查询词典 The Glass Menagerie

Rose, the model for Laura in The Glass Menagerie, suffered from mental illness later in life and eventually underwent a prefrontal lobotomy, an event that was extremely upsetting for Williams.

玫瑰，模型的劳拉在玻璃动物园，患有精神疾病以后的生活中，并最终接受了额叶lobotomy ，一项活动，是极其镦威廉姆斯。

In December of 1944 , The Glass Menagerie was staged in Chicago, with the collaboration of a number of well-known theatrical figures.

去年12月的1944年，玻璃动物园是在芝加哥举办的合作下，一些著名的戏剧人物。

Around 1941 , Williams began the work that would become The Glass Menagerie.

大约1941年，威廉姆斯开始的工作，将成为玻璃动物园。

Thus, The Glass Menagerie is more than a family life; it is a reappearance of the tragic life of American people in Williams time and place.

因此《玻璃动物园》不仅仅是对一个家庭的生活状况的描写；它也是威廉姆斯那个时代美国人民悲惨生活的写照。

In 1973 , the American Broadcasting Corporation staged The Glass Menagerie for television, with Katherine Hepburn as Amanda.

1973年，美国广播公司举办了玻璃动物园电视，与凯瑟琳赫本的阿曼达。

And The Glass Menagerie also dances that

在该剧中我们可以看到介于脆弱的回忆和残酷的现实之间的一种舞蹈。

In this thesis, I probe into this theme in his three most classical plays: A Streetcar Named Desire, The Glass Menagerie, and Cat On a Hot Tin Roof.

本文就其三部最经典的戏剧《欲望号街车》、《玻璃动物园》和《热铁皮屋顶上的猫》对此问题进行了探讨。

Thanks to the efforts of Williams's faithful agent, Audrey Wood, The Glass Menagerie was picked up by Eddie Dowling, an actor, director, and producer.

经过努力，威廉姆斯的忠实代理人，奥黛丽木材，玻璃动物园是拾起埃迪林，演员，导演和制片人。

Jesica Lange and Christian Slater - Seen here talking to fans after a performance of The Glass Menagerie....

jesica兰格和基督教斯莱特-歌迷看到这里交谈后表现的玻璃动物园

His three most critically acclaimed plays, The Glass Menagerie (1945), A Streetcar Named Desire (1947) and Cat on a Hot Tin Roof (1955) are widely studied from many perspectives, which map the contours of Williams's literary achievements in great detail.

玻璃动物园》、《欲望号街车》和《热铁皮屋顶上的猫》是威廉斯最成功的三部代表作品。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。