一部剧本。1937年，他在衣阿华大学毕业，同年发表了第一篇署名威廉斯的短篇小说。1940年，戏剧协会在波士顿上演他的《天使的战斗》，演出失败。1944年《玻璃动物园》在芝加哥演出后，他成为专业作家。1983年2月25日，他被人发现死在纽约的一家旅馆里，据验尸报告是误吞药瓶盖窒息而死。

His three most critically acclaimed plays, The Glass Menagerie (1945), A Streetcar Named Desire (1947) and Cat on a Hot Tin Roof (1955) are widely studied from many perspectives, which map the contours of Williamss literary achievements in great detail.

玻璃动物园》、《欲望号街车》和《热铁皮屋顶上的猫》是威廉斯最成功的三部代表作品。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。