查询词典 The Door

Should I double-lock the door?

"要不要把门紧紧锁上？"

We were sitting in a draughty position near the door.

我们坐在门边有穿堂风经过的地方。

We sit in a draughty position near the door.

我们坐在门边有穿堂风经过的地方。

One adjutant was sitting in a Persian dressing-gown writing at a table near the door.

一名穿波斯式长衫的副官坐在靠近房门的桌旁写字。

He weaved drunkenly to the door.

他迈着摇摇晃晃的醉步走到门口。

Slamming the door in Meg's face,Aunt March drove off in high dudgeon Louisa May Alcott

玛奇阿姨当著麦格的面呼地关上门，十分生气地开车走了路易萨·梅·奥尔科特

He opened the door with a duplicate key .

他用一把复制的钥匙打开了门。

He shut the door with an ear-splitting bang.

他把门咣地一声关上，响得震耳欲聋。

You get up to the door of his suite and are met by a security guard with a suit and a Secret Service-style earpiece and you know that you're right.

你可以走出房门，然后身边跟了一大堆保镖和一系列的完整的特殊的类型的服务，然后你觉得自己所做的一切都是对的。

They stand at the door, he and Eccles' baby-skinned wife

他和埃克里斯这位细皮嫩肉的妻子伫立在门口。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。